Journal of Children’s Literature最新文献

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Fattigdomens hjälplöshet - too hot to handle? Hur Astrid Lindgrens böcker om Madicken översatts i USA och Storbritannien
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5840
Angelika Nikolowski-Bogomoloff
{"title":"Fattigdomens hjälplöshet - too hot to handle? Hur Astrid Lindgrens böcker om Madicken översatts i USA och Storbritannien","authors":"Angelika Nikolowski-Bogomoloff","doi":"10.3402/BLFT.V2I0.5840","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5840","url":null,"abstract":"In children’s literature, power relations are fundamentally assymetrical. This is furthermore accentuated in the process of translation where translation norms, social and cultural norms as well as the power game of adult authorities play a major part. The Swedish author Astrid Lindgren’s ideology is based on the notion that no aspects of life should be hidden from the child, making her thematize as well as break taboos in her writing for children. There has been extensive research on Lindgren’s authorship per se, but research on translations of her books seems to be limited. The fact that discussions on taboo elements in children’s books in general, and Lindgren’s source texts and target texts in particular are sparse indicates that this is a vast – and interesting – field still to be explored. This paper focuses on the American and British translations of Lindgren’s Madicken (1960) and Madicken och Junibackens Pims (1976) in order to find out why and to what extent these books were censored in translation. Keywords: children’s literature, translation, norms, taboo elements, censorship","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122395166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
”Thet vnger lärer han gammal håller”: strövtåg i den äldre barnlitteraturens historia
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5841
Lotta Paulin
{"title":"”Thet vnger lärer han gammal håller”: strövtåg i den äldre barnlitteraturens historia","authors":"Lotta Paulin","doi":"10.3402/BLFT.V2I0.5841","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5841","url":null,"abstract":"Children's literature in Sweden can be roughly divided into before and after the Reformation. Before the Reformation interesting, didactic texts with entertaining exemplary stories for the young were translated and adapted. During the 16th century very few literary texts – for children as well as adults – were published, mainly because the king had total control over the printing. Only texts sanctioned by the king were published. During the 17th century publications for the young increased and some, but not all of them, also address children or youth in the title or the preface. Earlier this was mainly implied, although some authors were explicit as well. In working with older literature I find it valuable to not just consider the intention of the text but the function as well, since more literary texts had the function of being children's literature in the Middle Ages than has been previously presumed. Folk tales, fairy tales and fables are among the genres that were indeed written for and used to educate children. Modern historical research, as well as my own, shows that there is not one but several different concepts of childhood existing at the same time. I also suggest that children's literature may be used as a perspective. If we try to find a universal, timeless definition it will have to be a compromise that may not help us to answer questions about the literary tradition and of how children and adolescents have been included and addressed, educated and entertained through literature in different historical and cultural contexts. Keywords: the history of children's literature; comparative children's literature; concepts of childhood; medieval children's literature; early modern children's literature; genre; the history of education; didactics in literature","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121452299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trötta mammors försvarare: familjevärderingar i Kerstin Thorvalls bilderböcker från 1970-talet 疲惫母亲的捍卫者:克尔斯廷-托沃尔 1970 年代图画书中的家庭价值观
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5838
Sara Kärrholm
{"title":"Trötta mammors försvarare: familjevärderingar i Kerstin Thorvalls bilderböcker från 1970-talet","authors":"Sara Kärrholm","doi":"10.3402/BLFT.V2I0.5838","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5838","url":null,"abstract":"Kerstin Thorvall (1925–2010) is a Swedish author of books for children and young adults, as well as books for adults. In 1965, she wrote the article “Do all authors of children's books live in Tomtebolandet?” (“Bor alla barnboksforfattare i Tomtebolandet”, Expressen 1965) in which she claims that gender roles in Swedish children's literature, are depicted in an old and stereotypical fashion. She also wants children's literature to adjust better to the actual lives of it's readers, for example by describing the environments that are recognizable to children in their everyday life, such as kindergarten and apartment buildings in an urban setting. Thorvall's article inspired a debate about children's literature and gender roles that had a great influence in the design of children's books in the following decade. Thorvall herself also wrote picture books showing her version of the best ways to handle these issues in children's literature. This paper will address some of these picture books, namely Mamma, var ar du? (1972, Mother, where are you?) and the books about Sara, Sara (1975) and Mer om Sara (1977, More about Sara) with illustrations by Monica Schultz, in order to discuss issues about children's literature and it's depiction of family values during the Swedish 1970s. Keywords: family values, gender roles, society, picturebooks, motherhood","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133913982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
”Konfettaskar” och ”typografiska läckerbitar” eller funktionalistisk formgivning? om Eva Billow som bilderbokskonstnär och grafiker
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5832
Elina Druker
