Classical Receptions Journal最新文献_第8页

Marvels and Commonplaces in the Elizabethan Anthologies 伊丽莎白时代选集中的奇迹与平凡

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-06-11 DOI: 10.1093/CRJ/CLAA019

T. Tregear

引用次数: 0

Exit Pursued by Horace: Bears, Shakespeare, and the Classical Tradition 贺拉斯的退路:熊、莎士比亚与古典传统

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-06-11 DOI: 10.1093/CRJ/CLAA026

Aaron J. Kachuck

{"title":"Exit Pursued by Horace: Bears, Shakespeare, and the Classical Tradition","authors":"Aaron J. Kachuck","doi":"10.1093/CRJ/CLAA026","DOIUrl":"https://doi.org/10.1093/CRJ/CLAA026","url":null,"abstract":"\u0000 This article puts the bear back in Horace, demonstrating the role bears have played from antiquity through the Renaissance as the great disruptor of the classical literary artefact, simplex et unum. The first section of the article treats bear’s place in ancient poetics. The second section exposes its role in Horace’s corpus, demonstrating how it instantiates both historical interpretive conflicts over one of Aristotle’s definition of the poet’s vocation and a wide range of Roman cultural and literary developments in the late first-century bce. The third and final section finds Horace’s bear stalking Renaissance artes poeticae and starring as the unstable genre-crossing centre of Shakespeare’s ‘The Winter’s Tale’ (1611). This article shows that Shakespeare’s bear has as much to do with the history of poetics (and the War of the Poets) as with the material history of stagecraft, which has often been the intriguing focus of scholarship on the bear. In addition to heightening our sense of the monstrous qualities of Augustan literature, and to troubling our notions about the classicism of classical literature, this article clarifies how classical poetics could function, in its own time and thereafter, as both analytic field and a literary genre sui generis.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":"13 1","pages":"86-106"},"PeriodicalIF":0.2,"publicationDate":"2021-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44684346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘Non per instituir altri’? Attitudes to Rule-Following in Sixteenth-Century Poetics “不搞别人”？十六世纪诗学对遵循规则的态度

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-06-11 DOI: 10.1093/CRJ/CLAA021

M. Hetherington

{"title":"‘Non per instituir altri’? Attitudes to Rule-Following in Sixteenth-Century Poetics","authors":"M. Hetherington","doi":"10.1093/CRJ/CLAA021","DOIUrl":"https://doi.org/10.1093/CRJ/CLAA021","url":null,"abstract":"\u0000 Literary historians tend to associate a poetics of rule-following with seventeenth-century neoclassicism, and with the sixteenth-century Italian commentators and theorists on whom the neoclassical critics drew; but thinking about the value and limitations of rules for writing is a pervasive and philosophically distinctive feature of pre-modern poetics more generally. Drawing on texts from different national literatures, on the literary theory of classical antiquity, on reflections on rule-following in non-literary early modern disciplines, and on some of the rich thinking on rules by modern philosophers, this article attempts to identify and describe some of the distinct kinds of rule-making and rule-following that constituted the discipline and practice of poetics in the sixteenth-century. To do so it focuses on three texts: Jodocus Badius Ascensius’ edition of Horace’s Ars poetica (1503), which divides the text up into ‘regulae’; Julius Caesar Scaliger’s Poetices libri septem (1561), which probes the ways in which ancient texts might function as ‘normae’ to which literary practice might be referred; and Samuel Daniels’ Musophilus (1599), which deeply if idiosyncratically meditates on the poet’s obligations and freedoms, and voices a profound scepticism about a literary practice that conforms to rules inherited from prior writers or imposed by critics.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":"13 1","pages":"9-30"},"PeriodicalIF":0.2,"publicationDate":"2021-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42414492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Parallel Lives: Shakespeare and the Debate Over Emotional Involvement 平行人生：莎士比亚与情感介入之争

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-06-11 DOI: 10.1093/CRJ/CLAA017

