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Hipogrifo-Revista de literatura y cultura del Siglo de Oro最新文献

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Reseña de Luigi Giuliani; Victoria Pineda (eds.), «La edición del diálogo teatral (siglos XVI-XVI)», Firenze, University Press, 2021, 173 pp. ISBN: 978-88-5518-224-9
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.67
Valeria Marrella
{"title":"Reseña de Luigi Giuliani; Victoria Pineda (eds.), «La edición del diálogo teatral (siglos XVI-XVI)», Firenze, University Press, 2021, 173 pp. ISBN: 978-88-5518-224-9","authors":"Valeria Marrella","doi":"10.13035/h.2023.11.01.67","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.67","url":null,"abstract":"","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87468026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«El buscón» (1975) de Luciano Berriatúa, una adaptación de «El Buscón» de Quevedo, la picaresca y la literatura del Siglo de Oro 卢西亚诺berriatoa的《El buscon》(1975)，改编自克维多的《El buscon》、流浪汉和黄金时代的文学
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.56
Agustín Gómez Gómez, Nekane Parejo
{"title":"«El buscón» (1975) de Luciano Berriatúa, una adaptación de «El Buscón» de Quevedo, la picaresca y la literatura del Siglo de Oro","authors":"Agustín Gómez Gómez, Nekane Parejo","doi":"10.13035/h.2023.11.01.56","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.56","url":null,"abstract":". Luciano Berriatúa made in 1975 the only film adaptation of El Bus-cón de Quevedo. It follows the literary text, maintaining the essentials to make it recognizable. The most relevant aspects are the construction of the dialogues, the narrative form it adopts, the correspondences, alterations, deletions and additions, including those of other Golden Age authors who are not in the hypotext. We high-light the use of cinematographic transitions because they provide a sequentiality that the novel does not have. In this study these aspects are analyzed and, in addition, the social question is considered, which in the film maintains the Quevedian idea of denying social ascent, but with a vindication of his rogue status and with a criticism of the noble class.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"50 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73862410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Aquí se contiene un coloquio muy curioso»: teatro religioso y villancicos en un pliego suelto de 1658 “这里有一个非常奇怪的对话”:宗教戏剧和1658年的圣诞颂歌
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.38
Mónica García Quintero
{"title":"«Aquí se contiene un coloquio muy curioso»: teatro religioso y villancicos en un pliego suelto de 1658","authors":"Mónica García Quintero","doi":"10.13035/h.2023.11.01.38","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.38","url":null,"abstract":". The Golden Age is one of the most complex and interesting periods of Spanish literature. The 16 th and 17 th centuries were the time of innovation since, from them, a literary tradition was born such as had not been seen before: writers and printers soon gave themselves over to experimentation, in every sense of the word. The purpose of this article is to study a paper printed in Madrid in 1658 that contains a pastoral colloquium, about Christmas, and three villancicos. The most outstanding aspects of the colloquium will be analyzed: actions represented, characters, the influence of biblical texts... The objective is to elucidate how close the work is to the Christmas dramatic tradition, so typical of the plays written during the late Middle Ages and the Renaissance. On the other hand, the carols that end the performance will also be analyzed. These texts show a remarkable particularity in terms of authorship, which could difficult to accurately assign them to one of the subgenres of religious poetry.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"50 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84954854","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hacia una definición del sermón profético femenino: liturgia y exégesis visionaria en las obras de Elisabeth von Schönau (1129-1164/1165) y Juana de la Cruz (1481-1534) 走向女性先知布道的定义:伊丽莎白·冯schonau(1129-1164/1165)和十字架上的乔安娜(1481-1534)作品中的礼拜仪式和幻想注释
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.51
Pablo Acosta-García
{"title":"Hacia una definición del sermón profético femenino: liturgia y exégesis visionaria en las obras de Elisabeth von Schönau (1129-1164/1165) y Juana de la Cruz (1481-1534)","authors":"Pablo Acosta-García","doi":"10.13035/h.2023.11.01.51","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.51","url":null,"abstract":"Realizo un análisis comparativo entre ciertos sermones del Libro del conorte, que recoge parte de la predicación extática de la abadesa fransciscana Juana de la Cruz (1481-1534), y algunas de las revelaciones públicas o semi-públicas de Elisabeth von Schönau (1129-1164/1165). A pesar de los años que separan la obra de estas visionarias, profundizo en el estudio de una serie de características compartidas por ambas: el profetismo como una de las dos posibilidades de la predicación femenina medieval, la liturgia como causa y escenario colectivo de la revelación y, por último, la visión como una forma de exégesis bíblica. Ello me permite definir un marco de referencia cronológico y teórico que posibilitará el estudio de la predicación femenina como una tradición europea en un futuro cercano.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135938742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La meditatio mortis en verso: insólitos cauces híbridos de difusión escrita 诗歌中的死亡冥想:书面传播的不同寻常的混合渠道
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.32
Inmaculada Osuna
{"title":"La meditatio mortis en verso: insólitos cauces híbridos de difusión escrita","authors":"Inmaculada Osuna","doi":"10.13035/h.2023.11.01.32","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.32","url":null,"abstract":"copresencia real","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"12 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75577482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marcos espacio-temporales de inmediatez en obras dramáticas de las bases de datos EMOTHE, ARTELOPE y CALDERÓN DIGITAL 来自EMOTHE、ARTELOPE和calderon DIGITAL数据库的戏剧作品的即时时空框架
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.26
Jesús Tronch Pérez
