3D Notations and the Immersive Score

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI:10.1162/lmj_a_01061

David Kim-Boyle

引用次数: 4

Abstract

The author discusses his use of generative three-dimensional notations for representing musical forms. Several key works, programmed in the Max/OpenGL platform, are described in detail, and the author discusses current development with Microsoft’s HoloLens. The author argues that such immersive technology promotes a physical engagement with the score in which the work is an emergent property of an open-ended play.

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3D符号与沉浸式评分

作者讨论了他使用生成的三维符号来表现音乐形式。详细介绍了在Max/OOpenGL平台上编程的几个关键工作，并讨论了目前微软HoloLens的开发情况。作者认为，这种身临其境的技术促进了对配乐的身体参与，在配乐中，作品是开放式戏剧的一个新兴属性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.

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