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Poe, Sympathetic Ink, and Chemical Landscapes in Nineteenth-Century America 爱伦·坡、同情墨水和19世纪美国的化学景观
IF 0.5
Arizona Quarterly Pub Date : 2019-10-01 DOI: 10.1353/arq.2019.0015
Daniel Couch
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引用次数: 0
Capture Theory: Battling with Tropes in T.S. Eliot’s The Waste Land 捕获理论：T.S.艾略特《荒原》中的战利品争夺
IF 0.5
Arizona Quarterly Pub Date : 2019-10-01 DOI: 10.1353/arq.2019.0012
Owojecho Omoha
{"title":"Capture Theory: Battling with Tropes in T.S. Eliot’s The Waste Land","authors":"Owojecho Omoha","doi":"10.1353/arq.2019.0012","DOIUrl":"https://doi.org/10.1353/arq.2019.0012","url":null,"abstract":"Abstract:This paper studies the relationship between the writer and the reader, in particular how the author engages a disengaged and world-weary public imagination in Europe after the First World War. To this end, I have formulated what I call capture theory, with which I will analyze T.S. Eliot’s The Waste Land (1922). I differentiate between capture and receptive theories, and argue, using cognitive psychology and theories of imagination, how the writer systematically captures the reader with literary tropes couched in allusions, metaphors, symbols, and attention-seeking cues.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"107 - 87"},"PeriodicalIF":0.5,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/arq.2019.0012","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49586571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Why Hate the Internet?: Contemporary Fiction, Digital Culture, and the Politics of Social Media 为什么讨厌互联网?当代小说、数字文化和社交媒体的政治
IF 0.5
Arizona Quarterly Pub Date : 2019-10-01 DOI: 10.1353/arq.2019.0017
Michael F. Miller
{"title":"Why Hate the Internet?: Contemporary Fiction, Digital Culture, and the Politics of Social Media","authors":"Michael F. Miller","doi":"10.1353/arq.2019.0017","DOIUrl":"https://doi.org/10.1353/arq.2019.0017","url":null,"abstract":"Abstract:This essay examines two recent “social media” novels that feature protagonists who excessively use social media technologies: Jarett Kobek’s I Hate the Internet: A Useful Novel Against Men, Money, and the Filth of Instagram (2015), and Natasha Stagg’s Surveys: A Novel (2016). Kobek’s novel offers an ironic “morality lesson” about the social and political risks digital media platforms can create for free expression and contemporary literary culture, while Surveys is driven by its protagonist’s obsessive blogging that transforms her into a minor Internet celebrity. Focusing on both texts’ thematic deployment of the Internet, I explore the productive literary anxieties that new media and digitally-mediated expression create for literary culture and authorial self-fashioning in the twenty-first century. To that end, the two novels demonstrate how the mere use of digital communication technologies has exerted great influence on how we understand the affective politics of free expression, literary authorship, and online celebrity.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"59 - 85"},"PeriodicalIF":0.5,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/arq.2019.0017","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47754752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Decolonizing Food: Transgressive Eating in Junot Díaz’s Drown 食物的非殖民化：朱诺·迪亚斯溺水中的越轨饮食
IF 0.5
Arizona Quarterly Pub Date : 2019-10-01 DOI: 10.1353/arq.2019.0016
Penny Vlagopoulos
{"title":"Decolonizing Food: Transgressive Eating in Junot Díaz’s Drown","authors":"Penny Vlagopoulos","doi":"10.1353/arq.2019.0016","DOIUrl":"https://doi.org/10.1353/arq.2019.0016","url":null,"abstract":"Abstract:This essay places Junot Díaz’s first collection of short stories about immigration and the diasporic experience in conversation with recent scholarship in the field of food studies, and situates the book’s treatment of what Kyla Wazana Tompkins terms “eating culture” within theorizations of Díaz’s decolonial imagination. Moments of eating, digesting, and expelling in Drown critique the epistemic and embodied histories of colonial domination and white supremacy. Resisting the assimilation to which the diasporic subject must presumably aspire, these acts of eating serve as decolonial ruptures. Drown challenges us, in an era of increased mobility and global food consciousness, to consider how foodways pave the paths of the mobile, exposing unequal sociopolitical realities and mapping productive ways of taking these seemingly intractable forces to task.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"27 - 58"},"PeriodicalIF":0.5,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/arq.2019.0016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49320168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Under Pressure: Reading Material Textuality in the Recovery of Early African American Print Work 压力之下:早期非裔美国人印刷作品恢复中的阅读材料文本性
