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Zigzags, revirements et circonvolutions: les voyages excentriques et exotiques de Théophile Gautier 曲折、曲折和曲折:theophile戈蒂埃的古怪和异国之旅
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0014
Ji Eun Hong
{"title":"Zigzags, revirements et circonvolutions: les voyages excentriques et exotiques de Théophile Gautier","authors":"Ji Eun Hong","doi":"10.1353/ncf.2022.0014","DOIUrl":"https://doi.org/10.1353/ncf.2022.0014","url":null,"abstract":"Abstract:Théophile Gautier traveled a lot, and far. His travels, especially in the East, have often been studied from the angle of exoticism, travelogue or even art. But it is the motivation and the terms of the itinerary that will be the subject of this article. Indeed, such a craze for travel is surprising on the part of a writer who, originally, liked to proclaim the charms of motionless travel and make fun of the fashion of what was not yet called \"tourism.\" What is the origin of the given impulse? Looking closely at the line it draws from the point of departure to the point of arrival, we see that the journey according to Gautier is constantly being deconstructed. The broken line, the zigzag and all the figures of the detour seem to correspond, in space, to the figure of the paradox which governs the work of the writer. (In French)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"52 - 67"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47367896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Baudelaire as a Girl: Writing Through Problematic Legacies in Lisa Robertson's The Baudelaire Fractal 少女时期的波德莱尔：丽莎·罗伯逊《波德莱尔分形》中的问题遗产书写
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0015
Dave Evans
{"title":"Baudelaire as a Girl: Writing Through Problematic Legacies in Lisa Robertson's The Baudelaire Fractal","authors":"Dave Evans","doi":"10.1353/ncf.2022.0015","DOIUrl":"https://doi.org/10.1353/ncf.2022.0015","url":null,"abstract":"Abstract:At a time when students and academics are grappling with the cultural legacies of misogyny, Lisa Robertson's novel The Baudelaire Fractal (2020) offers a challenging, creative mode of engagement with the male canon. It describes the journey into writing of Hazel Brown, a young woman whose painful encounter with Baudelaire's misogyny inspires not a rejection but an appropriation: one day she discovers within herself the authorship of Baudelaire's complete works, expressed as a bodily commingling: \"that female mouth was both his and mine.\" Hazel's methods of self-expression echo those of both the French pioneers of écriture féminine and recent menstrual theorists, figuring her girlhood as a bloodstain which makes female subjectivity visible. I explore how Hazel transforms Baudelaire and his texts, blurring gender boundaries and fusing with him in a symbiotic, non-hierarchical relationship. What emerges is a defence of reading as the work of a desire which is borderless, encouraging us to persevere with, and to embrace, \"the difficult texture of difference.\"","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"178 11","pages":"68 - 89"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41275284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Decadent Werewolf: Animal Ethics in the Autobiographical Rachilde 颓废的狼人:《拉希尔德自传体》中的动物伦理
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0018
C. Robison
{"title":"The Decadent Werewolf: Animal Ethics in the Autobiographical Rachilde","authors":"C. Robison","doi":"10.1353/ncf.2022.0018","DOIUrl":"https://doi.org/10.1353/ncf.2022.0018","url":null,"abstract":"Abstract:In her numerous romans à clef like La Marquise de Sade and Les Rageac, as well as her more explicitly autobiographical texts like Dans le puits and Face à la peur, Rachilde tells a series of anecdotes that underscore her deep investment in animal ethics. Throughout her autobiographical œuvre, Rachilde constructs her alter ego of the writerly loup-garou, whose zealous animal activism is determined by both her lupine kinship, as well as her Decadent aesthetic value system, which sees in the animal a radical individualism and a feral beauty that is at odds with the ugly, vivisecting brutality underlying positivist ideals. The present paper explores the parameters of her animal ethics, paying close attention to the ways in which her sympathy for animals aligns not only with her broader Decadent enterprise, but also a proto-ecofeminism invested in the blurring of gender and species-based hierarchical binaries.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"121 - 135"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47515130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
J.-K. Huysmans with Wilhelm Wundt: Ennui, or a Mind-Body Problem 胡曼与冯：恩努伊或一个身心问题
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0019
John D'amico
