Tentations spectaculaires: quelques représentations théâtrales de l’alcoolisme ouvrier, de la monarchie de Juillet à la Troisième République

IF 0.1 3区文学 0 LITERATURE, ROMANCE

NINETEENTH-CENTURY FRENCH STUDIES Pub Date : 2023-04-18 DOI:10.1353/ncf.2023.0004

Marjolaine Forest

引用次数: 0

Abstract

Abstract:The present article considers stage representations of alcohol issues in the French working class from the July Monarchy to the Third Republic, through four plays: a vaudeville (Plus de jeudi, by Victor Ducange and Anicet Bourgeois, 1838), two examples of “humanitarian theater”—Marie-Jeanne, ou la Femme du peuple (1845), by Adolphe Dennery and Julien de Mallian, and Le Chiffonnier de Paris (1847), by Félix Pyat—and a “social drama” (L’Assommoir, a theatrical adaptation of Zola’s novel by William Busnach and Octave Gastineau, 1879). According to its own genre, each play stages alcohol-related harms: disorders and troubled gestures, postures, or movements are either seen or heard. This aesthetics of excess exhibits, either in a comic or a (melo)dramatic manner, the consequences of alcoholism leading to denouements: abusive drinking leads characters to the brink of catastrophe, and it ceases once they are persuaded to proclaim their temperance. (In French.)

查看原文本刊更多论文

壮观的诱惑：从七月君主制到第三共和国，一些关于工人酗酒的戏剧表演

摘要：本文通过四部戏剧探讨了从七月君主制到第三共和国法国工人阶级中酒精问题的舞台表现：一部杂耍剧（维克多·杜尚热和阿尼塞特·布尔乔亚的《加上杰迪》，1838年），两部“人道主义戏剧”的例子——玛丽·珍妮，阿道夫·丹纳里和朱利安·德·马利安的《人民的女人》（1845年），以及费利克斯·皮亚特（Félix Pyat）的《巴黎雪纺》（Le Chiffonier de Paris）（1847年），以及一部“社会戏剧”（L’Assommir，由威廉·布斯纳赫（William Busnach）和奥克塔夫·加斯蒂诺（Octave Gastineau）根据左拉的小说改编的戏剧，1879年）。根据自己的类型，每部剧都会上演与酒精相关的伤害：人们要么看到要么听到障碍和麻烦的手势、姿势或动作。这种过度的美学以喜剧或（情节剧）戏剧的方式展示了酗酒导致结局的后果：酗酒将角色推向灾难的边缘，一旦他们被说服宣布戒酒，这种情况就会停止。（法语）

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

NINETEENTH-CENTURY FRENCH STUDIES LITERATURE, ROMANCE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Nineteenth-Century French Studies provides scholars and students with the opportunity to examine new trends, review promising research findings, and become better acquainted with professional developments in the field. Scholarly articles on all aspects of nineteenth-century French literature and criticism are invited. Published articles are peer reviewed to ensure scholarly integrity. This journal has an extensive book review section covering a variety of disciplines. Nineteenth-Century French Studies is published twice a year in two double issues, fall/winter and spring/summer.