{"title":"Marcos espacio-temporales de inmediatez en obras dramáticas de las bases de datos EMOTHE, ARTELOPE y CALDERÓN DIGITAL","authors":"Jesús Tronch Pérez","doi":"10.13035/h.2023.11.01.26","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.26","url":null,"abstract":". A quantitative and comparative study of the employment of space-time frames of proximity, as information registered in electronic databases, in the plays of the CANON 60 collection of Spanish Golden Age drama, in the selected English plays in the EMOTHE project, as well as in the «comedias» of Lope de Vega and of Calderón de la Barca, and the commercial plays by William Shakespeare and by Ben Jonson. The space-time frame of proximity is defined as the geographical and chronological setting of the play’s story that is located, in whole or in part, in the territory, state or country (and its capital city) to which the early spectators belong, and in a culturally contemporaneous period. The electronic databases consulted are those of the projects EMOTHE, ARTELOPE and CALDERÓN DIGITAL. This pre-liminary study, which also relates the use of these space-time frames with dramatic genres, seeks to contribute to a comparative history of the classics of European theatre, seen a cultural heritage of all Europeans.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"24 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82395071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El gran duque de Osuna en el teatro: de Monroy a Bances Candamo 奥苏纳大公在剧院:从蒙罗伊到班斯·坎达莫
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.60
B. Oteiza
{"title":"El gran duque de Osuna en el teatro: de Monroy a Bances Candamo","authors":"B. Oteiza","doi":"10.13035/h.2023.11.01.60","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.60","url":null,"abstract":". The Grand Duke of Osuna is the protagonist of two plays, Las moce-dades del duque de Osuna , by Monroy and Más vale el hombre que el nombre by Bances, which respectively stage his adventurous youth and later deeds in Flan-ders. Although written at two different dates, they were performed in the Corrales de Comedias in the same year and with the same purpose: the promotion of the new VI Duke of Osuna.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"34 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82444934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poesías, villancicos y fiestas en el Carmelo Reformado de los siglos XVI y XVII: la frontera entre lo lírico y lo teatral 十六、十七世纪改革后的卡梅尔的诗歌、颂歌和节日:抒情与戏剧的边界
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.31
Esther Borrego Gutiérrez
{"title":"Poesías, villancicos y fiestas en el Carmelo Reformado de los siglos XVI y XVII: la frontera entre lo lírico y lo teatral","authors":"Esther Borrego Gutiérrez","doi":"10.13035/h.2023.11.01.31","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.31","url":null,"abstract":". Teresa de Jesús was very fond of celebrating liturgical feasts and introduced this tradition in the primitive foundations. She herself composed villanci-cos, lyrical poems for various festivities but also for professions and taking of habit. The convents of the recent Reformed Carmel celebrated the different milestones of the liturgical year with music, theater and poetry, especially Christmas, but also the professions of the nuns and other festivals such as Corpus Christi, those of certain saints or invocations of the Virgin Mary, among other. Many Carmelites took up the pen, following in the footsteps of the foundress, and wrote hundreds of texts to brighten up these festivities, most of them unpublished. The task of discovering these texts is an exciting one, and contributes to the recovery of a unique heritage of our Golden Age: the forgotten literature written by women.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"3 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86413261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tradición e innovación en torno a un pueblo fabuloso: los pineos del «Policisne de Boecia» (1602), de Juan de Silva y de Toledo 传统和创新围绕着一个神话般的村庄:胡安·德·席尔瓦(Juan de Silva)和托莱多(Toledo)的“波西西亚Policisne de Boecia”(1602)的松树
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.52
W. J. Carrizo
{"title":"Tradición e innovación en torno a un pueblo fabuloso: los pineos del «Policisne de Boecia» (1602), de Juan de Silva y de Toledo","authors":"W. J. Carrizo","doi":"10.13035/h.2023.11.01.52","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.52","url":null,"abstract":". The literary genre of the Spanish romances of chivalry (16th-17th centuries) preserves many monstrous categories of medieval chivalric literature. However, its giants, dwarves, dragons, savages and hybrids coexist with beings with Greco-Latin roots, such as basilisks, centaurs and minotaurs. To these we can add the pygmies, extraordinary race of men of small dimensions that makes its appearance, under the name of “pineos”, in the last of its original printed titles: Policisne de Boecia (1602) by Juan de Silva y de Toledo. However, because many portents from the classical teratological tradition appear in the Spanish romances of chivalry showing figurative changes and/or meaning derived from their passage through the Middle Ages, it is worth asking whether the pineos of the Policisne are crossed or not by the transforming gaze of medieval times, in addition to the particular perspective on the marvelous human beings of the genre itself. This is precisely the question that guides this article, which seeks to analyze their appearance and behavior, in order to determine their senses; degree of fidelity to their ancient precedents, and whether or not they exhibit traces of medieval reconceptualization of fabulous Greco-Roman creatures.","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"2 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87114586","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Antonio Mira de Amescua en ASODAT: testimonios, representaciones y censuras 来自Amescua的Antonio Mira在ASODAT:证词，陈述和审查
IF 0.2
Hipogrifo-Revista de literatura y cultura del Siglo de Oro Pub Date : 2023-06-01 DOI: 10.13035/h.2023.11.01.17
Emma María Marcos Rodríguez
{"title":"Antonio Mira de Amescua en ASODAT: testimonios, representaciones y censuras","authors":"Emma María Marcos Rodríguez","doi":"10.13035/h.2023.11.01.17","DOIUrl":"https://doi.org/10.13035/h.2023.11.01.17","url":null,"abstract":"","PeriodicalId":42908,"journal":{"name":"Hipogrifo-Revista de literatura y cultura del Siglo de Oro","volume":"5 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90092087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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