Problems of slavonic studies最新文献

{"title":"ARTISTIC TRANSCRIPTION OF THE EDGAR ALLAN POE'S IMAGERY IN ANTUN GUSTAV MATOŠ'S AND MYKHAILO YATSKIV'S PROSE","authors":"Anna Komarytsia","doi":"10.30970/sls.2019.68.3079","DOIUrl":"https://doi.org/10.30970/sls.2019.68.3079","url":null,"abstract":"Background: On the one hand, the literary works of A.G. Matoš were studied by Croatian scholars in the context of the philosophy and poetics of modernism. The authors of fundamental studies about A.G. Matoš are Dubravko Jelčić, Dubravka Oraić Tolić, Mladen Dorkin, Zlatko Posavac, Miljenko Majetić and Nada Iveljić. On the other hand, Ukrainian researchers Mykola Ilnytskyi, Solomiya Pavlychko, Oksana Melnyk, and Polish researcher Agnieszka Matusiak analyzed and studied M. Yatskiv's creative style in the context of the aesthetic canons of the modernism. The novelty of this article is in addressing the influence of E. Poe on the literary texts of the Ukrainian and Croatian modernists using the comparative approach. Purpose: This is the first attempt to analyze the influence of E. Poe on A. G. Matoš and M. Yatskiv. This article treats the actual and yet not studied question of a multilayer impact (composition, imagery set) of the American writer on the Croatian and Ukrainian modernist writers. Results: Romanticism writer Edgar Poe undoubtedly influenced Mykhailo Yatskiv and Antun Gustav Matoš, especially with his essay “The Philosophy of Composition”. In this essay the author demonstrates the principle of constructing the plot with the logic and the hidden mechanisms of imagery construction. But in the biography of the American writer we can find facts that poems such as “Nevermore”, “Ligeia” and others weren`t the result of logic, but they were yearning for his wife who passed away being very young. The author of this study found a numerous allusions on the essay “The Philosophy of Composition” by E. Poe, his images of a horror crow and a cat, as well as the images of dead beloved beautyis in many literary works of A.G. Matoš and M. Yatskiv. Croatian and Ukrainian symbolists also used E. Poe`s technique of the total effect. Mystery element is generalized in the literary texts of three authors in the images of the sphinx, which has several meanings. The most common meaning is the abstract definition of something mysterious that needs to be answered. Similarities between Matoš's and Yatskiv's imagery with American writer E. Poe prove, that Ukrainian and Croatian writers were inspired by the world art achievements, creatively transforming ideas that were contemporary both to the romanticism and modernism. Key words: Edgar Allan Poe, Antun Gustav Matoš, Mykhailo Yatskiv, modernism, romanticism, “The Philosophy of Composition”, art scenography.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114899456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PANSLAVISM IN MODERN RUSSIA: ACADEMIC AND POLITICAL DIMENSION (based on M. Danilevsky's ideological heritage)","authors":"N. Kovalchuk","doi":"10.30970/sls.2019.68.3075","DOIUrl":"https://doi.org/10.30970/sls.2019.68.3075","url":null,"abstract":"Abstract Background: While international tensions increase and Russia's relations with the US and the European Union are worsening as a result of the annexation of Crimea and military intervention in Eastern Ukraine, the presence of Panslavic ideas in the Kremlin's propaganda arsenal becomes more and more visible. Russian politicians, scholars, and conservative public figures often voice the central thesis of Panslavism about the difference and the eternal confrontation between Russia and the West and explain the nature of actual conflicts in the light of this thesis. Purpose: To analyze the contemporary manifestations of Panslavism in the academic, educational and political circles of the Russian Federation by examining the current role of the intellectual heritage of Nikolai Danilevsky, a Russian scientist and conservative philosopher, author of the well-known book “Russia and Europe.” Results: The material presented in the article testifies that Panslavism continues to function in various cultural and political contexts, including undergoing a new rise in Russia in the XX-beginning of the XXI centuries. Slavic motives today are not only present in artistic or academic narratives – as the contemporary appeal to Danilevsky's ideas shows, but they are also periodically instrumentalized for political purposes. In the imagined world of Russian Panslavism, Russia looks stronger than the Western powers, capable of becoming a center of attraction for Slavic neighbors. Radical Russian nationalism borrowed the agenda of the Panslavists of the second half of the XIX century with a view to restoring lost influence in Central and Southeastern Europe. Key words: Panslavism, Russian imperialism, M. Danilevsky, “Russia and Europe”.