Craft Research最新文献

{"title":"The search for localism and abstract expressionism in Israeli ceramics in the 1970s","authors":"O. Nezer","doi":"10.1386/CRRE.10.1.69_1","DOIUrl":"https://doi.org/10.1386/CRRE.10.1.69_1","url":null,"abstract":"","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45446278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"An apprenticeship project: Silversmithing in Kapalıçarşı (the Grand Bazaar","authors":"B. Tarcan, Ayça Tunç Cox","doi":"10.1386/CRRE.10.1.91_1","DOIUrl":"https://doi.org/10.1386/CRRE.10.1.91_1","url":null,"abstract":"","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/CRRE.10.1.91_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46936916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The time-space of craftsmanship","authors":"L. Eriksson, Joakim Seiler, Patrik Jarefjäll, G. Almevik","doi":"10.1386/CRRE.10.1.17_1","DOIUrl":"https://doi.org/10.1386/CRRE.10.1.17_1","url":null,"abstract":"It is hard to extract and articulate someone’s tacit knowledge or craftsmanship into universal rules for all to employ. Nevertheless, there is an urgent need for appropriate tools to be devoloped t ...","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42326579","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Celebrating craft","authors":"K. Niedderer, K. Townsend","doi":"10.1386/crre.10.1.3_2","DOIUrl":"https://doi.org/10.1386/crre.10.1.3_2","url":null,"abstract":"","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/crre.10.1.3_2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43553909","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Exhibition Review","authors":"Violeta Gutiérrez, Barbara Knoke de Arathoon","doi":"10.1386/crre.9.2.325_5","DOIUrl":"https://doi.org/10.1386/crre.9.2.325_5","url":null,"abstract":"Contemporary theories of subjectivity tell us that identity is constructed and, therefore, unstable. How is it, then, that our sense of self and our place in the world can feel so fixed? The works of British-Spanish artist Isabel Rocamora suggest that we needn’t look far to understand: what binds us to our social selves is a complex web, spun with small details of clothing and objects and repeated bodily movements and gestures; even the land beneath our feet pulls us, like gravity, toward particular identities. In each of the four moving-image works shown in the Koffler Gallery’s Troubled Histories, Ecstatic Solitudes, Rocamora explores four demographics of identity, then deconstructs the props and processes that hold, and often hurt, them. Evident was the artist’s performance background, and her subsequent development in video, then film. Curator Mona Filip’s selection of works and their arrangement in the gallery allowed for subtle conversations to develop between them, although they’ve never before been shown together. Serving to introduce both the show itself and Rocamora’s first moving-image experiments was Portrait in Time and Gesture (2005). Throughout the six-minute video, two nearly identical women, shot independently and then fused together through double exposure, stand before a roughly textured wall. When the video begins, the figures are aligned, and appear as one. Then, throughout the remainder of the video, the women variously merge with and separate from each other. The gap within the self opens up, then closes, suggesting the roving identities within a Lacanian split subject. Screening this work on a small monitor in the gallery entrance served its curatorial purpose—marking it as one of the artist’s early transitional pieces—but the monitor’s small size limited its aesthetic potential, available in the graceful flow of movements and mottled colored background. Three high-definition videos, shot originally on 16mm film, occupied the two gallery rooms. In the first room, and directly across from each other, were two films that shared symmetries, despite their different subjects. The loose narrative in the twenty-one-minute dual-channel Horizon of Exile (2007) expressed—through performance, dance, and sound—women’s tightly proscribed existence in society. The film was inspired by post-9/11 media representations of Middle Eastern women. Under that Orientalizing gaze, these nameless victims of Islamic brutality served to justify Western invasion. Rocamora sought to return to them their flesh and feeling. Horizon of exile follows the figure of “woman”—represented primarily through actors’ performances—through an allegorical journey within and away from her constricted role in society. In the first scenes, a woman gets dressed in her domestic space—her identity closing in more tightly with each precise layer of clothing. The singular figure doubles to two women who, clothed in black robes and hijabs, move through arid desert landscapes","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48278160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rereading and revising: Acknowledging the smallness (sometimes) of craft","authors":"Jessica Hemmings","doi":"10.1386/CRRE.9.2.273_1","DOIUrl":"https://doi.org/10.1386/CRRE.9.2.273_1","url":null,"abstract":"","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/CRRE.9.2.273_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43848077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Remarkable Image","authors":"R. Hooper","doi":"10.1386/crre.2.200_7","DOIUrl":"https://doi.org/10.1386/crre.2.200_7","url":null,"abstract":"","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/crre.2.200_7","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44865322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Conference Review","authors":"Ganna Borzenkova","doi":"10.1386/crre.9.2.339_7","DOIUrl":"https://doi.org/10.1386/crre.9.2.339_7","url":null,"abstract":"","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43680473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Making sense: Personal, ecological and social sustainability through craft","authors":"K. Niedderer, K. Townsend","doi":"10.1386/CRRE.9.2.195_2","DOIUrl":"https://doi.org/10.1386/CRRE.9.2.195_2","url":null,"abstract":"Applied Design Futures and leads the Digital Craft and Embodied Knowledge research cluster. Following a career as a practising designer and lecturer in the fashion and textile industry, she gained a practice-led Ph.D. in 2004, Transforming Shape, which explored the integration of hand and digital technology to design advanced 3D printed fashion and textile concepts. Her current research is focused on how digital craft is informed by experiential knowledge of established practices and technologies.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/CRRE.9.2.195_2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41641292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ceramics and locational identity: Investigating the symbolism of material culture in relation to a sense of place","authors":"Peter Bodenham","doi":"10.1386/CRRE.9.2.287_1","DOIUrl":"https://doi.org/10.1386/CRRE.9.2.287_1","url":null,"abstract":"This article is an investigation into material culture and its symbolism regarding place and space and addresses the research question ‘why do select ceramic artefacts evoke or become symbolic of a specific location and sense of place?’ The research covers the areas of conceptual ceramic design, craft, culture and practice-led research. Dutch design duo Nadine Sterk and Lonny van Ryswyck – Atelier NL are discussed as an example of contemporary designer makers who create objects that embody social meaning and express an evocative sense of locational identity. The two Eindhoven-based designer-makers’ creative process combines and reveals different strands of academic and material enquiry and representing a creative process that flows between making, scientific knowledge, anthropology, archaeology, geology, art, design and craft. Atelier NL’s practice is representative of a current interest within visual and material culture in both practice-led research and socially engaged practice. The narrative of their research-based practice is unequivocally part of the production and presentation of their work. Atelier NL’s practice stands for a creative partnership that investigates and celebrates their locality as well as responding to a sense of ‘culture loss’ indicative of mainstream patterns of design, production and consumption of goods and services.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43959920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}