IF 0.5
Arizona Quarterly Pub Date : 2019-10-01 DOI: 10.1353/arq.2019.0013
Jonathan Senchyne
{"title":"Under Pressure: Reading Material Textuality in the Recovery of Early African American Print Work","authors":"Jonathan Senchyne","doi":"10.1353/arq.2019.0013","DOIUrl":"https://doi.org/10.1353/arq.2019.0013","url":null,"abstract":"Abstract:From 1756 until his death in the early 1790s, Primus Fowle, an enslaved African American, performed typographical and press work involved the in the publication of The New-Hampshire Gazette and other materials printed at the press owned by Daniel Fowle. With the archive of print Primus Fowle created as its object of study, this essay historicizes the exclusion of enslaved people from the study of the history of the book, and theorizes a method of reading non-alphabetic marks in the material texts through which we encounter the presence of figures like Primus Fowle.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"109 - 132"},"PeriodicalIF":0.5,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/arq.2019.0013","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49235376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“Perhaps only from watching gulls fly”: Critical Protestantism and the White Lower Middle Class in Marilynne Robinson’s Housekeeping “也许只是从看海鸥飞翔开始”：玛丽琳·罗宾逊《管家》中的批判新教和白人中下层阶级
IF 0.5
Arizona Quarterly Pub Date : 2019-06-01 DOI: 10.1353/ARQ.2019.0007
Taylor Johnston
{"title":"“Perhaps only from watching gulls fly”: Critical Protestantism and the White Lower Middle Class in Marilynne Robinson’s Housekeeping","authors":"Taylor Johnston","doi":"10.1353/ARQ.2019.0007","DOIUrl":"https://doi.org/10.1353/ARQ.2019.0007","url":null,"abstract":"Abstract:Housekeeping reconfigures white, rural, lower-middle-class Protestantism as a critical epistemology of inventive social potential. Through the narrator-protagonist Ruth, the novel stages a critique of her town’s religious and aspiring middle-class attitudes, and the ideologies that underpin them: neoliberalism, individualism, and conservative Christian thought. On the one hand, she provides ethnographic accounts of the town, through which it becomes metonymic of rural, white, lower-middle-class life. But much of her narrative transpires in a different mode: portrayals of nature that relocate American Transcendentalism in a Protestant lineage. This revision of Transcendentalism is not merely philosophical; rather, it reveals that a critical approach to rationality, and to the conservative Christianity conjured by Ruth’s ethnography, is available via Protestantism. The novel’s depiction of her identity as universal casts whiteness and middle-class-ness as neutral categories. But in doing so, it also blurs the social real enough to reimagine the political contours of its subjects.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"105 - 77"},"PeriodicalIF":0.5,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ARQ.2019.0007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44827480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the Industrial Unconscious to the Cinematic to the Televisual to the Networked 从工业无意识到电影到电视再到网络
IF 0.5
Arizona Quarterly Pub Date : 2019-06-01 DOI: 10.1353/ARQ.2019.0010
Alan Nadel
{"title":"From the Industrial Unconscious to the Cinematic to the Televisual to the Networked","authors":"Alan Nadel","doi":"10.1353/ARQ.2019.0010","DOIUrl":"https://doi.org/10.1353/ARQ.2019.0010","url":null,"abstract":"Abstract:This essay offers a concept of the “post-postmodern” working off of the premise that the unconscious is historically specific. Thus, the Freudian unconscious, modeled according to the conventions of industrial reality, provides its greatest explanatory heft in regard to a realist subject. The Lacanian unconscious, however, modeled on the conventions of cinematic representation, more aptly describes the modernist subject, while an unconscious modeled on televisual principles best serves to understand the postmodern subject. In this context, the post-postmodern unconscious may reflect the synergistic world of new media, where reality is accessed rather than mediated, and the archive, instead of delimiting personal experience, is created by it. Post-postmodern reality, therefore, may characterize an eclectic and sui genris tapestry of rhizomatic connections. This phenomenon is exemplified by the difference between the 1977 Marina Abramovic postmodern performance, “Imponderabilia” and that performance’s incorporation in the post-postmodern MoMA retrospective of her work.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"23 - 36"},"PeriodicalIF":0.5,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ARQ.2019.0010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45927603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Enduring Appeal of the Commons 下议院的持久呼吁
