Craft ResearchPub Date : 2019-09-01DOI: 10.1386/crre_00006_1
Kärt Summatavet
{"title":"Wrapped in a rainbow: Inspiration and innovation through traditional crafts","authors":"Kärt Summatavet","doi":"10.1386/crre_00006_1","DOIUrl":"https://doi.org/10.1386/crre_00006_1","url":null,"abstract":"Abstract Craft artists can be simultaneously mythical poets and SciFy specialists, whose craft skills from the past act as a tool-kit to overcome the borders between past and future, to predict and create imaginary new worlds and to point towards solutions for the future.\u0000 The Nordic culture and its craft tradition is a wise model for future generations in tackling climate change, social problems and waste. While current design students are outstandingly talented and skilful users of digital tools of virtual reality, problems arise when perfect virtual images\u0000 have to be transformed into real 3D models, prototypes and products. Designers who are trained to combine craft skills and experiential knowledge with digital reality and computer-assisted tools appear to have an advantage in innovation because they can predict and overcome the flaws that\u0000 digital reality overlooks.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47354495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Craft ResearchPub Date : 2019-09-01DOI: 10.1386/crre_00004_1
Michelle R. Bebber, M. Eren
{"title":"Temper and temperament of prehistoric craft: Temper type evolution and clay body 'workability'","authors":"Michelle R. Bebber, M. Eren","doi":"10.1386/crre_00004_1","DOIUrl":"https://doi.org/10.1386/crre_00004_1","url":null,"abstract":"Abstract Temper is an additive incorporated into clay during the formation of a ceramic vessel, and may consist of various materials. In a number of previous experiments over the past several decades, archaeologists have experimentally demonstrated that tempers used by prehistoric\u0000 craftspeople would have imparted important post-firing use-life properties to ceramic vessels. However, although widely touted, the notion that prehistoric temper types would have aided in pre-firing vessel formation has never been systematically tested. Here, we experimentally assess whether\u0000 calcium carbonate-based tempers, like limestone and burnt shell, would have made clay bodies more workable relative to silicate-based grit temper, as has been previously proposed. In this study, participants were asked to build five simple and challenging three-dimensional forms using grit-,\u0000 limestone- and shell-tempered clay bodies, and then rank these conditions in terms of workability. Our statistical and qualitative assessments of these data were unambiguous: contrary to claims in the scientific literature, the calcium carbonate tempers did not make clay bodies more workable,\u0000 and were consistently, sometimes significantly, ranked lower than silicate grit-tempered clay bodies in terms of workability. Our results have several implications for temper selection and evolution in prehistory, specifically during the widespread silicate grit to calcium carbonate transition\u0000 during the Late Woodland period (AD 500‐1400) of the North American Midwest.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47478004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Craft ResearchPub Date : 2019-09-01DOI: 10.1386/crre_00001_2
K. Niedderer, K. Townsend
{"title":"Sustaining craft's heritage: Place, people and practice","authors":"K. Niedderer, K. Townsend","doi":"10.1386/crre_00001_2","DOIUrl":"https://doi.org/10.1386/crre_00001_2","url":null,"abstract":"leads Digital and Embodied Knowledge group in the Centre for Fashion and Textile Research. Katherine’s current research (and PhD supervision) encompasses emotionally durable design, dress archives and wearables, social and sustainable textile innovation, including ethnographic work in Guatemala, supported by the Global Challenges Research Fund (GCRF). Katherine led the research projects/exhibitions: Closely Held Secrets (2010), Crafting Anatomies (2015) and Emotional Fit (2017) and has published outcomes in The Design Journal , Textile , Textile Design Research and Practice and Clothing Cultures.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":"7 7","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/crre_00001_2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41330217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Craft ResearchPub Date : 2019-09-01DOI: 10.1386/crre_00002_1
S. Walker, M. Evans, Louise Mullagh
{"title":"Meaningful practices: The contemporary relevance of traditional making for sustainable material futures","authors":"S. Walker, M. Evans, Louise Mullagh","doi":"10.1386/crre_00002_1","DOIUrl":"https://doi.org/10.1386/crre_00002_1","url":null,"abstract":"Abstract This article explores the relationship between design for sustainability and traditional making practices. It presents results from key informant interviews and observational research into traditional hand making of functional goods in Santa Fe in the United States,\u0000 Jingdezhen, China, various locations in New South Wales, Australia and Cumbria, United Kingdom. We find that such goods fall into three main categories, primarily utilitarian, symbolic and aesthetic. These practices are discussed in terms of their contemporary relevance, potential futures\u0000 and relationship to current understandings of sustainability. More specifically, they are considered against the four elements of the Quadruple Bottom Line of Design for Sustainability (Walker 2014), a rigorous interpretation extended from the philosophy of Hick (1989), which comprises: practical\u0000 meaning including environmental impacts; social meaning; personal meaning; and economic means. The originality of this research lies in the development of new arguments and insights with regard to the complex issues of design for sustainability and traditional making practices. Significantly,\u0000 we find that many of these practices are intellectually consistent with broad, contemporary understandings of design for sustainability. However, we also find that it is often not easy to reconcile these practices with modern consumer culture. Our research shows that pursuing these practices\u0000 part-time for their own sake, rather than for primarily commercial reasons can often facilitate the pursuit of excellence and the continuation of cultural traditions.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/crre_00002_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48204708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Craft ResearchPub Date : 2019-03-01DOI: 10.1386/CRRE.10.1.41_1
J. Pinski, F. Kane, M. Evans
{"title":"Designing through craft practice: A woven textile approach for footwear","authors":"J. Pinski, F. Kane, M. Evans","doi":"10.1386/CRRE.10.1.41_1","DOIUrl":"https://doi.org/10.1386/CRRE.10.1.41_1","url":null,"abstract":"Commercial sandals are typically designed in a two-dimensional (2D) format with materials being applied during product development. In contrast, woven textile practitioners frequently utilize hands-on interaction with materials to produce design ideas through a craft-based approach. Hands-on making has been associated with a number of benefits including, but not limited to, knowledge generation and the potential for innovation. This article reports on practice-led research consisting of a sandal design project that integrates craft-based woven textile practice. Action research was used to develop the approach and evaluate the creative potential and practical considerations at different stages of the design process. Ultimately, this research determines where and how craft-based woven textile practice may be integrated into commercial footwear design and identifies the associated creative design potential. Qualitative data was recorded by written and visual means of documentation and analyzed using coding and clustering. The findings indicate that there is novel creative potential associated with the integration of a craft-based woven textile approach to sandal design and that it may be integrated to varying degrees at all stages of the design process. Benefits include opportunities for innovation, generation of in-depth knowledge, control, and immediacy in decision-making. Key challenges were noted in time and cost inefficiencies. The ability to consider material and product design in parallel ensured a considered relationship between the two. This led to benefits in the final designs that included the production of zero-waste, stitch free constructions. This research contributes empirical evidence and findings in relation to theoretical concerns in the area of craft practice as a vehicle for design innovation.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/CRRE.10.1.41_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46204289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}