白南准未发表的韩文文章及互动音乐作品

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI:10.1162/lmj_a_01071

Byeongwon Ha

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引用次数: 0

摘要

白南俊是互动声音艺术的先驱，后来成为影像艺术领域的崇拜者。白南俊在西德逐渐发展互动声音艺术时，曾写过几篇关于欧洲当代音乐的文章。具体来说，为韩国读者撰写的一篇音乐总结文章是他互动项目的种子，意义重大。这项研究考察了这篇音乐文章的内容，并阐明了musique concrète与白的互动声音项目之间的关系：Record Shashlik（1963）和Random Access（1963）。

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Nam June Paik’s Unpublished Korean Article and His Interactive Musique Concrète Projects

Nam June Paik was a pioneering creator of interactive sound art before he became a cult figure in the field of video art. While Paik gradually developed interactive sound art in West Germany, he wrote several articles about contemporary music in Europe. Specifically, a musique concrète article for Korean readers is significant as a seed of his interactive projects. This study examines the content of the music article and articulates the relationship between musique concrète and Paik’s interactive sound projects: Record Shashlik (1963) and Random Access (1963).

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.