发布求助
文献互助 智能选刊 最新文献

LEONARDO MUSIC JOURNAL最新文献

筛选
英文 中文
Sounding Dispersal as a Route to Empathy with the Changing Arctic 发声分散是一条与不断变化的北极感同身受的途径
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01054
K. Austen
{"title":"Sounding Dispersal as a Route to Empathy with the Changing Arctic","authors":"K. Austen","doi":"10.1162/lmj_a_01054","DOIUrl":"https://doi.org/10.1162/lmj_a_01054","url":null,"abstract":"This article elaborates on the new media musical project The Matter of the Soul: its background, theoretical approach, methods and realization. The Matter of the Soul is a musical, sculptural and performance work. It aims to engender empathy in humans with the process of dispersal and transformation in the Arctic amid the climate crisis. The work draws an analogy between human migration, the movement of water from ice to ocean in the Arctic and changing identity online.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01054","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41615662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Loom Machines of Boott Mill (Lowell): A Composition from the New England Soundscape Project Boott Mill（Lowell）的织机：来自新英格兰声景项目的作品
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01063
Daniel A. Walzer
{"title":"The Loom Machines of Boott Mill (Lowell): A Composition from the New England Soundscape Project","authors":"Daniel A. Walzer","doi":"10.1162/lmj_a_01063","DOIUrl":"https://doi.org/10.1162/lmj_a_01063","url":null,"abstract":"The author reports on the development of an original piece, Boott Mill (Lowell), in which he takes field recordings of loom machines from the Boott Mill Museum in Lowell, Massachusetts, and uses the recordings as the foundation for a fully realized composition featuring percussion, strings, keyboards and assorted musical textures.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41811795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Nam June Paik’s Unpublished Korean Article and His Interactive Musique Concrète Projects 白南准未发表的韩文文章及互动音乐作品
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01071
Byeongwon Ha
{"title":"Nam June Paik’s Unpublished Korean Article and His Interactive Musique Concrète Projects","authors":"Byeongwon Ha","doi":"10.1162/lmj_a_01071","DOIUrl":"https://doi.org/10.1162/lmj_a_01071","url":null,"abstract":"Nam June Paik was a pioneering creator of interactive sound art before he became a cult figure in the field of video art. While Paik gradually developed interactive sound art in West Germany, he wrote several articles about contemporary music in Europe. Specifically, a musique concrète article for Korean readers is significant as a seed of his interactive projects. This study examines the content of the music article and articulates the relationship between musique concrète and Paik’s interactive sound projects: Record Shashlik (1963) and Random Access (1963).","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01071","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49137826","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sound Appropriation and Musical Borrowing as a Compositional Tool in New Electroacoustic Music 新电声音乐创作中的声音挪用与音乐借用
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01070
J. Vasquez
{"title":"Sound Appropriation and Musical Borrowing as a Compositional Tool in New Electroacoustic Music","authors":"J. Vasquez","doi":"10.1162/lmj_a_01070","DOIUrl":"https://doi.org/10.1162/lmj_a_01070","url":null,"abstract":"This text presents a compact historical survey of musical borrowing and sound appropriation from medieval chant through the latest digital experiments outside popular music involving extensive use of sampling. It then describes two artistic research projects consisting of a series of pieces that digitally reimagine selected works from the classical music repertoire, including thoughts about the contemporary relevance of giving new life to classical music through the perspective of new media.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01070","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41894624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Flow Vertical: Composing and Improvising Original Music Inspired by Bodily Sound Vibrations 流动垂直:创作和即兴创作原创音乐的灵感来自身体的声音振动
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01068
J. Jovicevic
{"title":"Flow Vertical: Composing and Improvising Original Music Inspired by Bodily Sound Vibrations","authors":"J. Jovicevic","doi":"10.1162/lmj_a_01068","DOIUrl":"https://doi.org/10.1162/lmj_a_01068","url":null,"abstract":"This text analyzes the process of composing and improvising the musical experiment Flow Vertical. This artistic exploration for chamber orchestra responds to a theory of biosignals, incorporating a putative sonic mapping of “inaudible” sound vibration of the author’s biofield as understood to be measured by an SCIO device. The interpretation and represent ation of measured frequencies influenced the creation of an “assemblage,” the system of interconnected human and nonhuman agents within the piece. The artist applied an original eight-week-long method of creation, investigating how this idea of body vibration and a specific yogic routine could aesthetically affect music.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01068","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48482882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
A Computational System for Violin: Synthesis and Dissolution in Windowless 小提琴计算系统:无窗合成与溶解