IF 0.5
Arizona Quarterly Pub Date : 2019-06-01 DOI: 10.1353/ARQ.2019.0009
Dana D. Nelson
{"title":"The Enduring Appeal of the Commons","authors":"Dana D. Nelson","doi":"10.1353/ARQ.2019.0009","DOIUrl":"https://doi.org/10.1353/ARQ.2019.0009","url":null,"abstract":"Abstract:Commons are popping up everywhere—internet sites, professional platforms, neighborhood networks, seed banks, time banks, land trusts—everyone wants to be part of one. This essay embraces the argument that good things can come from commoning. But it questions the notion that commons are the key to redeeming all that ails us under the regime of modern capital. It studies some misleading elements of that redemptive framing before mapping out some corrective lessons offered by the history of actually existing civic and natural resource commons schemes, lessons that concern practice, method and theory.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"1 - 21"},"PeriodicalIF":0.5,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ARQ.2019.0009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49206908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“Onward and Inward!”: Through the Fecological Body with Twain and Chappell “向前和向内！”：通过吐温和查佩尔的粪便身体
IF 0.5
Arizona Quarterly Pub Date : 2019-06-01 DOI: 10.1353/ARQ.2019.0006
G. Sabo
{"title":"“Onward and Inward!”: Through the Fecological Body with Twain and Chappell","authors":"G. Sabo","doi":"10.1353/ARQ.2019.0006","DOIUrl":"https://doi.org/10.1353/ARQ.2019.0006","url":null,"abstract":"Abstract:Responding to Linda Nash’s elegy for the ecological body in Inescapable Ecologies, this essay turns to the alimentary canal to theorize the fecological body. Whereas the ecological body focuses on the body in space, fecological bodies portray the body as space. This essay theorizes such spaces through two short texts from the early twentieth century that are set within bodies: Mark Twain’s “Three Thousand Years Among the Microbes” and George Chappell’s Through the Alimentary Canal with Gun and Camera. These narratives depict the human as simultaneously character and setting in order to decenter the anthropocentricism inherent to bodily openness that only emanates outward rather than inward as well. Informed by a contemporary scatological lens, the spatiality inherent to the fecological body offers a promising way to account for the symbiosis of the human microbiome as a heterotopic influence on embodied identities.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"55 - 76"},"PeriodicalIF":0.5,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ARQ.2019.0006","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45552390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Photography, Unconscious Optics, and Observation in Capote’s In Cold Blood 《冷血中的卡波特》中的摄影、无意识光学与观察
IF 0.5
Arizona Quarterly Pub Date : 2019-06-01 DOI: 10.1353/ARQ.2019.0011
Naomi Miyazawa
{"title":"Photography, Unconscious Optics, and Observation in Capote’s In Cold Blood","authors":"Naomi Miyazawa","doi":"10.1353/ARQ.2019.0011","DOIUrl":"https://doi.org/10.1353/ARQ.2019.0011","url":null,"abstract":"Abstract:This essay contributes to existing scholarly research on Truman Capote’s relationship with photography by exploring how Capote integrated the contemporary tension surrounding photography and photojournalism into his work In Cold Blood. The oxymoronic genre of this book, the “non-fiction novel” as he called it, is experimented with by combining two different dimensions of photography: factual reporting and expression as a fine art. Comparing two types of identifications through photography in the text, this essay examines how he adopted polarized language on photography to create a new literary genre. In doing so, referring to Walter Benjamin’s “unconscious optics” of photography, this essay discusses how Capote used “unconscious impulses” to portray the murderer Perry Smith as a victim of his traumatic past, reconstructing the cruel incidents as an American tragedy.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"75 1","pages":"37 - 54"},"PeriodicalIF":0.5,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/ARQ.2019.0011","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46459241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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