{"title":"佐拉是天生的还是女权主义者?生育中的女性权力和颠覆性性","authors":"M. Rosenfeld","doi":"10.1353/ncf.2022.0017","DOIUrl":null,"url":null,"abstract":"Abstract:Scholars have described the role of women in Zola's Fécondité (1899) as limited primarily to motherhood, citing Marianne's twelve births as the maternal model idealized by the novelist. However, the dossiers préparatoires reveal a different story. Zola describes in detail his many female characters whose intimate desires express their quest for sexual liberty and for control over their own bodies. Although some of the most subversive elements were softened as Zola composed his novel, one can still discern them in the final text. Does this self-censorship reflect Zola's moral judgment of women? Or is it simply a narrative strategy to integrate his scientific theories on population growth? This article's objective is to study the subtle hints that Zola leaves in the novel and which allow for alternative interpretations of his female characters and their sexuality. I shall argue that these hints demonstrate his tacit approval of such characters and their behaviors. (In French)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"103 - 120"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Zola nataliste ou féministe? Pouvoir féminin et sexualités subversives dans Fécondité\",\"authors\":\"M. Rosenfeld\",\"doi\":\"10.1353/ncf.2022.0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Scholars have described the role of women in Zola's Fécondité (1899) as limited primarily to motherhood, citing Marianne's twelve births as the maternal model idealized by the novelist. However, the dossiers préparatoires reveal a different story. Zola describes in detail his many female characters whose intimate desires express their quest for sexual liberty and for control over their own bodies. Although some of the most subversive elements were softened as Zola composed his novel, one can still discern them in the final text. Does this self-censorship reflect Zola's moral judgment of women? Or is it simply a narrative strategy to integrate his scientific theories on population growth? This article's objective is to study the subtle hints that Zola leaves in the novel and which allow for alternative interpretations of his female characters and their sexuality. I shall argue that these hints demonstrate his tacit approval of such characters and their behaviors. (In French)\",\"PeriodicalId\":42524,\"journal\":{\"name\":\"NINETEENTH-CENTURY FRENCH STUDIES\",\"volume\":\"51 1\",\"pages\":\"103 - 120\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NINETEENTH-CENTURY FRENCH STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ncf.2022.0017\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NINETEENTH-CENTURY FRENCH STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ncf.2022.0017","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
Zola nataliste ou féministe? Pouvoir féminin et sexualités subversives dans Fécondité
Abstract:Scholars have described the role of women in Zola's Fécondité (1899) as limited primarily to motherhood, citing Marianne's twelve births as the maternal model idealized by the novelist. However, the dossiers préparatoires reveal a different story. Zola describes in detail his many female characters whose intimate desires express their quest for sexual liberty and for control over their own bodies. Although some of the most subversive elements were softened as Zola composed his novel, one can still discern them in the final text. Does this self-censorship reflect Zola's moral judgment of women? Or is it simply a narrative strategy to integrate his scientific theories on population growth? This article's objective is to study the subtle hints that Zola leaves in the novel and which allow for alternative interpretations of his female characters and their sexuality. I shall argue that these hints demonstrate his tacit approval of such characters and their behaviors. (In French)
期刊介绍:
Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.