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"147 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132233402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE COOPERATION OF OLEKSA HORBACH WITH THE RUTHENIANS IN YUGOSLAVIA IN THE 50–60s OF THE 20th CENTURY","authors":"Janko Ramač","doi":"10.30970/sls.2019.68.3074","DOIUrl":"https://doi.org/10.30970/sls.2019.68.3074","url":null,"abstract":"Background After the Second World War some representatives of the Ruthenian intelligentsia in Yugoslavia, primarily the writer and cultural activist Mihajlo Kovach (Михайло Ковач), being aware that national isolation leads to unavoidable assimilation, work tirelessly on making contacts and cooperation with Ukraine and Ukrainian emigration. One of the first contacts was with Ukrainian linguist Oleksa Horbach (Олекса Горбач) who lived in Germany, after which the circle of contacts became broader. Purpose: On the basis of the sources from the private legacy of Mihajlo Kovach, his journals and correspondence with O. Horbach, the author explores their first contacts and further cooperation in the field of literature, culture, language studies of the Ruthenians in Yugoslavia and their national life in all aspects. Results: On the basis of the material he studied and relevant literature, the author concludes that Mihajlo Kovach had a significant role in making contacts and cooperation first with O. Horbach and later, mainly thanks to his help and guidance, with other representatives of the literary, cultural, scholar and national life of the Ukrainians in the home-land and emigration. However, at that time neither Yugoslav authorities nor the representatives of the Soviet Embassy to Yugoslavia were interested in making such contacts and cooperation, nor were numerous cultural and political activists among Ruthenians who, like loyal servants to the regime, watchfully supervised the work of M. Kovach and his followers and their contacts and cooperation with Ukraine and Ukrainian emigration. However, these first contacts and cooperation of the representatives of the Ruthenian community in Yugoslavia with the representatives of their mother nation in their mother-land and in diaspora enabled the first postwar linguistic works dedicated to the Ruthenian language which led to a broader fruitful cooperation in the field of literature, publishing, cultural, artistic and other activities, which in a large measure contributed to strengthening the national awareness of the Ruthenians. Key words: Rutnenians in Yugoslavia, Ruthenian language, Oleksa Horbach, Mihajlo Kovach, Literature of the Ruthenians in Yugoslavia.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127133691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"National question in Poland: according to the survey of the Warsaw periodical Kurjer Polski (1924)","authors":"Zoya Baran","doi":"10.30970/sls.2021.70.3736","DOIUrl":"https://doi.org/10.30970/sls.2021.70.3736","url":null,"abstract":"Background. At the beginning of the 1920’s, after establishing the borders of the restored Polish State, its eastern territories were dominated by the Ukrainian, Belarusian and Lithuanian populations, and in the western part, a significant percentage were Germans. Accordingly, the state faced the problem of developing a constructive policy towards national minorities. Purpose. The article analyzes the attitude of the Polish intellectual elite to the prob-lem of national minorities, whose opinions were partially reflected in a poll conducted in July and August 1924 by the liberal Warsaw newspaper “Kurjer Polski”. The discussion intensified, in particular, due to the expiration of the government’s commitment to give Eastern Galicia autonomy, the preparation of a government law on education (known as Lex Grabski). Results. The opening of a Ukrainian university was a part of the problem. At the request of the government, the academic community of the Jagiellonian University expressed its views in June, which generally welcomed the idea of opening a separate Ukrainian university in Lviv, Warsaw or Krakow. “Kurjer Polski” published reflections of intellectuals representing different regions of the country and political currents: socialists (A. Śliwiński – Warsaw), nationalists (S. Bukowiecki – Vilno), conservatives (Fr. Bossowsky, T. Dembowsky – Vilno; E. Hauswald – Lviv ). The basis for solving the problem at that time, most authors called the provisions of the March 1921 Constitution on the main democratic rights of citizens, unanimously called for creating opportunities for cultural and national development of national minorities, hoping for the consolidation of the state. It was emphasized the need to take into account the individual characteristics of each minority and regional specifics. In particular, E. Hauswald considered the experience of the Austro-Hungarian monarchy of the early twentieth century as an example of solving the problem (Moravian Compensation 1905 and The Bukovinian Compromise 1910). Quite controversial about the essence of Belarusian (Belarusians are not a nation that encompasses all segments of society, but only the mass of the peasantry is devoid of any political ambitions; Belarusian language is a set of dialects that makes a gradual transition from Russian to Polish; literary Belarusian lan-guage is artificially created, the population does not understand it) and Ukrainian (did not deny the existence of political ambitions, but emphasized the significant differences in Volhynia and Eastern Galicia and dependence on external support) national movements were the reflections of Fr. Bossovsky, who, however, supported the idea of granting national minorities freedom of cultural development. Lviv lawyer J. Makarewicz (representative of the Christian Democrats) called for a policy of state assimilation towards Ukrainians and Belarusians, tactics of “state indifference” towards Jews, Russians and Germans. However, despite the exis","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127517187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE STRUCTURE OF ARTISTIC SPACE IN PAVEL VEZHINOV’S NOVELLA “THE BARRIER” AND “A GENTLE CREATURE” BY FYODOR DOSTOYEVSKY","authors":"I. Gazheva","doi":"10.30970/sls.2019.68.3076","DOIUrl":"https://doi.org/10.30970/sls.2019.68.3076","url":null,"abstract":"Background: The article deals with the intertextual analysis of two novellas: The Barrier by Pavel Vezhinov and A Gentle Creature by Fyodor Dostoyevsky. The methodological basis of the study is the interpretation of intertextuality as a product of reading (not the phenomenon of “writing”), according to which Vezhinov and Dostoevsky – writers belonging to different national cultures and historical eras – in some sense become contemporaries. Accordingly, A Gentle Creature, written earlier, is enriched by the meaning as a result of its comparison with The Barrier, as well as the latter by comparison with the story of Dostoevsky. Purpose: The purpose of this paper is to identify the intertextual connections of Pavel Vezhinov’s novella The Barrier and A Gentle Creature by Fyodor Dostoyevsky and to show how they deepen the content of both works in the reader’s perception. The analysis of texts is carried out within one level – the artistic space, which is “an author’s model of the world, expressed in the language of his spatial representations”. Results: Comparative analysis of the elements of spatial code and analysis of the characters’ behavior through the type of artistic space corresponding to each of them allows to understand the in-depth content of each of the two works. The storyline of both stories is based on one type of rite de passage – the transition from life “to another life”. The expected result of this transition is a radical spiritual transformation of the character and a new identity acquired by them. The events that make up the plot, in the two stories largely coincide and the last in their series is the suicide of the female character. The main character of The Barrier is a person who has gone astray and wanders within an open plane space. Meeting him with Doroteya, the character of the “vertically directed path” within the “open, voluminous space”, provokes the beginning of the “spiritual transformation” in him. However, the suicide of the female character again throw Antoni over the \"barrier\" of social conditioning that he managed to overcome with the help of Doroteya, and makes it impossible for him to acquire a “new identity”. The pawnbroker from A Gentle Creature is a “character of the point space” who has never been able to “expand the space” throughout the story. However, the suicide of the female character is reported as such an event, from which a real rite de passage can begin for the character, culminating in his acquisition of a way up and a radical spiritual transformation. Key words: intertextuality, artistic space, rite de passage, spiritual transformation, transfiguration.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116149751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Historical fact as a structural element of “Legion-naire’s notes” by Joseph Honza-Dubnitsky","authors":"K. Chui","doi":"10.30970/sls.2021.70.3745","DOIUrl":"https://doi.org/10.30970/sls.2021.70.3745","url":null,"abstract":"Background. The article analyzes historical facts as the structural elements of “Legionnaire’s Notes” by Joseph Honza-Dubnitsky. Synthesis of documentary and ar-tistic is one of the genre dominant of notes in the Slovak literature of the twentieth cen-tury. Slovak authors’ notes are similar to the Ukrainian and Russian works of this gen-re. It encourages drawing parallels, find common features and differences. Purpose. To investigate the features of individual-author’s interpretation of the genre of notes in Joseph Honza-Dubnitsky’s work, in particular to focus on the role of a historical facts as a structural elements of “Legionnaire’s Notes”. Results. In the Slovak literature of the twentieth century genre of notes belong to the non-fiction with a characteristic autobiographical dominant. When narrator’s story is closely intertwined with important historical events, he needs to tell about them, to con-vey to contemporaries and descendants information, to emphasize the role of ordinary person in history. “Legionnaire’s Notes” by J. Honza-Dubnitsky is a thorough docu-mentary book, autobiographical evidence of the participant of the World War І and at the same time a historical study with critical remarks and interpretation of the most im-portant events of the twentieth century. “Legionnaire’s Notes” is a history of Slovaks struggle for its own state. All events are submitted through the prism of the worldview of Slovak Patriot, who aware himself as a participant of global processes and world changes, perceives them and analyzes. J. Honza-Dubnitsky’s work is rich in actual ma-terial, therefore, has literary and historical significance. There are important events, dates, names of famous people mentioned in the text. That information makes the notes a valuable document. At the same time, facts in the work have a subjective, estimated, emotional-personal dominant, which raises them to the level of generalizations and liter-ary interpretation. J. Honza-Dubnitsky does not often talk about the personal, almost does not put himself at the center of the story. The narrator thinks by socially important categories, recognizes, that he is a