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01062
S. Thorn
{"title":"A Computational System for Violin: Synthesis and Dissolution in Windowless","authors":"S. Thorn","doi":"10.1162/lmj_a_01062","DOIUrl":"https://doi.org/10.1162/lmj_a_01062","url":null,"abstract":"This article provides an overview of a real-time, hybrid computational system for the violin, Windowless. The system uses a custom sensor glove, the alto.glove, to track the violinist’s movements and drive a panoply of unique digital sound processing effects. The author describes the operations of the system in terms of a broad notion of synthesis, consis-tency, microintervallic motions and molecular operations. A threefold approach combining dense sonic physics, “loose” computational procedures and high system responsiveness creates a rich and thick performative medium with a vapor-like, particulate level of textural and bitwise computational detail.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01062","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47623189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
The Rhythmotron
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01066
John R. Taylor, A. Milne
{"title":"The Rhythmotron","authors":"John R. Taylor, A. Milne","doi":"10.1162/lmj_a_01066","DOIUrl":"https://doi.org/10.1162/lmj_a_01066","url":null,"abstract":"This paper describes the Rhythmotron: a percussion-centered robotic orchestrion, commissioned for the CoLABS festival in Sydney in 2017. The authors describe how they electronically reimagined the mechanical components of a cylinder piano by using a variant of the XronoMorph software, and they consider the synergy between algorithmically generated rhythms in a digital environment alongside its analogous mechanical counterpart. The authors detail the idiosyncratic behaviors of linear actuators when used to power drumming robots, and they discuss the aesthetic implications of the Rhythmotron.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42988797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Musical Geometry of Genes: Generating Rhythms from DNA 基因的音乐几何:从DNA中产生节奏
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01052
Alvaro Yanez
{"title":"The Musical Geometry of Genes: Generating Rhythms from DNA","authors":"Alvaro Yanez","doi":"10.1162/lmj_a_01052","DOIUrl":"https://doi.org/10.1162/lmj_a_01052","url":null,"abstract":"DNA encodes all sorts of information that makes us human, but, aside from encoding genes, could DNA also encode for a mapping of musical rhythms in a very abstract way? This project sought to generate rhythms out of DNA and compose a musical piece out of a gene's rhythmic sequence. Computational rules inspired by geometric analyses of rhythms guided the mapping of DNA's molecular structure into rhythmic timelines and melodic scales; these basic structures were then used to compose a song according to the sickle cell gene DNA sequence. The rhythms generated by this ‘genetic analysis’ alternate pleasantly between even and odd time signatures.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01052","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44655227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Reducing the Effect of Imperfect Microphone and Speaker in Audio Feedback Systems 降低音频反馈系统中麦克风和扬声器不完善的影响
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01060
Lilac Atassi
{"title":"Reducing the Effect of Imperfect Microphone and Speaker in Audio Feedback Systems","authors":"Lilac Atassi","doi":"10.1162/lmj_a_01060","DOIUrl":"https://doi.org/10.1162/lmj_a_01060","url":null,"abstract":"An audio feedback system that iteratively uses a room as a sound filter can be an artistic medium generating fascinating sounds. In this system, the room is not the only component acting as a filter. The sound system component, i.e. the speaker and microphone, also can have a sizeable impact on the sound in each iteration. To make sure the relative influence of the room on the sound is revealed and not masked by the audio system, the author proposes using a common calibration method at the end of each iteration. The mathematical model of the system is used to explain the reasoning behind the use of this method. Following this procedure, the author conducted an experiment that shows sound interaction with the room over time being captured in the artwork.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43033329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
3D Notations and the Immersive Score 3D符号与沉浸式评分
IF 0.2 4区 艺术学
LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI: 10.1162/lmj_a_01061
David Kim-Boyle
{"title":"3D Notations and the Immersive Score","authors":"David Kim-Boyle","doi":"10.1162/lmj_a_01061","DOIUrl":"https://doi.org/10.1162/lmj_a_01061","url":null,"abstract":"The author discusses his use of generative three-dimensional notations for representing musical forms. Several key works, programmed in the Max/OpenGL platform, are described in detail, and the author discusses current development with Microsoft’s HoloLens. The author argues that such immersive technology promotes a physical engagement with the score in which the work is an emergent property of an open-ended play.","PeriodicalId":42662,"journal":{"name":"LEONARDO MUSIC JOURNAL","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1162/lmj_a_01061","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49518601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信