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“The Biggest Mistake You Ever Made Was Thinking That Nobody Cared about Me”: The Representation of Black Lives in Our Fathers, Sons, Lovers and Little Brothers “你犯过的最大的错误是认为没有人关心我”:黑人生活在我们的父亲、儿子、情人和小兄弟中的表现
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.018
Andrea A. Davis, C. James
{"title":"“The Biggest Mistake You Ever Made Was Thinking That Nobody Cared about Me”: The Representation of Black Lives in Our Fathers, Sons, Lovers and Little Brothers","authors":"Andrea A. Davis, C. James","doi":"10.3138/ctr.193.018","DOIUrl":"https://doi.org/10.3138/ctr.193.018","url":null,"abstract":"Abstract:In this review of the 2022 performance of Our Fathers, Sons, Lovers and Little Brothers, Andrea A. Davis and Carl E. James, from their respective disciplines in Black literary and cultural studies, education, and sociology, engage in a conversation about Makambe K. Simamba’s play. In their conversation, they unpack questions about Black spirituality, the social construction of gender as a raced category, and the difficulty of articulating anti-Black racism in Canada. Their conversation is framed by a critical analysis that locates the play’s action within an understanding of Black community that exceeds national and geographical boundaries, connecting Black experiences in the United States and Canada.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42087622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Antigone Play 安提戈涅剧
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.013b
Tabia Lau
{"title":"The Antigone Play","authors":"Tabia Lau","doi":"10.3138/ctr.193.013b","DOIUrl":"https://doi.org/10.3138/ctr.193.013b","url":null,"abstract":"","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46774597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Generous Incantation: Interdependent Magic: Disability Performance in Canada 慷慨的咒语:相互依存的魔法:加拿大的残疾表演
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.017
Kelsie Acton
{"title":"A Generous Incantation: Interdependent Magic: Disability Performance in Canada","authors":"Kelsie Acton","doi":"10.3138/ctr.193.017","DOIUrl":"https://doi.org/10.3138/ctr.193.017","url":null,"abstract":"Abstract:Interdependent Magic, curated by Jessica Watkin, is the first anthology of plays by disabled Canadian playwrights from Playwrights Canada Press. It includes pieces by Alex Bulmer, the Boys in Chairs Collective, Syrus Marcus Ware, and Chris Dodd, as well as an interview with Niall McNeil. In this review, Kelsie Acton considers the ways in which the strength of this volume lies not just in the quality and diversity of playwriting featured but also in the care the editor has taken in framing the work. Watkin offers two introductions, one aimed at audiences familiar with disability justice and disability arts and the other aimed at audiences new to disability culture. Interdependent Magic acknowledges the diversity of disabled playwrights in Canada and the diversity of audiences who will read their work.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46139060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Making a CoMotion 进行CoMotion
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.016
R. Knowles
{"title":"Making a CoMotion","authors":"R. Knowles","doi":"10.3138/ctr.193.016","DOIUrl":"https://doi.org/10.3138/ctr.193.016","url":null,"abstract":"Abstract:The inaugural CoMotion: A Deaf and Disability Arts Festival at Toronto’s Harbourfront Centre from 20 April to 1 May 2022, curated by blind theatre artist Alex Bulmer, presented six live and four digital performances, six visual arts exhibitions, and four panels and conversations, a Q&A with Bulmer, and an “every-body-can-dance” workshop. The festival featured blind, Deaf, and neurodivergent artists, amputees, stutterers, and those with chronic pain or fatigue or with degenerative diseases. Some of the work served primarily a community-building function, some adhered to the familiar disability genres of the tragic or inspirational, but most celebrated the disability artist’s refusal of both exclusion and inclusion. The best of the festival’s offerings were not about overcoming disabilities but about joyful, if clear-eyed, engagement with the opportunities disability can offer.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46064082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“There Is No Such Thing as Colour-Blindness”: Artistic Directors on Culturally Specific Casting “没有色盲这回事”：艺术指导对文化特定选角的思考
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.008
Santiago Guzmán, R. Varma, Pam Patel, Ari Weinberg, Colin Wolf, Mercedes Bátiz-Benét
{"title":"“There Is No Such Thing as Colour-Blindness”: Artistic Directors on Culturally Specific Casting","authors":"Santiago Guzmán, R. Varma, Pam Patel, Ari Weinberg, Colin Wolf, Mercedes Bátiz-Benét","doi":"10.3138/ctr.193.008","DOIUrl":"https://doi.org/10.3138/ctr.193.008","url":null,"abstract":"ABSTRACT:The editorial team invited artistic directors from culturally specific theatre companies from across the country to offer their perspective on what culturally specific casting means to them. Their responses address a variety of topics, from culturally specific and colour-blind casting to audition rooms and community conversations.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44339361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Making Change from Within: Political Adaptation as Activism 从内部做出改变:政治适应作为行动主义
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.015
Paula Danckert
