{"title":"密集的影像与诗意的电影传统——鲁伊斯、德仁、帕索里尼、布努埃尔与德勒兹札记","authors":"Cristóbal Escobar","doi":"10.3366/film.2023.0240","DOIUrl":null,"url":null,"abstract":"Film-Philosophy, Volume 27, Issue 3, Page 424-442, October, 2023. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"9 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Intensive-Image and the Poetic Film Tradition: Notes on Ruiz, Deren, Pasolini, Buñuel and Deleuze\",\"authors\":\"Cristóbal Escobar\",\"doi\":\"10.3366/film.2023.0240\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Film-Philosophy, Volume 27, Issue 3, Page 424-442, October, 2023. <br/>\",\"PeriodicalId\":42990,\"journal\":{\"name\":\"Film-Philosophy\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-10-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film-Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/film.2023.0240\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/film.2023.0240","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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