NINETEENTH-CENTURY FRENCH STUDIES最新文献

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Le cours de l’action sociale: Jean Charles-Brun et le théâtre 社会行动的过程:让·查尔斯·布朗和戏剧
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2023-04-18 DOI: 10.1353/ncf.2023.0006
Sarah Al-matary
{"title":"Le cours de l’action sociale: Jean Charles-Brun et le théâtre","authors":"Sarah Al-matary","doi":"10.1353/ncf.2023.0006","DOIUrl":"https://doi.org/10.1353/ncf.2023.0006","url":null,"abstract":"Abstract:Jean Charles-Brun (1870–1946), best known as a regionalist activist, became interested in the theater early on: it was certainly from there that he consolidated his discourse on the relationship between art and society. Years before the courses on the social novel in nineteenth-century France that he gave at the Collège libre des sciences sociales, Charles-Brun had delivered several lectures on social theater in the same institution (1898–99, 1908–09). These lectures were never published, but traces of them remain in an unpublished notebook kept in the archives of the MuCEM in Marseille. The genetic study of this document does not make it possible to determine the specific content of the lectures. But, by placing the references it mobilizes in the ideological context of the day, and by reading these references in relation to the speaker’s social networks, we can glimpse the difficulties involved in defending “social theater,” such as it was promoted, in particular, by the movement of the “Universités populaires,” before a largely bourgeois, even “mondain” public. (In French.)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"288 - 307"},"PeriodicalIF":0.2,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43352089","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Le bon ange de son maître”: mélodrame animalier et théâtre humanitaire 《主人的好天使》:动物情节剧和人道主义戏剧
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2023-04-18 DOI: 10.1353/ncf.2023.0001
Ignacio Ramos-Gay
{"title":"“Le bon ange de son maître”: mélodrame animalier et théâtre humanitaire","authors":"Ignacio Ramos-Gay","doi":"10.1353/ncf.2023.0001","DOIUrl":"https://doi.org/10.1353/ncf.2023.0001","url":null,"abstract":"Abstract:This article examines nineteenth-century melodramas that featured live animals, the abuse of which awakened in the audience feelings of commiseration and humaneness. By analyzing the work of playwrights in the line of Guilbert de Pixerécourt, Eugène Scribe, Edmond Rochefort, Ferdinand Langlé, Philippe François Pinel Dumanoir, Adolphe D’Enner y, Ferdinand La loue, Fabrice Labrousse, Théodore Barrière and Léon Beauvallet, among many others, we may better understand the path that both led to and followed the passing of the first law aimed at defending and protecting animals in France: the 1850 Loi Grammont. Some of the plays paved the way towards this legal shift, and some reflected its precepts in the aftermath of the act, stirring feelings of empathy towards animals amongst theatregoers. The ultimate objective of these plays was not the defense of animals per se (in the modern sense). However, their arousal of emotions linked to a Manichean spectrum of moral behaviors ranging from good to evil, their penchant for the triumph of virtue, and the pathos resulting from the verbal and physical abuse or, eventually, the (fictional) death of the animals in the melodrama, resonated with a shared feeling of humaneness that was integral to a reflection about what was considered beneficial for society. (In French.)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"210 - 230"},"PeriodicalIF":0.2,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42449971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Théâtre social, drame humanitaire 简介:社会主义,人道主义
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2023-04-18 DOI: 10.1353/ncf.2023.0009
Olivier Bara