part of Slovak nation. Together with like-minded people he fights for Slovaks right to be heard in the world political arena. The narrator takes an observer position, captures events, witness and participant of which he is. Key words: genre, notes, autobiographical, historical fact, Slovak literature. Chui, K. I., 2019. Genre features of “Military Doctor’s Notes” by Albert Shkarvan. Studia Slovakistica, 19, pp.261–268. (In Ukrainian) Chui, K., 2021. Alternative view of history in “Notes from the Front 1941–1943” by Matej Oravets. Studia Slovakistica, 20, pp.90–102. (In Slovak) Honza-Dubnicky, J., 2014. Legionnaire’s notes. Banska Bystrica: Vydavateľstvo PRO. (In Slovak) Savenko, I., 2008. The main problems of documentary writing in the context of literary discourse at the turn of the century. Bulletin of Lviv University. ","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114474054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Semantics of pre-war names of lviv villas","authors":"Kseniya Borodin","doi":"10.30970/sls.2020.69.3489","DOIUrl":"https://doi.org/10.30970/sls.2020.69.3489","url":null,"abstract":"Background: The names of houses in Lviv, including villas, are still an unexplored niche in Lviv studies. The issue of semantics of pre-war names of Lviv villas is important at the present stage of the development of the onomastic research. It gives the clue of a good house name to modern naming and house-building companies. Purpose: The author put forward the task to acquaint readers with the Lviv’s named villas (ХІХ–the beginning of ХХ century), to describe the specification of naming features and name functions in diachronic cut and to define semantic groups of villa`s names. They appeared in the times when in naming there was no real practical need and became a manifestation of home essence, a mediator in communication between the owner, the host and a passerby, a potential guest. The name of the house emphasized its individuality, charm, created an emotional personal component of the city text. It was associated with its owners and gave an idea of the level of well-being, education, national composition and religious affiliation of the inhabitants. Results: Lviv`s villas were named mostly in Polish by its owners, architects or citizens. Their purposes were to nominate, distinguish (address function), inform, separate from the others, express oneself as an author, as well as to advertise. The nominative field of Lviv`s house names is represented by women’s names and their shorten forms, words with positive associations, sometimes with several meanings, family coats of arms, external characteristics and location of the house. Key words: name semantic, nominating field, dwelling house, villa, L’viv.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"205 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116149503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BOHDAN LEPKY`S LITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNALLITERARY CRITICISM IN “SLOVANSKÝ PŘEHLED” JOURNAL","authors":"Vasyl Budnyi","doi":"10.30970/sls.2019.68.3077","DOIUrl":"https://doi.org/10.30970/sls.2019.68.3077","url":null,"abstract":"Abstract Background: A famous literary critic and writer, representative of the “Moloda Muza” group, B. Lepky was published in numerous Ukrainian and foreign journals in the early twentieth century. Today, his cooperation with Polish and German editions has been partially explored, but the Czech direction remains almost unclear. There are only individual references to B. Lepky's cultural publications in the “Slovanský přehled” journal in the works of V. Doroshenko, V. Lev, B. Rubchak. Purpose: The purpose of the study is to analyze the interpretative bases of B. Lepky's publications in “Slovanský přehled”, namely, five annual reviews of Ukrainian literature (1901, 1902, 1903, 1905, 1906) and three cultural pieces of knowledge: about the composer M. Lysenko, about the translation of short stories by M. Kotsiubynsky into Polish, and the scientific works of M. Hrushevsky, B. Barvinsky and V. Shchurat. Results: B. Lepky followed I. Franko in editing “Slovanský přehled” journal. I. Franko prepared the ground for the Czechs to familiarize them with Ukrainian literature. In a series of annual reviews, B. Lepky considered Ukrainian literature in the pan-European context, translating the realities of national culture into the language of universal cultural concepts. Not contradicting realism and modernism, the critic appraised the high artistic value of the works by Lesya Ukrainka, V. Stefanyk, M. Kotsyubynsky, O. Kobylyanska, which were marked by modern stylistic trends. Trying to convey the original content to the foreign reader, B. Lepky approached his critical speech to the poetic one, painting it with impressionistic strokes and symbolic imagery. The author concluded that the importance of B. Lepky’s Czech publications was important for understanding the ways in which Ukrainian writing was modernized and contextualized in Slavic and pan-European culture in the early twentieth century. Key words: Modernism period, literary process, critical writing, literary review, review, contextualization, impressionism, symbolism.