{"title":"Making Change from Within: Political Adaptation as Activism","authors":"Paula Danckert","doi":"10.3138/ctr.193.015","DOIUrl":"https://doi.org/10.3138/ctr.193.015","url":null,"abstract":"ABSTRACT:Political Adaptation in Canadian Theatre, by Kailin Wright, is an excellent addition to the discourse on theatre adaptations. Wright applies theories of adaptation, identification, performance, Indigenous dramaturgy, and speech acts to define political adaptation as distinct from adaptation “proper”. She contends that political adaptations activate publics or, in her terms, “dispublics,” toward changed perspectives on inherited narratives. Seminal to her argument is Michel Pêcheux’s tripartite terminology, which describes the relationship of the spectator to mainstream culture as identification, counteridentification, and disidentification.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43461411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Conscious-Casting Conundrum 有意识的铸造难题
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.005
Jamie Robinson
{"title":"The Conscious-Casting Conundrum","authors":"Jamie Robinson","doi":"10.3138/ctr.193.005","DOIUrl":"https://doi.org/10.3138/ctr.193.005","url":null,"abstract":"Abstract:At a critical juncture in the Canadian theatre landscape, we are faced with how to consciously cast racialized performers in plays, and how to have plays written by racialized playwrights consciously produced and taught more often. Before 2020, there were many calls to achieve these actions, and since then, these calls have only been heightened. The ‘problem’ is how to do all of this without offending or appropriating, while at the same time championing some incredible actors and plays. Through personal anecdotes and current global contexts, this article attempts some approaches to solving this conscious-casting conundrum.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43997596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Casting Audiences: How Theatre Passe Muraille’s ‘Black Out Nights’ Challenge Conventional Approaches to Audience 选角观众：剧院如何通过Muraille的“停电之夜”挑战观众的传统方式
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.010
Signy Lynch
{"title":"Casting Audiences: How Theatre Passe Muraille’s ‘Black Out Nights’ Challenge Conventional Approaches to Audience","authors":"Signy Lynch","doi":"10.3138/ctr.193.010","DOIUrl":"https://doi.org/10.3138/ctr.193.010","url":null,"abstract":"Abstract:This article examines the phenomenon of Black Out Nights, evenings of a theatrical performance for Black-identified audiences only, as employed by Theatre Passe Muraille in Toronto. Drawing on interviews with Passe Muraille’s former Marketing Coordinator Fatuma Adar and current Artistic Director Marjorie Chan, this article explores the various effects and benefits of Black Out Nights, which were first conceived by American playwright Jeremy O. Harris, for Black artists and audiences. I argue that Black Out Nights, along with Theatre Passe Muraille’s other approaches to audiences, help to reveal and to challenge larger practices of ‘casting’ audiences that are employed by mainstream theatres. These casting practices, which operate through theatres’ websites, marketing, and theatre spaces, may be unconsciously exercised but help to reinforce white supremacy and other forms of discrimination and exclusion in theatre spaces through the audiences they make feel welcome and exclude.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44581896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Transformation Is Imperative”: Play Selection and Casting at Theatre Training Institutions “转型势在必行”：戏剧培训机构选剧选角
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.011
C. Dobbie, David Hudgins, Shannon Blanchet, Quincy Armorer, J. Lauzon, Alisa Palmer, Sue Miner, Jamie Robinson, Roberta Barker
{"title":"“Transformation Is Imperative”: Play Selection and Casting at Theatre Training Institutions","authors":"C. Dobbie, David Hudgins, Shannon Blanchet, Quincy Armorer, J. Lauzon, Alisa Palmer, Sue Miner, Jamie Robinson, Roberta Barker","doi":"10.3138/ctr.193.011","DOIUrl":"https://doi.org/10.3138/ctr.193.011","url":null,"abstract":"ABSTRACT:The editorial team invited faculty from theatre training institutions across the country to share their approaches to play selection and casting. Their responses address a variety of topics, from building play databases and commissioning plays to engaging students in conversations about casting decisions.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47325873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Outcast: Limits and Possibilities in Casting Black Performers in the Age of Granular Dramaturgy 弃儿：颗粒戏剧时代选黑人演员的局限性和可能性
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.009
Sadie Berlin
{"title":"Outcast: Limits and Possibilities in Casting Black Performers in the Age of Granular Dramaturgy","authors":"Sadie Berlin","doi":"10.3138/ctr.193.009","DOIUrl":"https://doi.org/10.3138/ctr.193.009","url":null,"abstract":"Abstract:The history of Black performance in Canada goes back to the early nineteenth century alongside blackface. In the late twentieth century, ‘blind casting’ became an opportunity for Black performers to work on canonical works of Western theatre. But this form of casting is problematic as it asks the audience to look beyond the identity of the performer, to disregard any important facet of their humanity. As casting is evolving to acknowledge the identity of the performers, some cases show that cultural casting demands additional human and financial resources so that the work is precise and culturally accurate. A deft use of conscious casting can lead to more layered and additional aesthetic complexity to play in the repertoire. A judicious application of our new paradigms in culturally specific and safer spaces should not be construed as dogma; in fact, there are occasions where we must subvert our thinking for greater artistic results and compassionate treatment of performers. Lenity and mindfulness in casting will guide casting directors and institutional dramaturges, and this will yield better artistic results.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45910476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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