{"title":"Introduction: Théâtre social, drame humanitaire","authors":"Olivier Bara","doi":"10.1353/ncf.2023.0009","DOIUrl":"https://doi.org/10.1353/ncf.2023.0009","url":null,"abstract":"En 1923, la thèse de David Owen Evans soutenue à l’Université de Paris, Les Problèmes d’actualité au théâtre de l’époque romantique. 1827– 1850, établissait un lien de filiation entre la comédie sérieuse ou le drame des Lumières et le théâtre romantique français, considéré sous son angle social. Ses travaux contribuaient à arracher le drame romantique à une définition strictement formelle ou rhétorique pour envisager sa capacité à traiter les grandes questions morales et sociales contemporaines. Cessant de voir dans la production scénique du romantisme un hapax ou une aberration historique, Evans en faisait le chaînon reliant le théâtre du dixhuitième siècle à la grande comédie du Second Empire (Augier, Dumas fils). Il proposait aussi, dans son ouvrage Le Théâtre pendant la période romantique, de situer les pièces de Hugo, Vigny ou Dumas dans le mouvement plus général du “drame moderne romantique”: ce dernier","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"185 - 195"},"PeriodicalIF":0.2,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45534179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conflits sociaux, moraux et économiques dans Mathilde de Félix Pyat et Eugène Sue Félix Pyat和Eugène Sue的《玛蒂尔德的社会、道德和经济冲突》
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2023-04-18 DOI: 10.1353/ncf.2023.0000
B. T. Cooper
{"title":"Conflits sociaux, moraux et économiques dans Mathilde de Félix Pyat et Eugène Sue","authors":"B. T. Cooper","doi":"10.1353/ncf.2023.0000","DOIUrl":"https://doi.org/10.1353/ncf.2023.0000","url":null,"abstract":"Abstract:This article studies Félix Pyat’s and Eugène Sue’s 1842 drama, Mathilde, in order to show how money serves as a lever of power used to challenge and contest traditional moral values, the integrity of the family, and the foundations of social organization. Lugarto, the drama’s wealthy and unscrupulous villain, is both a racial outsider and a social interloper who takes advantage of the secrets he has uncovered and the prestige afforded by the fortune he has inherited to bend others to his will. The play also highlights the way money, gender and the law intersect to circumscribe the lives of women. Because the representation of women is determined here by actual historical forces, the status of women as virtuous victims is made somewhat more realistic than it had been in melodramas earlier in the century. (In French.)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"196 - 209"},"PeriodicalIF":0.2,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48947879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tentations spectaculaires: quelques représentations théâtrales de l’alcoolisme ouvrier, de la monarchie de Juillet à la Troisième République 壮观的诱惑:从七月君主制到第三共和国,一些关于工人酗酒的戏剧表演
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2023-04-18 DOI: 10.1353/ncf.2023.0004
Marjolaine Forest
{"title":"Tentations spectaculaires: quelques représentations théâtrales de l’alcoolisme ouvrier, de la monarchie de Juillet à la Troisième République","authors":"Marjolaine Forest","doi":"10.1353/ncf.2023.0004","DOIUrl":"https://doi.org/10.1353/ncf.2023.0004","url":null,"abstract":"Abstract:The present article considers stage representations of alcohol issues in the French working class from the July Monarchy to the Third Republic, through four plays: a vaudeville (Plus de jeudi, by Victor Ducange and Anicet Bourgeois, 1838), two examples of “humanitarian theater”—Marie-Jeanne, ou la Femme du peuple (1845), by Adolphe Dennery and Julien de Mallian, and Le Chiffonnier de Paris (1847), by Félix Pyat—and a “social drama” (L’Assommoir, a theatrical adaptation of Zola’s novel by William Busnach and Octave Gastineau, 1879). According to its own genre, each play stages alcohol-related harms: disorders and troubled gestures, postures, or movements are either seen or heard. This aesthetics of excess exhibits, either in a comic or a (melo)dramatic manner, the consequences of alcoholism leading to denouements: abusive drinking leads characters to the brink of catastrophe, and it ceases once they are persuaded to proclaim their temperance. (In French.)","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"51 1","pages":"258 - 272"},"PeriodicalIF":0.2,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42783338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Van Gogh’s Parisian Gardens on the Butte Montmartre 梵高在蒙马特高地的巴黎花园
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-11-01 DOI: 10.5325/ninecentstud.34.0001
Christa DiMarco