{"title":"”Konfettaskar” och ”typografiska läckerbitar” eller funktionalistisk formgivning? om Eva Billow som bilderbokskonstnär och grafiker","authors":"Elina Druker","doi":"10.3402/BLFT.V2I0.5832","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5832","url":null,"abstract":"Eva Billow as picture book artist and graphic designer. The 1940’s and 50’s was a dynamic period for the Nordic picture book. There is a general aspiration to explore picture book aesthetics, a need to find imagery and expressions capturing a new era. In my article, I will discuss how these ideas are expressed in the illustrator and graphic artist Eva Billow’s picture books. Her illustration style is originated in a modernist tradition of simplicity, clarity and typographic precision. Also, an idea about books as an art form is evident through her production. Eva Billow’s production covers a wide field of graphic design, from picture books, cartoons and illustrations to book art, posters and advertisements. I will discuss Billow’s use of aesthetics that can be related to functionalist ideas and will further place this approach in a larger context in the history of Swedish graphic design. The general interest in graphic design and new printing techniques among picture book illustrators can also be seen as a part of a tendency within Nordic Modernism where the artist aspired to make arts a part of the society. But the appeal for the picture book among the young Nordic artists and authors, prior and after the Second World War, also expresses an inter-artistic tendency, where the limits between different forms of art are explored. Keywords: picturebook, graphic design, functionalism, modernism, illustration history, literary criticism","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"192 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132663238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kropp i bevegelse i bildeboka Känner du Pippi Långstrump
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5831
Agnes-Margrethe Bjorvand
{"title":"Kropp i bevegelse i bildeboka Känner du Pippi Långstrump","authors":"Agnes-Margrethe Bjorvand","doi":"10.3402/BLFT.V2I0.5831","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5831","url":null,"abstract":"In Astrid Lindgren’s authorship, there are many bodies in motion, and one of her most movable and energetic characters is Pippi Longstocking. In the illustrated novels about Pippi (Lindgren and Nyman 1945, 1946, and 1948) there are relatively few pictures, and as a result, Lindgren’s words carry most of the story. In the novels, her words have a greater functional load (Kress 2003, 46 ) than Nyman’s pictures. Naturally then, the words convey most of the information about Pippi and the other characters’ movements. But how does the portrayal of bodies in motion change when Pippi is portrayed in picturebooks where the pictures have a lot more space, ie, a greater functional load than in the illustrated novels? The aim of this article is to study bodies in motion in Astrid Lindgren’s and Ingrid Nyman’s picturebook Do you Know Pippi Longstocking? (1947). My main focus will be how words and illustrations – together and separately – provide the reader with information about Pippi’s movements in this picturebook. Keywords: Astrid Lindgren, Ingrid Nyman, picturebooks, bodies in motion, word-picture-relationship, iconotext (word-picture-readerrelationship), modal affordance, functional load. (Published: 3 March 2011) Citation: Nordic Journal of ChildLit Aesthetics, Vol. 2 , 2011 DOI: 10.3402/ blft.v2i0.5831 Note: This article is being published simultaneously in Barnboken – tidskrift for barnlitteraturforskning/Journal of Children’s Literature Research and Nordic ChildLit Aesthetics/Barnelitteraert forskningstidsskrift","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133522807","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Det blir mackor med O'boy och O'boy. Och flingor med O'boy Förpackning och varumärke som representation av det vardagliga livet och konsumtionen som frigörelse
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5834
Martin Hellström
{"title":"Det blir mackor med O'boy och O'boy. Och flingor med O'boy Förpackning och varumärke som representation av det vardagliga livet och konsumtionen som frigörelse","authors":"Martin Hellström","doi":"10.3402/BLFT.V2I0.5834","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5834","url":null,"abstract":"Packaging and trademarks as representation of everyday life and consumption as liberation. This text shows how the packages in Pija Lindenbaum When Owen's mom breathed fire (2005) represent the everyday life and the reality in contrast to his mother who turned into a dragon. The text also shows how consumption can represent liberation and personal growth in a few Swedish picture books of recent years. It also covers how a rejection of the commercial children's literature can effect our view of the packaging of children's book illustrations. Examples from Gunilla Bergstrom's books about Alfie Atkins shows how the anonymous and non-recognizable packaging can be perceived. Keywords: Pija Lindenbaum, Gunilla Bergstrom, packaging, consumption, Swedish children’s literature","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116423070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Manlighet, mod och moral: Amanda Kerfstedts ”Carl Bergs skoltid”
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5829
Maria Andersson
{"title":"Manlighet, mod och moral: Amanda Kerfstedts ”Carl Bergs skoltid”","authors":"Maria Andersson","doi":"10.3402/BLFT.V2I0.5829","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5829","url":null,"abstract":"Masculinity, courage and morality: Amanda Kerfstedt’s ”Carl Berg’s skoltid”. Amanda Kerfstedt’s ”Carl Bergs skoltid” describes a boy’s journey to manhood in late 19th century Sweden. This article pertains that the text contrasts an ideal of masculinity based on physical strength with an ideal emphasizing morality. Although a true man, as described in the story, is expected to be strong as well as righteous, the moral component is the most important. The text shows that courage and force, which are not checked by a sense of ethics, may turn into brutality and abuse of power. Different types of masculinity are compared in ”Carl Bergs skoltid” but masculinity is also defi ned in relation to ideas about femininity. The association with women is utilized to stress a lack of courage in men as well as to redefi ne a masculine ideal that has focused too much on physical prowess instead of strength of character. Keywords: Amanda Kerfstedt, masculinity, 19th century Swedish literature, bourgeoisie (Published: 3 March 2011) Citation: Nordic Journal of ChildLit Aesthetics, Vol. 2 , 2011 DOI: 10.3402/ blft.v2i0.5829 Note: This article is being published simultaneously in Barnboken – tidskrift for barnlitteraturforskning/Journal of Children’s Literature Research and Nordic ChildLit Aesthetics/Barnelitteraert forskningstidsskrift","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123901106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Terror i tvillingtårnene – dystopi og ironi? 9/11 i Darlah og En terrorist i senga
