{"title":"Writing a Wondrous Earth: Susan Fenimore Cooper's Episcopalian Ecology","authors":"Lucas Nossaman","doi":"10.1353/jnc.2022.0021","DOIUrl":"https://doi.org/10.1353/jnc.2022.0021","url":null,"abstract":"Abstract:This essay explores how Susan Fenimore Cooper's Rural Hours (1850) anticipates the ecological concept of nature. It argues that Cooper uses print culture, in particular transatlantic scientific writings and works of Anglican natural history, to create an aesthetics of wonder that negotiates ecological relationships between self and world, individual species and life zones, seasons and geological epochs. Yet wonder is not a presciently areligious affect that vaults her book into natural science's more secular future, as some critics have suggested. In Rural Hours, the religious and secular mutually inform each other as Cooper writes a wondrous earth. The essay details her interventions in Alexander von Humboldt's emergent ecological science and illuminates the ways her Episcopalian Christianity enriches Rural Hours through her denomination's emphasis on communion and balanced textual authority, in contrast to nineteenth-century Protestantism's reputation for individualist, sola scriptura hermeneutics. The essay also proposes that understanding Cooper's religious-scientific aesthetic of wonder helps clarify the gender and settler colonialism contexts of Rural Hours.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78721022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fugitive Care: Harriet Jacobs and the Politics of Domestic Science","authors":"Jess Libow","doi":"10.1353/jnc.2022.0015","DOIUrl":"https://doi.org/10.1353/jnc.2022.0015","url":null,"abstract":"Abstract:In this essay, I examine Harriet Jacobs's intervention in antebellum debates about African American's capacity to \"take care of themselves\" by recovering her expertise in domestic health science–what Jacobs called \"the science of good management\" – in and beyond Incidents in the Life of a Slave Girl (1861). I argue that throughout her narrative as well as in her private and public correspondence, Jacobs transforms caregiving into a strain of what Britt Rusert terms \"fugitive science.\" Jacobs, who performed care labor while enslaved, also worked as a nurse for the Willis family while writing Incidents and then provided aid to formerly enslaved refugees in Civil War \"contraband camps.\" Across her writings, she suggests that if African American women were expected to bolster the health of white charges, then that expertise could be harnessed in service of Black well-being. While historians have documented how enslaved women were often treated as instruments rather than agents of medical knowledge, attending to caregiving highlights an alternative, fugitive legacy of enslaved women and health science in the United States.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90331487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Crayon, Looking: Washington Irving and the Queer Sublime","authors":"Chip Badley","doi":"10.1353/jnc.2022.0003","DOIUrl":"https://doi.org/10.1353/jnc.2022.0003","url":null,"abstract":"Abstract:This article explores the gender and sexual politics of the picturesque and the sublime, two aesthetic categories that predominate Washington Irving's writing. I focus on three of Irving's \"sketch books\" written under the pseudonym of Geoffrey Crayon: The Sketch Book of Geoffrey Crayon, Gent. (1819–20), Bracebridge Hall; or The Humourists, A Medley (1822), and Tales of a Traveller by Geoffrey Crayon, Gent. (1824). Whereas the picturesque envisions a form of personhood rooted in aristocratic wealth and biological reproduction (from which, as a bachelor, Crayon is excluded), the domain I designate as the \"queer sublime\" locates, in the emotions associated with the sublime—terror, thrill, astonishment, fear, and the pleasure of annihilation—the very contours of Crayon's and Irving's male painters' visceral response to other men. As depicted in a sequence of tales from Tales of a Traveller, the queer sublime identifies a form of desire that disrupts the psychic boundaries between self and other and temporarily coheres via aesthetic philosophy. The article contributes to the literary history of sexuality by arguing that aesthetics helped organize nascent forms of queer desire and attachments prior to the so-called \"invention of the homosexual\" dated to the 1870s–90s.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73079636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Intemperate Reform: Cripped Associations in Walt Whitman's Franklin Evans","authors":"A. Erlandson","doi":"10.1353/jnc.2022.0010","DOIUrl":"https://doi.org/10.1353/jnc.2022.0010","url":null,"abstract":"Abstract:Benjamin Rush's foundational work in temperance reform influenced early nineteenth-century reformers to associate democracy with the sober, able body. In the early 1840s, the explosive growth of Washingtonian Total Abstinence Societies, a working-class movement based out of Baltimore, began to shift temperance culture away from its earlier bourgeois formulations. Written for the Washingtonians, Walt Whitman's Franklin Evans, or The Inebriate (1842) attempts to refigure the relationship between the body and the body politic. Building upon work from disability studies and crip theory, this paper considers how Whitman's approach to the genre of the temperance novel and the underlying ideas of the movement were shaped by his relationship with his brother Eddy, a person with physical and mental disabilities. Through scenes set in a crowded and chaotic New York City, Whitman questions what role people with non-normative bodies and minds can have in a democracy. Through depictions of vulnerable, dependent, and abnormal bodies, Franklin Evans imagines a form of association that not only acknowledges but depends upon the embodiment of citizens to locate and address political, economic, and social systems in need of reform.