J. Hall

{"title":"Parallel Lives: Shakespeare and the Debate Over Emotional Involvement","authors":"J. Hall","doi":"10.1093/CRJ/CLAA017","DOIUrl":"https://doi.org/10.1093/CRJ/CLAA017","url":null,"abstract":"The decades around 1600 saw a Europe-wide vogue for artists, writers, orators, and actors to fully identify with their sitters, subjects, or characters, the practice often being justified with the Horatian dictum, ‘If you want me to cry, mourn first yourself’ (Russell and Winterbottom 1972: 282 [Ars 101]). Among the more extreme manifestations are the young sculptor Gian Lorenzo Bernini, who in 1617 burnt himself while preparing to carve the martyrdom of St Lawrence on a gridiron, and the French actor Montdory, famous for full-throttle mad scenes, who in 1637 suffered a paralytic stroke to the tongue and right arm while acting Herod (Bernini 1713: 15; Bernini 2011: 103; Wiley 1960: 103–6).1 The philosopher and heretic Tommaso Campanella (1568–1639) cited Horace’s dictum in his treatise of rhetoric (Campanella 1954: 751, 763), adding yawning to the roster of expressions — ‘if you want me to yawn, yawn first yourself…’. When Campanella was in the Inquisition’s prison, he became notorious for mimicking people’s physiognomy, sometimes only on the basis of a verbal description, claiming it enabled him to read their mind. He would grimace as he imagined he possessed their features and even hair, so that visitors thought he was suffering the permanent affects of torture, or was insane (Campanella 2007: 116–17; Gaffarel 1629: 266–70). The purpose of this essay is two-fold. I want to historicize this ‘baroque’ fashion, arguing that the rediscovery of Aristotle’s Poetics helped put what I term sympathetic mimicry centre stage. I will also analyse four relevant scenes from Shakespeare — three of which centre on portrait painting — in which the issue of sympathetic mimicry is explored in various ways. I shall argue that Shakespeare exhibited both fascination and scepticism for this classical technique and the raw power it unleashes, and that he particularly associated it with painters.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":"13 1","pages":"67-85"},"PeriodicalIF":0.2,"publicationDate":"2021-06-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42216013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Not cricket, not classics? A case study in the limits of reception 不是板球，不是经典?接收限制的个案研究

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-06-07 DOI: 10.1093/CRJ/CLAA022

A. H. Lushkov

引用次数: 0

Heidegger, classical reception and the discourse of modernity: a crisis in thinking 海德格尔、古典接受与现代性话语:一场思想危机

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-06-07 DOI: 10.1093/CRJ/CLAB006

J. M. Walsh

{"title":"Heidegger, classical reception and the discourse of modernity: a crisis in thinking","authors":"J. M. Walsh","doi":"10.1093/CRJ/CLAB006","DOIUrl":"https://doi.org/10.1093/CRJ/CLAB006","url":null,"abstract":"\u0000 Heidegger, perhaps the most influential philosopher of the last century, sought to do something with the Greeks never done before: to establish a new tradition of thinking. He saw in their literature and philosophy a concern with what is most essential and vital to man, and which has been glossed over and forgotten in modern thought. Controversial as his readings are, the exploration given here of Heidegger’s attempt to revive the spirit of Greek thinking reveals not only the fundamentally receptive nature of his philosophy but also the philosophical import of classical reception. While few would argue that Heidegger initiated a new tradition, he set in motion an intellectual crisis surrounding how the ills of modernity are rooted in modes of thought we must overcome. By making the Greeks the solution to this, Heidegger shifted the so-called ‘discourse of modernity’ to an assessment of the Greek’s impact on thinking today and their potential for us to think anew. As such, he made classical reception the vehicle for both understanding and critiquing the form of Modernity and its thinking. Therein lies the value of Heidegger for classical reception, because he gives it the intellectual impetus to confront what man is today.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41712511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Medea and other women in Jules Dassin’s Never on Sunday 美狄亚和其他女人在朱尔斯·达辛的《星期日永不》中

