Sound Appropriation and Musical Borrowing as a Compositional Tool in New Electroacoustic Music

IF 0.2 4区艺术学 Q2 Arts and Humanities

LEONARDO MUSIC JOURNAL Pub Date : 2019-12-01 DOI:10.1162/lmj_a_01070

J. Vasquez

引用次数: 0

Abstract

This text presents a compact historical survey of musical borrowing and sound appropriation from medieval chant through the latest digital experiments outside popular music involving extensive use of sampling. It then describes two artistic research projects consisting of a series of pieces that digitally reimagine selected works from the classical music repertoire, including thoughts about the contemporary relevance of giving new life to classical music through the perspective of new media.

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新电声音乐创作中的声音挪用与音乐借用

本文通过流行音乐之外涉及广泛使用采样的最新数字实验，对中世纪圣歌的音乐借用和声音挪用进行了一次紧凑的历史调查。然后，它描述了两个艺术研究项目，由一系列作品组成，这些作品以数字方式重新构想了古典音乐曲目中的精选作品，包括通过新媒体的视角思考赋予古典音乐新生命的当代相关性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

LEONARDO MUSIC JOURNAL MUSIC-

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期刊介绍： Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.

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