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5839
Kjersti Lersbryggen Mørk
{"title":"Terror i tvillingtårnene – dystopi og ironi? 9/11 i Darlah og En terrorist i senga","authors":"Kjersti Lersbryggen Mørk","doi":"10.3402/BLFT.V2I0.5839","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5839","url":null,"abstract":"Terror in the Twin Towers – dystopia and irony? 9/11 in Darlah and En terrorist i senga . Through globalization of our media society, children as well as adults are endlessly exposed to information and images from all over the world. In Norway, signs of the terrorist attack on the Twin Towers in USA on September 11th 2001 are now to be found in literature for children and young adults. With globalization theory and post-colonial theory I will examine how two novels present global challenges in general and 9/11 in particular. What does globalization mean for the construction of identity? Who are “we”, and who are “the others”? The novel for young adults, Darlah – 172 timer pa manen [Darlah – 172 hours on the moon] (2008) by Johan Harstad, is a dystopia where 9/11 points forward to a full scale catastrophe for humanity. En terrorist i senga [There's a terrorist in my bed] (2008), a novel for children by Endre Lund Eriksen, makes explicit references to 9/11 – but with playfulness and ironic revelation of xenophobia. Both books use aliens from outer space as “the other”, but where Darlah presents a pessimistic view of our global future, En terrorist i senga is optimistic on behalf of the humankind. Keywords: globalization, identity; national, apocalypse, xenophobia, humour, Norwegian children's literature, Johan Harstad, Endre Lund Eriksen","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129199070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Children's literature in a global age: transnational and local identities 全球化时代的儿童文学:跨国认同与本土认同
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5828
C. Bradford
{"title":"Children's literature in a global age: transnational and local identities","authors":"C. Bradford","doi":"10.3402/BLFT.V2I0.5828","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5828","url":null,"abstract":"This essay explores the concept of transnationalism, defining this term in relation both to the lived experience of transnational subjects, and to transnational texts for children. It argues that rhetorics of globalization have over-emphasized the impact and significance of global cultural and economic flows, although the production of children’s books is to some extent shaped by the internationalization of publishing houses and markets. The concept of transnationalism provides a way of thinking about how children’s texts address and are informed by diverse, complex influences, sometimes from a variety of cultures and languages. Transnationalism is not a new phenomenon but is visible in colonial texts which are shaped both by the particular, local ideologies of colonial nations, and also by the common concerns and interests of such nations. The essay draws on two contemporary texts to illustrate the workings of transnationalism: the film Howl’s Moving Castle, and Shaun Tan’s picture book The Arrival. It concludes by considering the concept of transnational literacy as a way of approaching scholarship and teaching in children’s literature. Keywords: culture, ethnicity, children’s publishing, postcolonialism, politics, migration, diaspora","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130756995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 23
Er fagbøger en del af børnelitteraturen
Journal of Children’s Literature Pub Date : 2011-03-02 DOI: 10.3402/BLFT.V2I0.5836
Anna Karlskov Skyggebjerg
{"title":"Er fagbøger en del af børnelitteraturen","authors":"Anna Karlskov Skyggebjerg","doi":"10.3402/BLFT.V2I0.5836","DOIUrl":"https://doi.org/10.3402/BLFT.V2I0.5836","url":null,"abstract":"Is non-fiction also a part of children’ literature? In recent decades, children’s literature researchers have only considered fiction children’s literature (Maria Nikolajeva 1998 and Torben Weinreich 2004), and certain younger researchers has shown a tendency to write about experimental books by prize-winning authors (Bodil Kampp 2002). Very few researchers have shown an interest in non-fiction for children, and the consequence is that a great many publications for children have been overlooked. In the Nordic countries, Nina Goga’s doctoral thesis from 2008 is the only exception from this exclusive definition of children’s literature. In this article, I present a definition of children’s literature that includes non-fiction. In this definition, literature means ‛something written’ after ‛litera’ (Latin: letter). The purposes of the article are, on the one hand, to discuss different definitions and characteristics of non-fiction for children, and on the other hand to identify ways to analyze these books as literature for children. The article includes a discussion of a series of books about zoology by the Danish author Bent Jorgensen and the illustrator Birde Poulsen. One book in particular is discussed as an example of contemporary non-fiction and that is Om natten (In the Night, 2005). This book is subjected to analytical tools from literature studies, and one of the points is that non-fiction should be interpreted and described through a textanalytical approach. Keywords: definitions of children’s literature, children’s literature research, non-fiction for children, analysis of children’s literature","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"498 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116542077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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