{"title":"Van Gogh’s Parisian Gardens on the Butte Montmartre","authors":"Christa DiMarco","doi":"10.5325/ninecentstud.34.0001","DOIUrl":"https://doi.org/10.5325/ninecentstud.34.0001","url":null,"abstract":"\u0000 Vincent van Gogh generated around 150 paintings, plus drawings and works on paper, while he lived in Paris from 1886 through 1888. Scholars tend to focus on the paintings he made after he left the capital for the Provençal town of Arles. Iconic Arlesian images such as Night Café and Sunflowers have overshadowed the Paris-period paintings and, in turn, the sociocultural underpinnings of his oeuvre. This essay focuses on one of the largest bodies of imagery Van Gogh completed in Paris: a series depicting small gardens for the working class that sprawled down a hill behind a popular tourist attraction on the Butte Montmartre. These works have been seen as depictions of rural Montmartre, but the essay locates them in the context of tourism and also connects them to Émile Zola’s 1873 novel Le Ventre de Paris. In doing so, the author views Van Gogh’s seemingly traditional landscapes as departing from the pictorial compositions he studied and embracing instead a pictorial frame that conveys the subjugation of the working class amid social reform efforts related to communal gardens.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"6 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83240377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Khazar Ancestry of Hungarian Jews 匈牙利犹太人的Khazar祖先
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-11-01 DOI: 10.5325/ninecentstud.34.0095
Mari Réthelyi
{"title":"The Khazar Ancestry of Hungarian Jews","authors":"Mari Réthelyi","doi":"10.5325/ninecentstud.34.0095","DOIUrl":"https://doi.org/10.5325/ninecentstud.34.0095","url":null,"abstract":"\u0000 In late nineteenth century Hungary, progressive Jewish (Neolog) scholars wrote several articles in Neolog journals publicly supporting theories of common ancestry and race with Hungarians. They created a unique identity for themselves through discussions of common origin and history, making Jews into Hungarians. One of their main theories was that of Khazar ancestry, which, despite being controversial even in its own time, enabled stories of a common Judeo-Hungarian past and race to emerge. The Hungarian nationalism that was key to their self-definition underlay all arguments concerning the nature and ancestry of Hungarian Jewish identity. They not only created histories compatible with those of the Hungarians but also molded them into something new. Examining their narratives, we can rethink the conceptual framework of the modern Jewish experience and see the successes of integration from the minority’s point of view. In this way, we can detect another perspective on history, one that does not define the modern European Jewish experience as a story of either the success or the failure of assimilation as measured by the severity of anti-Semitism but allows the minority’s voice come to light.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"33 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86652433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Le domaine du Cant et du Puff ”: Villiers, Anti-Americanism, and the French Edisonades “不能和泡芙的领地”:维利埃、反美主义和法国的爱迪生
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-11-01 DOI: 10.5325/ninecentstud.34.0077
A. Goulet
{"title":"“Le domaine du Cant et du Puff ”: Villiers, Anti-Americanism, and the French Edisonades","authors":"A. Goulet","doi":"10.5325/ninecentstud.34.0077","DOIUrl":"https://doi.org/10.5325/ninecentstud.34.0077","url":null,"abstract":"\u0000 This essay builds on recent scholarship on romans d’anticipation and the popular press to read French Edisonades by Auguste Villiers de l’Isle-Adam (L’Ève future, Contes cruels), Alphonse Allais (“La Vérité sur l’exposition de Chicago,” “Supériorité de la vie américaine sur la nôtre,” etc.), and Gustave Le Rouge and Gustave Guitton (La Conspiration des milliardaires) as marking a fundamental anxiety about France’s slipping world-power status in the face of America’s industrial and economic ascendancy. In these fin de siècle technological fictions, the American inventor emerges as an ambivalent figure hovering between scientific genius and hucksterish humbuggery. The real-life rivalry between Thomas Alva Edison and Charles Cros over the 1878 invention of the phonograph led to satiric forms of resistance to the United States as a land of vulgar mercantile utilitarianism threatening to decenter Paris as the cultural capital of the nineteenth century. Although evolving drafts of Villiers’s metaphysical novel seem to highlight the divine creative potential of “le ‘Sorcier de Menlo Park,’” L’Ève future retains less idealistic references to Edison’s commercial side as a Barnum-like businessman from America. Meanwhile, Le Rouge and Guitton’s fantasy of French scientific triumph over American millionaires counters the troubling lure of technical wonder and speculative energy from the land of the almighty dollar.