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Quellen und Studien zur Musiktheorie des Mittelalters III 信源研究中世纪音乐理论
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947226
Severine Grassin, M. Bernhard
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引用次数: 0
Sinnlichkeit und Vernunft in der mittelalterlichen Musiktheorie : Strategien der Konsonanzwertung und der Gegenstand der musica sonora um 1300 中世纪音乐理论中的精神与理性:和弦价值以及1300年前的该音乐
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947228
F. Hentschel
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引用次数: 6
La musique modale en France de Berlioz à Debussy 柏辽兹在法国的模态的德彪西音乐
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947489
S. Gut, H. Gonnard
{"title":"La musique modale en France de Berlioz à Debussy","authors":"S. Gut, H. Gonnard","doi":"10.2307/947489","DOIUrl":"https://doi.org/10.2307/947489","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"88 1","pages":"238"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/947489","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69227336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Schottische und Walisische Lieder. Beethoven Werke, Abteilung XI, Band 1 苏格兰和威尔士歌曲。贝多芬乐曲，十一队
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947493
Jean-Paul Montagnier, L. V. Beethoven, Petra Weber-Bockholdt
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引用次数: 0
Juan Crisóstomo de Arriaga selon Fétis : la construction d'un mythe Juan crisostomo de Arriaga根据fetis:神话的构建
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947222
Thierry Grandemange
{"title":"Juan Crisóstomo de Arriaga selon Fétis : la construction d'un mythe","authors":"Thierry Grandemange","doi":"10.2307/947222","DOIUrl":"https://doi.org/10.2307/947222","url":null,"abstract":"The young Basque composer Juan Crisostomo de Arriaga had only one work published during his lifetime: a Three String Quartets anthology (Paris, 1824). Then he died in Paris aged twenty in 1826. First studies are due to Spanish amateur investigators - Arriaga's family descendants - at a time (1880-1920) when Spain goes through an identity crisis, and draw the nationalist portrait of an extraordinary gifted young composer destined for a great fame. Next studies, mostly American, compile those first Spanish ones without any critical point of view. But all these studies are based upon a single biographical note published in the Biographie universelle des musiciens (1835) by Arriaga's own counterpoint and fugue teacher Francois-Joseph Fetis. A comparison between that note and the Paris Conservatoire archives shows that Fetis omitted some facts (as Arriaga's real age or his failure in the competition for the prize) and exaggerated some others (such as Arriaga's gifts as a violinist). Arriaga's career in the Paris Conservatoire - when Cherubini was reducing the number of students and when politicians prevented foreigners from registering - demonstrates that Director Cherubini gave Arriaga the benefit of his support so as to promote his own aesthetical classical views as opposed to Reicha's romantic ones.","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"88 1","pages":"327-360"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/947222","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69225452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L'art de bien chanter : Michel Lambert (1610-1696) 唱歌的艺术:米歇尔·兰伯特(1610-1696)
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947481
H. Schneider, Catherine Massip
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引用次数: 2
Les Kinderszenen op. 15 de Schumann : Composantes littéraires et biographiques d'une genèse 舒曼的《幼稚园》作品15:一个起源的文学和传记组成部分
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947223
G. Starobinski
{"title":"Les Kinderszenen op. 15 de Schumann : Composantes littéraires et biographiques d'une genèse","authors":"G. Starobinski","doi":"10.2307/947223","DOIUrl":"https://doi.org/10.2307/947223","url":null,"abstract":"The Kinderszenen is the first significant piece of instrumental music inspired by impressions of childhood. Why did Schumann devote an entire cycle to this subject ? What gave the decisive impulse to the composition ? It is well known that memories of the young Clara Wieck (whom Robert first met at the age of nine) played a part in it. The autobiographical aspect is just one side of the question. The other one is, once more, literature and poetry. An examination of the readings, diaries, fictional and critical writings of Schumann in the decade preceeding the composition of the Kinderszenen (1828-1838) reveals his constant interest in the romantic cult of childhood. Through Jean Paul, Hoffmann or Thibaut, the composer built a symbolic conception of childhood which defined quite exactely his ideal of poetic music : depth at the heart of simplicity. These two aspects of the genesis (in a larger sense) of the Kinderszenen are intimately connected. Firstly because Schumann projected literary images on the Wunderkind who seemed to be the incarnation of a romantic ideal. Secondly because Clara possessed the purity which, in the aesthetics of Hoffmann, was a moral a priori for every great creation. Schumann felt unworthy of her and aimed to return with her help to the lost paradise of innocence.","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"88 1","pages":"361-388"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/947223","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69225459","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
L'Espagne à Paris au milieu du XIXe siècle (1847-1857) : L'influence d'artistes espagnols sur l'imaginaire parisien et la construction d'une hispanicité 19世纪中期(1847-1857)在巴黎的西班牙:西班牙艺术家对巴黎想象的影响和西班牙城市的建设
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947224
H. Lacombe
{"title":"L'Espagne à Paris au milieu du XIXe siècle (1847-1857) : L'influence d'artistes espagnols sur l'imaginaire parisien et la construction d'une hispanicité","authors":"H. Lacombe","doi":"10.2307/947224","DOIUrl":"https://doi.org/10.2307/947224","url":null,"abstract":"The presence of Spanish troupes in Paris remains a field still under researched. Between 1847 and 1857, the Spanish musical art had a significant place in Parisian cultural life, and contributed to create an imaginary Hispanic view from which composers drew ideas, impressions, sensibilities as well as sound forms. A chronology of the Spanish troupes' performances is established, and the dance, which was the chief attraction of their shows, is particularly examined, since the Hispanic musical components seem to be fundamentally linked to its symbolic and physical energy.","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"88 1","pages":"389-431"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/947224","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69225465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
L'ecoute a la question 倾听问题
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2002-01-01 DOI: 10.2307/947473
Antoine Hennion
{"title":"L'ecoute a la question","authors":"Antoine Hennion","doi":"10.2307/947473","DOIUrl":"https://doi.org/10.2307/947473","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"88 1","pages":"95"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/947473","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69227199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 18
Un salon de la Nouvelle-Athenes en 1839-1840: L'album musical inconnu de Juliette Zimmerman 1839-1840年的新雅典沙龙:朱丽叶·齐默尔曼不知名的音乐专辑
IF 0.3 1区 艺术学
REVUE DE MUSICOLOGIE Pub Date : 2001-01-01 DOI: 10.2307/946941
Constance Himelfarb
{"title":"Un salon de la Nouvelle-Athenes en 1839-1840: L'album musical inconnu de Juliette Zimmerman","authors":"Constance Himelfarb","doi":"10.2307/946941","DOIUrl":"https://doi.org/10.2307/946941","url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"87 1","pages":"33"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/946941","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69220801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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