Studies in Theatre and Performance最新文献_第5页

Directorial strategies for enhancing stage presence: When practice- based research meets phenomenology 提高舞台存在感的指导策略:当实践研究遇上现象学

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-10-11 DOI: 10.1080/14682761.2022.2131981

Linan Xian

引用次数: 0

Building theatre, making policy: materiality and cultural democracy at Liverpool’s PurpleDoor 建造剧院，制定政策:利物浦紫门的物质性和文化民主

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-17 DOI: 10.1080/14682761.2022.2121027

Karl Falconer, Steven Hadley, Jon Moorhouse

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引用次数: 0

The City (Revised) 城市(修订版)

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136345

Fannie Sosa

引用次数: 0

Composting Grief: Part II & III 堆肥悲伤:第二和第三部分

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136300

melissandre varin, Carmen Wong

引用次数: 0

Making Sense: Part I 讲道理:第一部分

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136338

Lou Sarabadzic

引用次数: 0

Making Sense: Part II 理解:第二部分

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136341

Lou Sarabadzic

引用次数: 0

Fragments of Encounters 相遇的片段

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136280

nomi blum

引用次数: 0

ANTI – PERFORMANCE AS PRAXIS 反性能作为实践

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-09-02 DOI: 10.1080/14682761.2022.2136331

Raju Rage

{"title":"ANTI – PERFORMANCE AS PRAXIS","authors":"Raju Rage","doi":"10.1080/14682761.2022.2136331","DOIUrl":"https://doi.org/10.1080/14682761.2022.2136331","url":null,"abstract":"ABSTRACT Anti-performance is a term that I use to describe my body of performances, which in actuality are also ephemeral moments in time-space. The ‘anti’ is derived and borrowed from anti-colonial, the radical (root) of ‘decolonial’ and ‘post’ colonial, in this case a direct opposition to what is expected of gendered, racialised bodies, by audiences but also that which is usually invited by institutions. The anti-performances discussed in this article – (Can the Subaltern Speak?)… YEAH BUT CAN WE LISTEN THO? (2015), Transistence, Moving Into Sunlight (2021), and Let Them Eat Cake/May The One Without Hunger Lift The First Knife (2016) – refuse the objectification and spectacle of my so-called ‘marginalised’ body and how it is often consumed, violated, devalued, and exhausted, and instead seeks to subvert the gaze, interrupt voyeurism, reclaim wellbeing, as well as querying what we think we know. Anti-performance centres myself as performer (ourselves when collective) rather than the audience; this, however, is not intended to be divisive, as the audience members are often witness to and/or accomplices of the performance if they choose to be. Anti-performance strives to transform the paradigm of ‘consumer’ (audience and institution) and ‘consumed’ (performer) to something much more ethical and with integrity.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"42 1","pages":"320 - 333"},"PeriodicalIF":0.3,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80522548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience 展览策展作为实践-研究的表演史学:一个不完整的观众体验故事

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-07-26 DOI: 10.1080/14682761.2022.2105544

Kate Holmes

{"title":"Exhibition curation as practice-as-research performance historiography: an incomplete story of audience experience","authors":"Kate Holmes","doi":"10.1080/14682761.2022.2105544","DOIUrl":"https://doi.org/10.1080/14682761.2022.2105544","url":null,"abstract":"Taking an interdisciplinary approach to information-led exhibitions focused on performance can be considered practice-as-research historiography if curation is engaged with as praxis. Approaching exhibition curation as research praxis is a knowledge-making process, reconfiguring exhibitions as far more than a ‘pathway to impact’ designed at securing a grant. In the curation of two linked exhibitions on nineteenth-century popular entertainments at the Bill Douglas Cinema Museum and University of Bristol Theatre Collection, which were stunted due to COVID-19, I developed an argument for the shared ground of exhibitions and performance. If archival objects can perform, the exhibition space itself is a stage through which they communicate embodied meanings to audiences. I explore how exhibition curation generates different epistemologies to written research by putting museum studies, performance history, audience studies and performance practice-as-research in conversation. I demonstrate how museum studies could benefit from performance in developing epistemological arguments, and how performance studies can more significantly privilege the audience in the knowledge production process. I conclude my findings by discussing how planned activities and lessons learnt from these exhibitions could provide a blueprint for practitioners interested in using the exhibition form and format to conduct historically relational practice-research inquiries in conversation with audiences. © 2022 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83286990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dancers as interpreters: the aesthetics and social commentary of Hausa Koroso Dance 作为诠释者的舞者:豪萨科罗索舞蹈的美学与社会评论

IF 0.3 3区艺术学

Studies in Theatre and Performance Pub Date : 2022-07-26 DOI: 10.1080/14682761.2022.2105541

Olumuyiwa A. Akande

引用次数: 0