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"14 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84384136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tracking the Rise and Fall of Wallaceism: Alfred Russel Wallace’s Darwinism and Its Transatlantic Influences 追踪华莱士主义的兴衰:阿尔弗雷德·罗素·华莱士的达尔文主义及其跨大西洋影响
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-11-01 DOI: 10.5325/ninecentstud.34.0042
Lauren A Cameron
{"title":"Tracking the Rise and Fall of Wallaceism: Alfred Russel Wallace’s Darwinism and Its Transatlantic Influences","authors":"Lauren A Cameron","doi":"10.5325/ninecentstud.34.0042","DOIUrl":"https://doi.org/10.5325/ninecentstud.34.0042","url":null,"abstract":"\u0000 Alfred Russel Wallace is generally presented as a footnote in scientific and cultural history, a young man whose letter spurred Darwin to publish his epoch-making On the Origin of Species, but little else. A spate of recent scholarly interest in him has, however, worked to recover his important and multifaceted place in British cultural history. This essay examines his positioning of himself as the standard bearer of Darwinian thought toward the end of his life and after much of Darwin’s scientific circle had died. His 1889 Darwinism subversively rewrites Darwin’s ideas and promotes what this article terms Wallaceism, a version of Darwinian evolutionary theory in which he positions himself as Darwin’s champion but also alters some of Darwin’s arguments in light of his own 1886–87 lecture tour of America. Analyzing public discourse on Wallace’s cultural reception from Anglo-American periodicals using both quantitative and qualitative methods, this essay comes to consider his rise to cultural prominence in the United States at the turn of the century and his subsequent fall.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"98 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87874012","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The universal notion of being photographed”: Memory and Medium in Harold Frederic’s Civil War Novella Marsena “被拍照的普遍概念”:哈罗德·弗雷德里克内战中篇小说《马塞纳》中的记忆与媒介
IF 0.2 3区 文学
NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2022-11-01 DOI: 10.5325/ninecentstud.34.0061
Vanessa Meikle Schulman
{"title":"“The universal notion of being photographed”: Memory and Medium in Harold Frederic’s Civil War Novella Marsena","authors":"Vanessa Meikle Schulman","doi":"10.5325/ninecentstud.34.0061","DOIUrl":"https://doi.org/10.5325/ninecentstud.34.0061","url":null,"abstract":"\u0000 Narrating the events leading up to the death of the small-town photographer Marsena Pulford, Harold Frederic’s novella Marsena (1894) is an overlooked but important work of historical fiction set during the American Civil War. This article examines how the medium of photography serves as Marsena’s thematic underpinning, allowing Frederic to engage with the reputation of photography as a tool for recording truth and shaping historical memory. It discusses Marsena in the context of the late nineteenth-century literary response to the Civil War. Understanding the novella’s historical positioning also requires examination of the ways in which the photographic medium was imagined in the 1860s and again in the 1890s, when Frederic was writing. The process of writing a historical novel of the Civil War in the 1890s was always already shaped by the photographic record of the war, and Frederic’s choice of a profession for Marsena is not accidental. Instead, the medium of photography allows an exploration of larger thematic concerns about how the arts are used to represent and remember traumatic events of the past.","PeriodicalId":42524,"journal":{"name":"NINETEENTH-CENTURY FRENCH STUDIES","volume":"25 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83624488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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