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Daisuke Miyao, Japonisme and the Birth of Cinema (Duke University Press, 2020) 宫尾大辅，日本电影与电影的诞生（杜克大学出版社，2020）
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2716
Ruoyi Bian
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引用次数: 0
High-Rise Visions: Surveillance, Architecture, and the Lacanian Gaze in Andrea Arnold’s Red Road 高层视野:安德里亚·阿诺德的《红色之路》中的监视、建筑和拉康式凝视
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2714
Sierra Komar
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引用次数: 0
The Sound of Glass Shattering: From the Modern Cityscape of Playtime to the Virtual Office of 2020 玻璃破碎的声音：从游戏时间的现代城市景观到2020年的虚拟办公室
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2711
Simone Hine
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引用次数: 0
The Tethered Shadow: Jordan Peele and Stanley Kubrick 被束缚的阴影：乔丹·皮尔和斯坦利·库布里克
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2715
J. McEntee
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引用次数: 1
Necessarily Problematic: Archival Looking in Arthur Jafa’s 'Love Is The Message, The Message Is Death' 必然存在的问题:阿瑟·贾法《爱是信息，信息是死亡》的档案审视
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2708
Zach Anderson
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引用次数: 0
Ariel Rogers, On the Screen: Displaying the Moving Image, 1926-1942 (Columbia University Press, 2019) 阿里尔·罗杰斯，《在屏幕上:展示运动图像，1926-1942》(哥伦比亚大学出版社，2019)
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2719
S. Oliver
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引用次数: 0
Virtuous Viewing 良性观看
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2710
Stephen Groening
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引用次数: 0
Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press) Gerald Sim，《东南亚电影中的后殖民汉文：空间、声音和稳定性的诗学》（阿姆斯特丹大学出版社）
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2718
D. Moore
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引用次数: 0
Freewheeling Through Film History: The Green Fog and the Vertigo of Time 穿越电影史：青雾与时间的迷魂
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2709
Russell Banfield
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引用次数: 0
Donna Kornhaber, Nightmares in the Dream Sanctuary: War and the Animated Film (The University of Chicago Press, 2020) 唐娜·科恩哈伯，《梦中避难所的噩梦:战争与动画电影》(芝加哥大学出版社，2020年)
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2717
Josh Heaps
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引用次数: 0
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