Journal of the British Archaeological Association最新文献

{"title":"Palette, Pigments and Pictorial Narrative in 11th-Century England: The Use of Colour in the Bayeux Tapestry and the Old English Hexateuch","authors":"Michael Lewis, Richard Gameson","doi":"10.1080/00681288.2024.2328966","DOIUrl":"https://doi.org/10.1080/00681288.2024.2328966","url":null,"abstract":"This article examines how colour was used as a tool of pictorial narrative in the Bayeux Tapestry and the illustrated Old English Hexateuch, the two longest such cycles to survive from 11th-century...","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141738395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Walls Make an Impression: Some Remarks on the Motif of City Walls on Ducal and Civic Seals and its Meaning in 13th-Century Poland","authors":"Piotr Pajor","doi":"10.1080/00681288.2024.2336401","DOIUrl":"https://doi.org/10.1080/00681288.2024.2336401","url":null,"abstract":"","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141270934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Reinterpretation of the ‘Dragon’ Images on the Sutton Hoo Shield as Images of Wolves","authors":"Philip J. Senter","doi":"10.1080/00681288.2024.2350284","DOIUrl":"https://doi.org/10.1080/00681288.2024.2350284","url":null,"abstract":"","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141272184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"London Guildhall: Another Wide-Spanned Romanesque Unaisled Hall?","authors":"Nick Hill","doi":"10.1080/00681288.2024.2328965","DOIUrl":"https://doi.org/10.1080/00681288.2024.2328965","url":null,"abstract":"","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141273024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Worlds of Villard de Honnecourt: The Portfolio, Medieval Technology, and Gothic Monuments.","authors":"Matthew m. Reeve","doi":"10.1080/00681288.2023.2252287","DOIUrl":"https://doi.org/10.1080/00681288.2023.2252287","url":null,"abstract":"Published in Journal of the British Archaeological Association (Ahead of Print, 2024)","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141512067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Dating of Early Masonry Churches in Scotland: An Assessment of John Potter’s Contribution of 2008","authors":"Eric Fernie","doi":"10.1080/00681288.2024.2336400","DOIUrl":"https://doi.org/10.1080/00681288.2024.2336400","url":null,"abstract":"","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2024-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141270189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Annual Report of the Council for the Year Ended 31 December 2022","authors":"","doi":"10.1080/00681288.2023.2239003","DOIUrl":"https://doi.org/10.1080/00681288.2023.2239003","url":null,"abstract":"","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135350647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Beatrice de Roos (d. 1415) and the Making of Art","authors":"Sarah Brown","doi":"10.1080/00681288.2023.2221105","DOIUrl":"https://doi.org/10.1080/00681288.2023.2221105","url":null,"abstract":"This article examines the involvement of Beatrice, dowager Baroness Roos (d. 1415) in the making of art. Her patronage of masons and tomb-makers, glaziers and seal-makers, is explored in detail, showing her to have commissioned works from two of the most prominent English artists of the late medieval period. Her interest in the inventive use of heraldry and her role in the creation of a major monument in St Paul’s Cathedral is established. Her right to be acknowledged as the donor of the St William window in York Minster is reasserted, and her influence on its content and meaning is demonstrated. The gift of this window made Beatrice the single most important secular benefactor of York Minster, a fact that has not been acknowledged before in print, but was recorded by the medieval cathedral chapter in the glazing of the Minster’s western choir clerestory.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135350651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Urnes Stave Church and Its Global Romanesque Connections","authors":"Nick Walkley","doi":"10.1080/00681288.2023.2234760","DOIUrl":"https://doi.org/10.1080/00681288.2023.2234760","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 For example, the covers of J. Graham-Campbell, Viking Art, World of Art, rev. edn (New York 2021), and E. Roesdahl, The Vikings, 3rd edn (London 2016).2 ‘Mir kommt es vor, als erhielten diese Werke dadurch etwas Mysteriöses und durch dieses noch unenthüllte Geheimniss ihrer Entstehung einen ganz eigenthümlichen Reiz’: J. C. Dahl, Denkmale einer sehr ausgebildeten Holzbaukunst aus den frühesten Jahrhunderten in den innern Landschaften Norwegens (Dresden 1837), no page number. Trans. Nick Walkley and Jarle Tollefsrud.","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134912996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Saint Cecilia in the Renaissance: The Emergence of a Musical Icon.","authors":"Julia Faiers","doi":"10.1080/00681288.2023.2234763","DOIUrl":"https://doi.org/10.1080/00681288.2023.2234763","url":null,"abstract":"From the 15th century, many artists and sculptors depicted the early Christian virgin martyr Cecilia as a musician, singing or playing an instrument, while composers dedicated works to her. For a spell of more than 200 years Cecilia was regarded as the patron saint of music and musicians. Before the 15th century, however, Cecilia was just another virgin saint with no obvious distinguishing skills or attributes. The purpose of John A. Rice’s book, which he states clearly in the introduction, is to plot the course of Cecilia’s dramatic trajectory from bottom-rung saint to artists’ favourite and musicians’ muse. And while the shape-shifting Cecilia enjoyed her newfound status during the period commonly labelled the Renaissance, the author points out that detractors questioning her right to this honour emerged as early as the 17th century. These detractors, and the author of this new book, remark that the late-Roman Passio of Cecilia’s life simply does not refer to the saint’s musical practices or abilities. How did this saint then acquire her musical status and cultural renown? John A. Rice presents in lucid prose the social and cultural context which fostered the transformation of Saint Cecilia into a poster girl for the musical arts during the 16th, 17th and 18th centuries. Scholars have delved into Cecilia’s frequent appearances from the medieval period in manuscript illuminations, frescoes, and altarpieces that depict her singing or playing the organ, clavichord, virginal, violin, bass-viol and lute. The author takes an interdisciplinary approach to argue that Cecilia’s perceived musical talents grew from the evolving performance of the liturgy, and from exchanges between the visual arts, music and musical institutions, and among artists, musicians and patrons. Cecilia’s cult began with the 5th-century Passio sancta Caeciliae by Arnobius the Younger, which spread through Europe until its practice was displaced by the liturgy for Cecilia’s Day, 22 November, and, in the 13th century, by Jacobus de Voragine’s popular Golden Legend. The reinvention seems to have stemmed from a single phrase in the Passio, ‘cantantibus organis’, ‘while the instruments sang’ (at Cecilia’s unwanted, arranged marriage ceremony), and took flight through the brushes of artists. In their hands, the saint became identified with the organ, to distinguish her from other virgin martyrs that wealthy patrons requested be included alongside the depictions of the Virgin in the artworks they ordered for their homes and local churches. He situates this practice in a context which saw artists include attributes for other saints despite their acknowledged shaky origins, such Agnes’s lamb (from the latin agnus) and Jerome’s lion (‘borrowed’ from another saint’s life). Rice acknowledges the scholarly work that addresses Cecilia’s role as a musician in the visual arts, in particular that of Thomas Connolly, and makes new assertions about the saint’s stratospheric rise. The author refers ","PeriodicalId":42723,"journal":{"name":"Journal of the British Archaeological Association","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134913175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}