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89515267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pastoral Escapes from the City: Alice Cary's Resistance to Patriarchal Romanticism in the New York Ledger","authors":"Ayendy Bonifacio","doi":"10.1353/jnc.2022.0013","DOIUrl":"https://doi.org/10.1353/jnc.2022.0013","url":null,"abstract":"Abstract:Nineteenth-century readers of the New York Ledger, the leading story paper of the time, regularly encountered Alice Cary's pastoral writing as metaphorical Romantic escapes from the cityscape. But Cary's writing did more than deliver pastoral reprieves to readers. Her Ledger columns also resist the patriarchal aestheticization of the pastoral and the rural. Via pastoral settings, Cary details how both nature and women denounce social standards of beauty and youth. In other words, the pastoral for Cary is anti-patriarchal. It is pure and beautiful not because it is young and youthful but because it is full of experience and knowledge, traits that she associates with feminine beauty. Ultimately, Cary's pastoral writing in the Ledger delivers readers outside of the city into a pastoral setting that definitively rejects patriarchal forms of Romanticism.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83162455","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"James Monroe Whitfield's \"The Vision\": Apocalypse and the Black Periodical Press","authors":"M. Zapędowska","doi":"10.1353/jnc.2022.0008","DOIUrl":"https://doi.org/10.1353/jnc.2022.0008","url":null,"abstract":"Abstract:The pessimism of James Monroe Whitfield's long, only partially preserved poem \"The Vision\" is possibly without parallel in antebellum African American literature. Mobilizing African American and broader American culture's preoccupation with the end of the world, Whitfield turns to allegory and apocalyptic prophecy to represent the massive scale of human sacrifice in a nation founded on enslavement and colonial domination. \"The Vision\" theorizes the regimes of oppression shaping the antebellum social order through what I term an apocalyptic aesthetic of annihilation, which emerges from the interaction of the poem's thematic, affective, and formal components. This aesthetic is concerned with imminent collapse of society and characterized by violent imagery, a tone of indignant despair, and an accelerated temporality conveyed by long, complex sentences and irregular, often inexact refrains. Serialized in Frederick Douglass' Paper and haunted by gaps resulting from the loss of its first canto, \"The Vision\" offers a chilling corrective to the newspaper's celebration of the progress of the antislavery cause, while the poem's prophecy of social destruction anticipates the possibility of its archival fragmentation.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90606841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
S. Treści, Kody Dźwiękowe, Opis działania BIOSu, Występowanie BIOSu
{"title":"Bios","authors":"S. Treści, Kody Dźwiękowe, Opis działania BIOSu, Występowanie BIOSu","doi":"10.1016/b978-0-12-814780-1.09986-x","DOIUrl":"https://doi.org/10.1016/b978-0-12-814780-1.09986-x","url":null,"abstract":"","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88817822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Freedom Flora: Botanical Revision and Community in African American Friendship Albums","authors":"Katherine Isabel Bondy","doi":"10.1353/jnc.2022.0004","DOIUrl":"https://doi.org/10.1353/jnc.2022.0004","url":null,"abstract":"Abstract:This article explores the artist, teacher, and writer Sarah Mapps Douglass's multiple entries of botanical watercolors and poetry into the friendship albums of Amy Matilda Cassey and Mary Anne Dickerson. Douglass, Cassey, and Dickerson were all members of Philadelphia's \"black elite.\" As free, middle-class African American women living in antebellum America, their albums and album entries have been critically considered for their displays of black female respectability and public-facing social networks. My own analysis of Douglass's botanical watercolors and poems, however, shifts focus from the public to the private, the exterior to the interior. Through close readings of Douglass's revisionary and citational practices in her entries, I re-direct attention to the imperceptible and immaterial qualities of her watercolors as figures of animation and freedom. I argue that Douglass's entries act as invitations to her African American female friends to turn toward their inner lives as sites of emancipatory expression, untethered by the oppressive restrictions of their outer worlds. By shifting attention to the internal life of both Douglass's flowers and the African American women they represent, I also draw out a more private network of African American female intimacy, support, and solidarity across differences in generation and geography.","PeriodicalId":41876,"journal":{"name":"J19-The Journal of Nineteenth-Century Americanists","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79167494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}