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Lucky (An Excerpt) 幸运（节选）
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.013a
Marie Leofeli Romero Barlizo
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引用次数: 0
Rehearsing Re-existence 排练Re-existence
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.014
Carla Beatriz Melo
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引用次数: 0
The Artist and the Activist 艺术家和活动家
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.003
Jamie Robinson, Zoe Marin
{"title":"The Artist and the Activist","authors":"Jamie Robinson, Zoe Marin","doi":"10.3138/ctr.193.003","DOIUrl":"https://doi.org/10.3138/ctr.193.003","url":null,"abstract":"","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47328076","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Glossary 术语表
3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.002
Liam Lockhart-Rush
{"title":"Glossary","authors":"Liam Lockhart-Rush","doi":"10.3138/ctr.193.002","DOIUrl":"https://doi.org/10.3138/ctr.193.002","url":null,"abstract":"","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134941965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lightly Casting a Light on Casting; or, A Note on Auditions by an Actor-Director 在铸造上轻铸一盏灯;或者，演员兼导演的试镜笔记
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.007
Hrh Anand Rajaram
{"title":"Lightly Casting a Light on Casting; or, A Note on Auditions by an Actor-Director","authors":"Hrh Anand Rajaram","doi":"10.3138/ctr.193.007","DOIUrl":"https://doi.org/10.3138/ctr.193.007","url":null,"abstract":"ABSTRACT:Reflecting on his own experiences as an actor and director, HRH Anand Rajaram offers a series of insights, tips, reminders, and encouragement to his actor peers.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49253012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Scarcity Mindset Has a Death Grip on Casting 稀缺心态对铸造有着致命的控制
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2023-02-01 DOI: 10.3138/ctr.193.006
Marcel Stewart
{"title":"The Scarcity Mindset Has a Death Grip on Casting","authors":"Marcel Stewart","doi":"10.3138/ctr.193.006","DOIUrl":"https://doi.org/10.3138/ctr.193.006","url":null,"abstract":"Abstract:Casting can be one of the most crucial parts of the theatremaking process. It’s also one of the most challenging parts to get right. In this article, Marcel Stewart uses his own experiences to unpack the past, present, and future of the casting process.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48250423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival 走向:在女族长起义节中播种联系
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-11-01 DOI: 10.3138/ctr.192.015
Daisy Thompson
{"title":"Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival","authors":"Daisy Thompson","doi":"10.3138/ctr.192.015","DOIUrl":"https://doi.org/10.3138/ctr.192.015","url":null,"abstract":"Abstract:Matriarchs UprisingFestivalwas founded and is curated by mixed Anishinaabe, French-Canadian, and Welsh dance artist Olivia C. Davies. Birthed to gather and to present the works of Indigenous women artists who create within the realm of contemporary dance, the inaugural festival took place in 2019 on the ancestral and unceded Indigenous territories of the məθkʷəỷəm, sḵwx̱wú7mesh, and seỉíỉwitulh First Nations (Vancouver), at the Scotiabank Dance Centre. Within this review, I weave the thinking, praxis, and voices of Olivia C. Davies and the many artists who have been housed within Matriarchs Uprising. I speak of the festival being a container of attuned connection to empowered living.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43037977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alternate Reality Gaming: Mad and Crip Potentialities in Digital Storytelling 另类现实游戏：数字故事讲述中的疯狂和Crip潜力
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-11-01 DOI: 10.3138/ctr.192.011
S. Sabada
{"title":"Alternate Reality Gaming: Mad and Crip Potentialities in Digital Storytelling","authors":"S. Sabada","doi":"10.3138/ctr.192.011","DOIUrl":"https://doi.org/10.3138/ctr.192.011","url":null,"abstract":"Abstract:This article focuses on the cultivation of anti-oppressive ethically engaged artistic practices within the realm of online storytelling, with particular attention to alternate reality games (ARGs). ARGs are immersive games that often involve the integration of elements of the real world within their storytelling but rarely advertise or acknowledge themselves to be games. In this article, I explore the possibilities engendered by this kind of digital performance and the ways in which this medium for theatricality may be more accessible for mad and disabled artists. ARGs and their peer mediums (like fictional vlogs and web series) have become increasingly more significant in terms of what they offer, especially during the pandemic. Given how these mediums have adapted to and continue to survive hosted among multiple sites and apps, including YouTube, Facebook, TikTok, and Twitter, there is much to be learned from the kind of accessibility these methods of digital storytelling employ. To not acknowledge their place within theatrical spaces would undermine the full artistic and activist potential of this kind of art, and it is this article's intention to give credit to this emerging art form. In this article, I also draw on my own experience conducting ARGs. In particular, I examine how my first ARG helped me develop mobilization strategies for disability justice and how in doing this kind of work, my own understanding of lived experiences of madness and disability expanded as I learned from other alternate reality game makers and developers.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41379481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Telling It Back Different but the Same 讲述不同但相同
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-11-01 DOI: 10.3138/ctr.192.014
Jennifer R Cole
{"title":"Telling It Back Different but the Same","authors":"Jennifer R Cole","doi":"10.3138/ctr.192.014","DOIUrl":"https://doi.org/10.3138/ctr.192.014","url":null,"abstract":"","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49661922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Stage to Aural Streaming: Adaptation through a Slow Ethic of Care 从舞台到听觉流：通过缓慢的关怀伦理进行适应
IF 0.3 3区 艺术学
CANADIAN THEATRE REVIEW Pub Date : 2022-11-01 DOI: 10.3138/ctr.192.008
Pam Baer, J. Salisbury
{"title":"From Stage to Aural Streaming: Adaptation through a Slow Ethic of Care","authors":"Pam Baer, J. Salisbury","doi":"10.3138/ctr.192.008","DOIUrl":"https://doi.org/10.3138/ctr.192.008","url":null,"abstract":"Abstract:In November 2020, the LGBTQ Families Speak Out research team at the Ontario Institute of Studies in Education (OISE), University of Toronto, recorded our community-engaged verbatim play Out at School, about the experiences of LGBTQ2S+ families in Ontario public schools, as a digital audio play. The transition from stage to aural streaming raised new ethical tensions in a project that was already deeply engaged in relational, community-oriented work. The removal of visible bodies (queer bodies, trans bodies, racialized bodies, Indigenous bodies, disabled bodies) from the play, which, onstage, presented and celebrated the multiplicity of intersectional queer identities, altered the structure of the piece and the ethical relationships we had built with audience members. The practices we adopted to address the ethical tensions in our staged play had to be re-examined for aural streaming. Problems of vulnerability and trust emerged in different forms. This article examines and explores the questions that were raised by aural streaming and the team's responses to these questions.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49152148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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