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Freewheeling Through Film History: The Green Fog and the Vertigo of Time 穿越电影史：青雾与时间的迷魂
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2709
Russell Banfield
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引用次数: 0
Gerald Sim, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (Amsterdam University Press) Gerald Sim，《东南亚电影中的后殖民汉文：空间、声音和稳定性的诗学》（阿姆斯特丹大学出版社）
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2718
D. Moore
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引用次数: 0
Donna Kornhaber, Nightmares in the Dream Sanctuary: War and the Animated Film (The University of Chicago Press, 2020) 唐娜·科恩哈伯，《梦中避难所的噩梦:战争与动画电影》(芝加哥大学出版社，2020年)
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2717
Josh Heaps
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引用次数: 0
Of People and Giants: The 74° Locarno Film Festival 人与巨人:74°洛迦诺电影节
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2720
Pascal M. Cicchetti
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引用次数: 0
The Frames That Unframe: Abbas Kiarostami’s Method of Decreation in 24 Frames 解构框架的框架:阿巴斯·基亚罗斯塔米在《24帧》中的创作方法
4区 艺术学
FILM CRITICISM Pub Date : 2022-06-22 DOI: 10.3998/fc.2713
Mohammad Mehdi Kimiagari
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引用次数: 0
Trotz alledem: The 72nd Berlin Film Festival 第72届柏林电影节
4区 艺术学
FILM CRITICISM Pub Date : 2022-03-15 DOI: 10.3998/fc.2471
G. Gemünden
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引用次数: 0
Look Busy: Chrematistics, Simulated Labor, and Signing for Time 看起来很忙:化学统计，模拟分娩，签到时间
4区 艺术学
FILM CRITICISM Pub Date : 2022-03-01 DOI: 10.1353/crt.2022.0010
JA Dutton
{"title":"Look Busy: Chrematistics, Simulated Labor, and Signing for Time","authors":"JA Dutton","doi":"10.1353/crt.2022.0010","DOIUrl":"https://doi.org/10.1353/crt.2022.0010","url":null,"abstract":"Abstract:This essay examines the modern temporization of labor to ask: what happens to the human subject that, in signing the labor contract, resigns their \"self\" to time? It begins by considering comments made by the \"actors\" in Jean-Luc Godard's Six fois deux / Sur et sous la communication (1976) as an interstice between labor, subjectivity, and capital, to argue for a confluence between all forms of inscription. It then shows how iterability, the infinite interpretability of inscription, offers a possibility of irrepressible difference, one that can never be timed out of laboring subjectivities or the writing that gives them.","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"32 1","pages":"185 - 210"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72916298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Detectives and Storytellers: On Vulnerability and Care in Leslie Scalapino's Genre Fiction 侦探与说书人:论斯卡拉皮诺类型小说中的脆弱与关怀
4区 艺术学
FILM CRITICISM Pub Date : 2022-03-01 DOI: 10.1353/crt.2022.0009
Nate Mickelson
{"title":"Detectives and Storytellers: On Vulnerability and Care in Leslie Scalapino's Genre Fiction","authors":"Nate Mickelson","doi":"10.1353/crt.2022.0009","DOIUrl":"https://doi.org/10.1353/crt.2022.0009","url":null,"abstract":"Abstract:Detective stories feature prominently in Leslie Scalapino's innovative novels Orion, Defoe, Orchid Jetsam, and Dahlia's Iris. The novels combine narratives of crimes and investigations typical of the detective genre with formal and linguistic disruptions developed and theorized by writers associated with Language Writing. This essay traces Scalapino's experimentation with the detective genre back to her confrontation with Language Writing's exclusionary emphasis on formal disruption, articulated most fully in her 1991 Poetics Journal dialogue with Ron Silliman. Drawing on Nel Noddings's and Judith Butler's theories of interdependence and care, it argues that Scalapino's detective stories foreground the constitutive nature of human vulnerability. In so doing, the essay extends Joan Retallack's, Małgorzata Myk's, and Michael Cross's recent studies of Scalapino's philosophical poetics. It proposes that Scalapino's critical engagement with the conventions of the detective genre informs her layered conceptions of being, experiencing, and conscious subjectivity and argues that her detective novels pursue a series of questions posed by Gertrude Stein and Walter Benjamin decades earlier: What roles do stories play in inspiring or inhibiting care? Given that vulnerability is a shared condition, who deserves care, and who is responsible for providing it? At what cost?","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"12 1","pages":"161 - 184"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83361157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conjuring Creative Citizenship Beyond Rights 超越权利的创造性公民
4区 艺术学
FILM CRITICISM Pub Date : 2022-03-01 DOI: 10.1353/crt.2022.0012
Elizabeth K. Swanson
{"title":"Conjuring Creative Citizenship Beyond Rights","authors":"Elizabeth K. Swanson","doi":"10.1353/crt.2022.0012","DOIUrl":"https://doi.org/10.1353/crt.2022.0012","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"40 1","pages":"217 - 223"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77552547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Writing through the Body 通过身体写作
4区 艺术学
FILM CRITICISM Pub Date : 2022-03-01 DOI: 10.1353/crt.2022.0013
Eileen DiPofi
{"title":"Writing through the Body","authors":"Eileen DiPofi","doi":"10.1353/crt.2022.0013","DOIUrl":"https://doi.org/10.1353/crt.2022.0013","url":null,"abstract":"","PeriodicalId":42834,"journal":{"name":"FILM CRITICISM","volume":"77 1","pages":"225 - 230"},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74440401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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