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Johann Adam Reinckens „Hortus Musicus” Johann Adam Reinckens“Hortus Musicus”
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.1989.h2.1309
Christine Defant
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引用次数: 0
Schumann - Moscheles - Paganini 舒曼-摩舍尔-帕格尼尼
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.1978.h1.1766
Lilia Nitschkova-Goleminova
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引用次数: 0
Pierre Boulez' "Sonatine für Flöte und Klavier" und ihre neu aufgetauchte Frühfassung Boulez的《长笛与钢琴奏鸣曲》及其新出现的早期版本
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.2002.h1.745
S. Gärtner
{"title":"Pierre Boulez' \"Sonatine für Flöte und Klavier\" und ihre neu aufgetauchte Frühfassung","authors":"S. Gärtner","doi":"10.52412/mf.2002.h1.745","DOIUrl":"https://doi.org/10.52412/mf.2002.h1.745","url":null,"abstract":"Die Sonatine für Flöte und Klavier (1946) gehört zu den frühesten veröffentlichten Kompositionen von Pierre Boulez. Sie dokumentiert das Bestreben des Zwanzigjährigen, verschiedene Kompositionsverfahren zu einer neuartigen Musiksprache zu verbinden. Beschreibungen des Werks bestaunen den zukunftsweisenden, an Anton Webern orientierten Umgang mit der Zwölftontechnik. Nun sind Dokumente aufgetaucht, die belegen, dass vor der Druckfassung 1949 eine deutliche Überarbeitung stattfand. Wie die Frühfassung zeigt, hielt die Prägung des jungen Boulez durch seinen Lehrer Olivier Messiaen länger an und war stärker wirksam, als man es bisher annahm.","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44220027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beginn europäischen Komponierens in der Karolingerzeit 由欧洲胡萝卜年代计划
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/MF.2005.H3.625
A. Haug
{"title":"Beginn europäischen Komponierens in der Karolingerzeit","authors":"A. Haug","doi":"10.52412/MF.2005.H3.625","DOIUrl":"https://doi.org/10.52412/MF.2005.H3.625","url":null,"abstract":"Bereits in der Zeit um 800 lassen sich musikalische Verfahren nachweisen, die dem neuzeitlichen Komponieren - im emphatischen Sinne - zumindest ähnlich sind. Dennoch führen solche Versuche, bereits dem Mittelalter Kategorien wie Werk oder Komponist überzustülpen, eher in die Irre: Zwar gab es auch damals schon die Zuerkennung der Autorschaft textloser Melodien und dergleichen, doch wurde sie weder mit besonderer Aufmerksamkeit bedacht noch kam ihr ein ästhetischer Vorrang zu. \u0000bms online (Schöner, Oliver)","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44221162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Anton Weberns Streichquartett-Satz M 228 (1917) 安东·韦伯恩的弦乐四重奏套装M228（1917）
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.2017.h1.364
Y. Asai
{"title":"Anton Weberns Streichquartett-Satz M 228 (1917)","authors":"Y. Asai","doi":"10.52412/mf.2017.h1.364","DOIUrl":"https://doi.org/10.52412/mf.2017.h1.364","url":null,"abstract":"Das Fragment \"Streichquartett-Satz\" M 228 belegt eine intensive Auseinandersetzung Weberns mit der ausgedehnten Form im Bereich der Instrumentalwerke. Die vorliegende Analyse zeigt auf, welche kompositorischen Mittel Webern dafür eingesetzt hat. Nennenswert sind die Einflüsse von Arnold Schönbergs Werken um 1910, insbesondere der \"Drei Klavierstücke\" op. 11, deren Aufbau und Gestaltungsweise der Nummern 1 und 3 in Weberns Werk durchscheint. Webern versuchte jedoch über eine Nachahmung hinaus, die bewährten Satzprinzipien Schönbergs miteinander zu kombinieren. \u0000bms online (Cornelia Schöntube)","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44278261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sammlung oder Zyklus? 收集还是循环？
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.1992.h3.1207
Jutta Schmoll-Barthel
{"title":"Sammlung oder Zyklus?","authors":"Jutta Schmoll-Barthel","doi":"10.52412/mf.1992.h3.1207","DOIUrl":"https://doi.org/10.52412/mf.1992.h3.1207","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44337079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Zur Relation von Quellenbefunden und analytischem Erkenntnisgewinn im Spätwerk Robert Schumanns 罗伯特·舒曼后期作品中的来源与分析收获的关系
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.1991.h3.1241
M. Struck
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引用次数: 1
Was neu war an "methodo nova ac certa" von Johann Joseph Fux Johann Joseph Fux的“methodo nova ac certa”有什么新内容
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.2021.h1.2990
Rudolf Flotzinger
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引用次数: 0
Kunstreligion und religiöse Musik 艺术宗教与宗教音乐
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.1979.h4.1752
Friedhelm Krummacher
{"title":"Kunstreligion und religiöse Musik","authors":"Friedhelm Krummacher","doi":"10.52412/mf.1979.h4.1752","DOIUrl":"https://doi.org/10.52412/mf.1979.h4.1752","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49003361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bemerkungen zu einigen neu erschienenen musikwissenschaftlichen Schriften in Bulgarien 针对保加利亚最近的一些最新音乐著作做过评论
3区 艺术学
MUSIKFORSCHUNG Pub Date : 2021-09-22 DOI: 10.52412/mf.1977.h2.1843
G. Habenicht
{"title":"Bemerkungen zu einigen neu erschienenen musikwissenschaftlichen Schriften in Bulgarien","authors":"G. Habenicht","doi":"10.52412/mf.1977.h2.1843","DOIUrl":"https://doi.org/10.52412/mf.1977.h2.1843","url":null,"abstract":"","PeriodicalId":42161,"journal":{"name":"MUSIKFORSCHUNG","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48028343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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