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-04-17 DOI: 10.1093/CRJ/CLAB003

Georgia Sermamoglou-Soulmaidi

引用次数: 0

Humanity and revolution in José Fuentes Mares’ ‘La joven Antígona se va a la guerra’ 何塞·富恩特斯·马雷斯的人道主义与革命“年轻的安提戈涅去打仗”

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-02-02 DOI: 10.1093/CRJ/CLAA036

Andrés A Carrete

{"title":"Humanity and revolution in José Fuentes Mares’ ‘La joven Antígona se va a la guerra’","authors":"Andrés A Carrete","doi":"10.1093/CRJ/CLAA036","DOIUrl":"https://doi.org/10.1093/CRJ/CLAA036","url":null,"abstract":"\u0000 José Fuentes Mares’ La joven Antígona se va a la guerra (‘Young Antigone Goes to War’) is a Mexican adaptation of Sophocles’ Antigone written and first performed in 1968. The play, full of unique accomplishments, demonstrates a deep engagement with the Sophoclean original and has a complex original performance context. It premiered a week after the biggest student massacre in Mexican history, the Tlatelolco Massacre of 2 October 1968. In this article, I bring attention to Fuentes Mares’ work as an exceptional contribution to the Latin American reception of Sophocles’ Antigone. I detail the play’s explicit invitations to be read against Sophocles’ original and highlight the playwright’s choices to reframe Antigone’s resistance by reworking long-standing dualisms. I argue that Fuentes Mares’ adaptation of Antigone advises introspection, compassion, and endurance in the face of violent oppression. This function differs from other Latin American adaptations of Antigone, which tend to give a voice to the marginalized with calls for organized social action or pleas for the acknowledgment of ongoing abuses. This analysis should help expand our understanding of the reception of Sophocles’ Antigone as a multifaceted instrument varying in its response to oppressions throughout Latin America.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-02-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/CRJ/CLAA036","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46413667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Staging Archaeology: Empire as Reality Effect at the 1906–07 fêtes de Carthage 舞台考古学:帝国作为现实影响在1906-07年fêtes德迦太基

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-01-09 DOI: 10.1093/CRJ/CLAA024

Daniel J. Sherman

{"title":"Staging Archaeology: Empire as Reality Effect at the 1906–07 fêtes de Carthage","authors":"Daniel J. Sherman","doi":"10.1093/CRJ/CLAA024","DOIUrl":"https://doi.org/10.1093/CRJ/CLAA024","url":null,"abstract":"\u0000 Organized by a private association with the support of the French Protectorate, the 1906 and 1907 pageants or fêtes de Carthage, held at a recently excavated Roman theatre at an important site of ancient colonization, celebrated the achievements and the promise of archaeology in Tunisia. Inspired by open-air theatricals in the ancient theatres of Orange and Béziers, the elaborate stagings involved hundreds of actors, large volunteer crews, and sumptuous period costumes. After a program of excerpts from neoclassical drama and opera in 1906, the 1907 pageant featured two specially commissioned plays, one of them an encounter between a modern-day poet and a Carthaginian priestess on the very archaeological site where her tomb is discovered. The pageants drew on both specific archaeological findings and a pervasive visual culture that depicted French colonizers as preservers of the ancient culture of which they had found traces in North Africa. The violence of colonization was thus consigned to the realm of performance and archaeology cast as a valuable source of knowledge. Although the pageants operated in a nostalgic mode, they ultimately served a more historicist sense of time in which archaeology as an emerging science helped to police the boundary between past and present.","PeriodicalId":42730,"journal":{"name":"Classical Receptions Journal","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43943756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Epic Victories and Failures: Homer and Vergil in Russia 史诗般的胜利与失败:荷马与维吉尔在俄罗斯

IF 0.2 3区社会学

Classical Receptions Journal Pub Date : 2021-01-09 DOI: 10.1093/CRJ/CLAA023

Judith E. Kalb, Z. Torlone

引用次数: 0