{"title":"J.-K. Huysmans with Wilhelm Wundt: Ennui, or a Mind-Body Problem","authors":"John D'amico","doi":"10.1353/ncf.2022.0019","DOIUrl":"https://doi.org/10.1353/ncf.2022.0019","url":null,"abstract":"Abstract:Taking a cognitive approach to Huysmans's 1887 novel En rade, this article studies the writer's aesthetic transmutation of the theories of Wilhelm Wundt (1832–1920)—a figure widely known as one of the founders of modern psychology. The protagonist, Jacques Marles, invokes Wundt's claim that an extended foot during sleep may prompt the experience of falling in a dream. This explanation has led critics to cast Wundt as a foil for psychoanalytic readings, dismissing wholesale his writings despite their pertinence to the author's portrayal of Jacques's errant thought. Considering Wundt's perspectives on the mediating work of consciousness, I examine Huysmans's use of the scientist's ideas on the physiological unconscious, reaction times, and apperception to portray the struggle of the conscious mind when confronted with its unconscious other. In so doing, I argue that ennui functions as the conscious register of unconscious activity to become an agent of psychic change over time.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"136 - 152"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44988601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fragmentation or Fusion: The Theme of Restoration in Nodier's Masterwork, La Fée aux miettes 碎片还是融合：Nodier杰作《La Fée aux miettes》中的复原主题
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0012
L. M. Porter
{"title":"Fragmentation or Fusion: The Theme of Restoration in Nodier's Masterwork, La Fée aux miettes","authors":"L. M. Porter","doi":"10.1353/ncf.2022.0012","DOIUrl":"https://doi.org/10.1353/ncf.2022.0012","url":null,"abstract":"Abstract:Charles Nodier's longest fairytale, La Fée aux miettes, seems an \"Anatomy\" in Northrop Frye's sense of the word—a medley of literary genres typical of \"the self-conscious tradition\" familiar to Nodier from Sterne's Tristram Shandy and Diderot's Neveu de Rameau, winding through a labyrinth and ending without a decisive ending. But Nodier repeatedly foreshadows his belief that the sixth \"day\" (epoch) of Creation has not yet been completed, and that, analogous to more ancient versions of the Biblical prophets, benevolent and superior beings have already descended to earth to help guide humans during their final phase of evolution. The early scenes where the Fée helps young students with their thèmes et versions link France with remote regions of the world, and advance God's plan for completing the creation by uniting it.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"20 - 35"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47564325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Textual "Piqûres": Vaccination in the Hands of Nineteenth-Century French Writers 文本“Piqûres”：19世纪法国作家手中的疫苗接种
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0011
Margot Szarke, L. M. Porter, Emily Paterson-Morgan, Ji Eun Hong, David Evans, Mendel Péladeau-Houle, Michael Rosenfeld, C. Robison, John D'amico
{"title":"Textual \"Piqûres\": Vaccination in the Hands of Nineteenth-Century French Writers","authors":"Margot Szarke, L. M. Porter, Emily Paterson-Morgan, Ji Eun Hong, David Evans, Mendel Péladeau-Houle, Michael Rosenfeld, C. Robison, John D'amico","doi":"10.1353/ncf.2022.0011","DOIUrl":"https://doi.org/10.1353/ncf.2022.0011","url":null,"abstract":"Abstract:This essay explores nineteenth-century French texts that depict Jenner's vaccine, highlighting the ways in which literature and print culture played a significant role in vaccination's diffusion by conveying, challenging, and even mocking the impact of the new preventative treatment and its scientific rationale. By examining accounts of the vaccine found in medical treatises, popular journalism, theatrical parody, and poetry, this essay argues that Jenner's discovery crucially provoked social commentary, stylistic experimentation, and meta-discourse as writers on both sides of the issue specifically attended to the mechanics of thought and the usage of rhetorical devices. This essay thus identifies how the vaccine was mobilized by French writers to discuss not only public health and social well-being, but also human understanding and forms of expression.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"1 - 102 - 103 - 120 - 121 - 135 - 136 - 152 - 19 - 20 - 35 - 36 - 51 - 52 - 67 - 68 - 89 - 90"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42290162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zola nataliste ou féministe? Pouvoir féminin et sexualités subversives dans Fécondité 佐拉是天生的还是女权主义者？生育中的女性权力和颠覆性性
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0017
M. Rosenfeld
