{"title":"有意义:通过工艺实现个人、生态和社会的可持续性","authors":"K. Niedderer, K. Townsend","doi":"10.1386/CRRE.9.2.195_2","DOIUrl":null,"url":null,"abstract":"Applied Design Futures and leads the Digital Craft and Embodied Knowledge research cluster. Following a career as a practising designer and lecturer in the fashion and textile industry, she gained a practice-led Ph.D. in 2004, Transforming Shape, which explored the integration of hand and digital technology to design advanced 3D printed fashion and textile concepts. Her current research is focused on how digital craft is informed by experiential knowledge of established practices and technologies.","PeriodicalId":42324,"journal":{"name":"Craft Research","volume":"1 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/CRRE.9.2.195_2","citationCount":"5","resultStr":"{\"title\":\"Making sense: Personal, ecological and social sustainability through craft\",\"authors\":\"K. Niedderer, K. Townsend\",\"doi\":\"10.1386/CRRE.9.2.195_2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Applied Design Futures and leads the Digital Craft and Embodied Knowledge research cluster. Following a career as a practising designer and lecturer in the fashion and textile industry, she gained a practice-led Ph.D. in 2004, Transforming Shape, which explored the integration of hand and digital technology to design advanced 3D printed fashion and textile concepts. Her current research is focused on how digital craft is informed by experiential knowledge of established practices and technologies.\",\"PeriodicalId\":42324,\"journal\":{\"name\":\"Craft Research\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2018-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1386/CRRE.9.2.195_2\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Craft Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/CRRE.9.2.195_2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Craft Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/CRRE.9.2.195_2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Making sense: Personal, ecological and social sustainability through craft
Applied Design Futures and leads the Digital Craft and Embodied Knowledge research cluster. Following a career as a practising designer and lecturer in the fashion and textile industry, she gained a practice-led Ph.D. in 2004, Transforming Shape, which explored the integration of hand and digital technology to design advanced 3D printed fashion and textile concepts. Her current research is focused on how digital craft is informed by experiential knowledge of established practices and technologies.
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