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引用次数: 0
摘要
摘要:本文考察了现代劳动的时间化,并提出了一个问题:人类主体在签订劳动合同时,把“自我”交给了时间,会发生什么?本文首先从戈达尔(Jean-Luc Godard)的《Six fois deux / Sur et sous la communication》(1976)中“演员”的评论出发,将其视为劳动、主体性和资本之间的间隙,以论证各种形式的铭文之间的融合。然后,它展示了可迭代性,铭文的无限可解释性,如何提供了一种无法抑制的差异的可能性,这种差异永远不会被劳动的主体性或给予它们的文字所限制。
Look Busy: Chrematistics, Simulated Labor, and Signing for Time
Abstract:This essay examines the modern temporization of labor to ask: what happens to the human subject that, in signing the labor contract, resigns their "self" to time? It begins by considering comments made by the "actors" in Jean-Luc Godard's Six fois deux / Sur et sous la communication (1976) as an interstice between labor, subjectivity, and capital, to argue for a confluence between all forms of inscription. It then shows how iterability, the infinite interpretability of inscription, offers a possibility of irrepressible difference, one that can never be timed out of laboring subjectivities or the writing that gives them.
期刊介绍:
Film Criticism is a peer-reviewed, online publication whose aim is to bring together scholarship in the field of cinema and media studies in order to present the finest work in this area, foregrounding textual criticism as a primary value. Our readership is academic, although we strive to publish material that is both accessible to undergraduates and engaging to established scholars. With over 40 years of continuous publication, Film Criticism is the third oldest academic film journal in the United States. We have published work by such international scholars as Dudley Andrew, David Bordwell, David Cook, Andrew Horton, Ann Kaplan, Marcia Landy, Peter Lehman, Janet Staiger, and Robin Wood. Equally important, FC continues to present work from emerging generations of film and media scholars representing multiple critical, cultural and theoretical perspectives. Film Criticism is an open access academic journal that allows readers to read, download, copy, distribute, print, search, and link to the full texts of articles, or use them for any other lawful purpose except where otherwise noted.