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130181723","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LEGENDS AND CUSTOMS OF THE UPPER AND LOWER LUSATIAS IN THE RESEARCH OF THE FRENCH SLAVICIST MARIE DE VAUX PHALIPAU","authors":"Ya. O. Kravets","doi":"10.30970/sls.2019.68.3078","DOIUrl":"https://doi.org/10.30970/sls.2019.68.3078","url":null,"abstract":"Background: The paper is devoted to the Sorabistic work of the French Slavicist Marie de Vaux Phalipau (1862-1946) Legends and Customs of the Upper and Lower Lusatias presented as a scholarly report in Amsterdam (September 1927). Author of a large number of Sorabistic publications and reports, published and annunciated in the 1920s – 1930s, she became a true champion of the Lusatian question. The scholarly problem of the study of the French Slavist Marie de Vaux Phalipau’s works is an integral part of Sorabistic studies in Ukraine, begun in the 1960-s. Purpose: In this research, the French scholar fell back on the the works of the reputed Slavicists, admirers of Sorabistic culture, viz. L.Kuba, V.Giusti a.o. This French scholar’s work is very important owing to its detailed descriptions of this people’s ethnography, local inhabitants everyday life. To highlight the proposed scholarly problem, Marie de Vaux Phalipau, out of the five delineated by her basic groups of the Lusatian legends, submitted two from each, viz.: legends of the land, those of water, legends stemming from historical reminiscences; legends and customs related to seasons; legends international in character. Some of them were treated in the researcher’s Sorabistic study The Green Venice. Lusatian Marshes (1927) when the problems in question resurfaced in the political and cultural European milieu. Results: The work by Marie de Vaux Phalipau written with a deep knowledge of Lusatian folklore is a component part of the extensive scholarly heritage of the French lady Slavicist, author of thorough research papers on the culture and everyday life of the Lusatian Sobs. Among her Sorabistic Studies, there still remain a number of works worthy of special attention; a narrative of them would enable one to create a full panoramic view of the Sorabistics of the outstanding French Slavicist admired by Lusatia. Key words: Marie de Vaux Phalipau, Sorabistic Studies, Upper Lusatia, Lower Lusatia, folklore, Lusatian legends, classification.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"144 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132470052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LITERARY RECEPTION OF FLORIAN CHARNYSHEVYCH’S CREATIVITY","authors":"Oleksandr Yanishevskyy","doi":"10.30970/sls.2019.68.3080","DOIUrl":"https://doi.org/10.30970/sls.2019.68.3080","url":null,"abstract":"Background. The Argentine polonium was formed by several waves of migrants from different, albeit neighboring, historical eras: the end of the nineteenth and first quarters of the twentieth century. and before World War II – after it. The society was diversified both personally and by class, so, of course, there were various social associations, members of which sometimes became prominent activists, writers, local politicians. Purpose. The flagship of Polish literary life in Argentina in the mid-twentieth century. we can rightly consider Florian Chernyshevich (1900–1964). He is primarily known as the author of an epic work about the dramatic fate of residents of Polish villages in the Berezina and Dnipro rivers in the period 1911–1920 – the novel “Priberezyntsi”. MK Pavlikovsky and Ch. Milos – well-known writers – described it as the \"War and Peace\" of the Polish Cres and 577 pages of large-format drugs. According to them, it is one of the most important and best Polish works. On this basis, Florian Chernyshevich should be considered in the context of a single Polish word-cultural process. After all, the vision of the world, certain historical events, artistic and aesthetic analysis of the latter, represented by a national-linguistic polyphony in the environment of constant aggressive influence on it by a foreign ethnic linguistic environment with necessity is objectified through the individualism of a particular individual or through the collective conscious. Results. In his public and writing activities, F. Chernyshevich implicated related, at first glance, unrelated realities of the surrounding reality. All of his actions were determined primarily by his own national consciousness, which was inevitably influenced by factors such as isolation from his homeland, unfriendly local environment, and disconnection in the environment of the Polish community itself. Moreover, his activity was peculiar: it was not some narrowly specific matter, the purpose of which was to do something tangible, which lies in the paradigm of personal hedonistic discourse, or even immaterial, but, again, dictated by a deep egocentric principle, but rather an immanent engagement. social polonical work in the above conditions, to which must be added the constant implicit surveillance of the ubiquitous red Moscow. Public work also included current literary and journalistic activities on the pages of Głos Polski magazine, which was published in Buenos Aires. Finally, Florian Chernyshevich drew attention to the diasporic critics living in Argentina at the time, Witold Gombrowicz and Jozef Radzyminska Key words: literature, polonium, epic, juxtaposition, narration, creativity, discourse, biography, information.","PeriodicalId":422873,"journal":{"name":"Problems of slavonic studies","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122397399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}