”Thet vnger lärer han gammal håller”: strövtåg i den äldre barnlitteraturens historia

Lotta Paulin
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Abstract

Children's literature in Sweden can be roughly divided into before and after the Reformation. Before the Reformation interesting, didactic texts with entertaining exemplary stories for the young were translated and adapted. During the 16th century very few literary texts – for children as well as adults – were published, mainly because the king had total control over the printing. Only texts sanctioned by the king were published. During the 17th century publications for the young increased and some, but not all of them, also address children or youth in the title or the preface. Earlier this was mainly implied, although some authors were explicit as well. In working with older literature I find it valuable to not just consider the intention of the text but the function as well, since more literary texts had the function of being children's literature in the Middle Ages than has been previously presumed. Folk tales, fairy tales and fables are among the genres that were indeed written for and used to educate children. Modern historical research, as well as my own, shows that there is not one but several different concepts of childhood existing at the same time. I also suggest that children's literature may be used as a perspective. If we try to find a universal, timeless definition it will have to be a compromise that may not help us to answer questions about the literary tradition and of how children and adolescents have been included and addressed, educated and entertained through literature in different historical and cultural contexts. Keywords: the history of children's literature; comparative children's literature; concepts of childhood; medieval children's literature; early modern children's literature; genre; the history of education; didactics in literature
瑞典的儿童文学大致可以分为宗教改革前后。在宗教改革之前,对年轻人来说,有趣的、有说教意义的文本和有趣的示范故事被翻译和改编。在16世纪,很少有文学作品——无论是儿童还是成人——被出版,主要是因为国王完全控制了印刷。只有国王批准的文本才得以出版。在17世纪,针对年轻人的出版物有所增加,其中一些,但不是全部,也在标题或序言中提到儿童或青年。早些时候,这主要是隐含的,尽管一些作者也明确表示。在研究古老的文学作品时,我发现不仅要考虑文本的意图,还要考虑其功能,这是很有价值的,因为在中世纪,更多的文学文本具有儿童文学的功能,而不是之前认为的那样。民间故事、童话和寓言确实是为孩子们而写的,也是用来教育孩子的。现代历史研究以及我自己的研究表明,同时存在着不止一种,而是几种不同的童年概念。我也建议儿童文学可以作为一个视角。如果我们试图找到一个普遍的、永恒的定义,它将不得不是一个妥协,这可能无助于我们回答有关文学传统的问题,以及在不同的历史和文化背景下,儿童和青少年是如何通过文学被纳入、处理、教育和娱乐的问题。关键词:儿童文学史;比较儿童文学;童年的概念;中世纪儿童文学;早期现代儿童文学;流派;教育史;文学教学
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