CAHIERS ELISABETHAINS最新文献_第8页

Book review: The Oxford Handbook of Shakespeare and Dance by Lynsey McCulloch and Brandon Shaw 书评：林西·麦卡洛克和布兰登·肖的《牛津莎士比亚与舞蹈手册》

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2022-01-12 DOI: 10.1177/01847678211072270

A. Hiscock

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‘More like a tavern than a school house’: Family strife, religious change, and the founding of Oundle Grammar School, 1556–1578 “与其说是校舍，不如说是酒馆”：家庭冲突、宗教变革和温德尔文法学校的成立，1556-1578年

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2022-01-05 DOI: 10.1177/01847678211069466

J. Alsop

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‘Of counsel with [m]y mistress’: The mistress–servant alliance in Thomas Middleton and William Rowley's The Changeling (1622) “与我的情妇商量”:托马斯·米德尔顿和威廉·罗利的《变灵》(1622年)中的男女主仆联盟

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-12-29 DOI: 10.1177/01847678211069467

Iman Sheeha

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Shylock’s ghosts 夏洛克的鬼魂

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-12-06 DOI: 10.1177/01847678211062924

Elena Pellone

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New perspectives on Anglo-Spanish diplomacy in the early modern era 近代早期英西外交的新视角

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-11-23 DOI: 10.1177/01847678211063631

Nathalie Rivere de Carles

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Book Review: Shakespeare's Accents: Voicing Identity in Performance by Sonia Massai 书评:《莎士比亚的口音:在表演中表达身份》，作者:索尼娅·马塞

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-11-01 DOI: 10.1177/01847678211039874c

D. Yabut

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Performance Review: Gallathea by John Lyly 绩效评估:Gallathea作者:John Lyly

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-11-01 DOI: 10.1177/01847678211044445c

L. Potter

{"title":"Performance Review: Gallathea by John Lyly","authors":"L. Potter","doi":"10.1177/01847678211044445c","DOIUrl":"https://doi.org/10.1177/01847678211044445c","url":null,"abstract":"rushing to its conclusion, 5.3, the echo scene, always provides a moment of stasis and recollection before the murders of the final scene. The blue-toned filter lost its surreal feel, instead of enhancing a mood of melancholy, in which the pure tones of the Duchess’s repeated words reasserted her loving presence after the sinister soundtrack of the prison scenes before she was muted forever. In violent contrast, the last scene was dominated by bloody redness, with video being used to suggest the skull beneath the skin of Bosola and the Aragonnian brothers as they met their deaths. Only when Delio (Andy Owens) appeared, in something resembling natural lighting, holding a baby girl in his arms – a Duchess still? – did the production loose its unnervingly tight hold. As a connective technology that for the past year has primarily been used in the home, Zoom theatre has often been associated with intimacy and the ways in which the domestic setting has been turned into a cultural space during the pandemic. The main achievement of Creation’s Malfi is its successful experimentation with techniques for envisioning psychosis and trauma, and the deep psychological layers its video superimpositions portray.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"16 1","pages":"94 - 98"},"PeriodicalIF":0.5,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65227620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Performance Review: Romeo and Juliet by Simon Godwin 表演评论:西蒙·戈德温的《罗密欧与朱丽叶

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-11-01 DOI: 10.1177/01847678211044445d

R. Hatfull

{"title":"Performance Review: Romeo and Juliet by Simon Godwin","authors":"R. Hatfull","doi":"10.1177/01847678211044445d","DOIUrl":"https://doi.org/10.1177/01847678211044445d","url":null,"abstract":"control the timing, but they all came off as well as one could expect, in what seemed to be a cross between screen acting and live stand-up. The TSMGO productions have recently started to use a signer, and they also gave the text of the play in subtitles as well as some predictably inaccurate voice-recognition transcriptions of the chat (I felt for the signer who had to do this as well, after having been onstage throughout and acting as energetically as anyone). All this is an indication of how international this company has become. Although much of the chat on Zoom is pretty silly, it sometimes contributed valuable comments. For instance, in answer to Chess’s asking whether anyone could find a way to queer the subplot, someone suggested that it could be taken, particularly in the Alchemist scene, as another example of fluidity and metamorphosis. All three productions were immensely enjoyable, and I found it equally enjoyable to see how completely the participants and creators were identified with the plays. It was clear from all the post-show discussions that the present approach to Renaissance drama is presentist. This means, among other things, not rejecting any way in which readers can make a text their own, least of all closing it off with ‘historical alterity’ – that is, telling people that it can’t possibly have meant what they want it to mean. In the case of Lyly’s plays, the results are delightful, and I hope that these enterprising groups will turn to other non-Shakespearean plays where there is much more largely unexplored territory.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"106 1","pages":"98 - 102"},"PeriodicalIF":0.5,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65227770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Book Review: The Merchant of Venice: A Critical Reader by Sarah Hatchuel and Nathalie Vienne-Guerrin 书评:莎拉·哈丘尔和娜塔莉·维恩-格雷林的《威尼斯商人:一位批判性读者》

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-11-01 DOI: 10.1177/01847678211039874g

Peter J. Smith

引用次数: 0

Book Review: Revived with Care: John Fletcher's Plays on the British Stage by Peter Malin 书评:《小心复兴:约翰·弗莱彻在英国舞台上的戏剧》，彼得·马林著

IF 0.5 2区文学

CAHIERS ELISABETHAINS Pub Date : 2021-11-01 DOI: 10.1177/01847678211039874i

L. Hopkins

{"title":"Book Review: Revived with Care: John Fletcher's Plays on the British Stage by Peter Malin","authors":"L. Hopkins","doi":"10.1177/01847678211039874i","DOIUrl":"https://doi.org/10.1177/01847678211039874i","url":null,"abstract":"sidered more widely as core features of Richard II. The final chapter in the volume is aimed at instructors and students looking to engage with Richard II as a subject of study. Esme Miskimmin’s ‘Learning and teaching resources: text, context and performance’ begins with an assessment of the Arden (third series), RSC, and Oxford Shakespeare editions of the play. Miskimmin draws attention to the defining features of each edition, separating those that are best suited to early-stage students from those that support more advanced study. The remainder of the chapter highlights themes and contexts of Richard II that work particularly well as bases for educational activities: the play’s scrutiny of the concept of ‘performance’, for example, and textual variations between Quarto and Folio. Miskimmin points the reader towards passages in the text that are ripe for close analysis and suggests further reading for each of the areas discussed in her chapter. Seasoned academics and new readers alike will find Richard II: A Critical Reader a useful addition to their libraries and reading lists. The essays assembled by Davies and Duxfield all work well as standalone pieces; as a whole, the volume addresses foundational questions about Richard II as well as breaking new ground in its analyses of the play. I would note, however, that this book (particularly its ‘New directions’ section) would have benefitted from a more diverse assembly of contributions and contributors. The original research included in the book is excellent, but it overlaps thematically in places and does not extend far beyond textual and historical analysis. Other volumes in the Arden Early Modern Drama Guides series have included ‘New directions’ essays on the plays in performance, on film, and in relation to issues of race and gender. With a wider range of critical perspectives, this Critical Reader could have provided even more valuable insights into the landscape of current scholarly research on Richard II.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"106 1","pages":"136 - 138"},"PeriodicalIF":0.5,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47291169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0