{"title":"Zola nataliste ou féministe? Pouvoir féminin et sexualités subversives dans Fécondité","authors":"M. Rosenfeld","doi":"10.1353/ncf.2022.0017","DOIUrl":"https://doi.org/10.1353/ncf.2022.0017","url":null,"abstract":"Abstract:Scholars have described the role of women in Zola's Fécondité (1899) as limited primarily to motherhood, citing Marianne's twelve births as the maternal model idealized by the novelist. However, the dossiers préparatoires reveal a different story. Zola describes in detail his many female characters whose intimate desires express their quest for sexual liberty and for control over their own bodies. Although some of the most subversive elements were softened as Zola composed his novel, one can still discern them in the final text. Does this self-censorship reflect Zola's moral judgment of women? Or is it simply a narrative strategy to integrate his scientific theories on population growth? This article's objective is to study the subtle hints that Zola leaves in the novel and which allow for alternative interpretations of his female characters and their sexuality. I shall argue that these hints demonstrate his tacit approval of such characters and their behaviors. (In French)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"103 - 120"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48722996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Dévoiler un amour secret": Gestures of Adulterous Desire in Byron's Don Juan Canto I and Balzac's La Femme de trente ans 《揭开秘密的爱》:拜伦的《唐璜·坎托一世》和巴尔扎克的《三十岁的女人》中通奸欲望的姿态
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0013
Emily Paterson-Morgan
{"title":"\"Dévoiler un amour secret\": Gestures of Adulterous Desire in Byron's Don Juan Canto I and Balzac's La Femme de trente ans","authors":"Emily Paterson-Morgan","doi":"10.1353/ncf.2022.0013","DOIUrl":"https://doi.org/10.1353/ncf.2022.0013","url":null,"abstract":"Abstract:This article proposes that in his 1842 novel La Femme de trente ans, Honoré de Balzac draws on Lord Byron's depiction of self-deceptive character pathology in Don Juan Canto I, using the British poet's Spanish seduction scene as a template for his own portrayal of the opening moves of an adulterous liaison. Byron's Donna Julia and Balzac's Julie d'Aiglemont display the same disconnection between conscious thought and unconscious gesture, the one repudiating and the other inviting adulterous intimacy. However, although the French novel contains noticeable traces of the English poem, Balzac characteristically deviates in several crucial features, his astute grasp of Don Juan enabling him to make a series of adaptive amplifications which accentuate his heroine's sexual iniquity.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"36 - 51"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66360068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rimbaud, un textualisme en acte Rimbaud，行动中的文本主义
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-09-01 DOI: 10.1353/ncf.2022.0016
Mendel Péladeau-Houle
{"title":"Rimbaud, un textualisme en acte","authors":"Mendel Péladeau-Houle","doi":"10.1353/ncf.2022.0016","DOIUrl":"https://doi.org/10.1353/ncf.2022.0016","url":null,"abstract":"Abstract:Understood in the sense of the disappearance of the author and the crisis of representation, textualism is a theory of which Mallarmé is considered to be the initiator. Speaking of a poetic textualism or \"en acte\" (in action), the article studies this idea in Arthur Rimbaud's Les Illuminations. Rather than considering the criticism of the author as a derivative of the deconstruction of the subject, we analyze the writer's disappearance through its representations in \"Vies III\" and \"Enfance V.\" \"Promontoire\" and \"Enfance II\" are used to examine the semantization of two grammatical categories of designation, proper names and deictics. The aim is not to find new models to the 1960s and 1970s era of \"la théorie du texte,\" but to suggest that textualism is constitutive of Modernist poetry. (In French)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"102 - 90"},"PeriodicalIF":0.2,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49234637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Depicting Racial Conflict in Charles Garand’s Georges le mulâtre (1878) 查尔斯·加兰德的《乔治·勒·穆雷》(1878)中对种族冲突的描绘
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-03-01 DOI: 10.1353/ncf.2022.0002
B. Cooper
{"title":"Depicting Racial Conflict in Charles Garand’s Georges le mulâtre (1878)","authors":"B. Cooper","doi":"10.1353/ncf.2022.0002","DOIUrl":"https://doi.org/10.1353/ncf.2022.0002","url":null,"abstract":"Abstract:This article examines the way Charles Garand’s Georges le mulâtre (1878), a play based on Alexandre Dumas’s novel Georges (1843), forces theatergoers and readers to look at race and racial prejudice. Each act shows the division and divisiveness that racial prejudice imposes on the drama’s characters and suggests that it is only by overcoming the long-held biases built into the colonial setting that people can learn to live together happily and fruitfully. France is represented as the utopian opposite of the île Maurice (Mauritius) where judgments about individuals are not made based on skin color and ancestry but rather on a person’s actions and character.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"50 1","pages":"234 - 248"},"PeriodicalIF":0.2,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45296715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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