Writing a Wondrous Earth: Susan Fenimore Cooper's Episcopalian Ecology

IF 0.1 0 LITERATURE, AMERICAN
Lucas Nossaman
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引用次数: 0

Abstract

Abstract:This essay explores how Susan Fenimore Cooper's Rural Hours (1850) anticipates the ecological concept of nature. It argues that Cooper uses print culture, in particular transatlantic scientific writings and works of Anglican natural history, to create an aesthetics of wonder that negotiates ecological relationships between self and world, individual species and life zones, seasons and geological epochs. Yet wonder is not a presciently areligious affect that vaults her book into natural science's more secular future, as some critics have suggested. In Rural Hours, the religious and secular mutually inform each other as Cooper writes a wondrous earth. The essay details her interventions in Alexander von Humboldt's emergent ecological science and illuminates the ways her Episcopalian Christianity enriches Rural Hours through her denomination's emphasis on communion and balanced textual authority, in contrast to nineteenth-century Protestantism's reputation for individualist, sola scriptura hermeneutics. The essay also proposes that understanding Cooper's religious-scientific aesthetic of wonder helps clarify the gender and settler colonialism contexts of Rural Hours.
写一个奇妙的地球:苏珊·费尼莫尔·库珀的圣公会生态学
摘要:本文探讨了苏珊·费尼莫尔·库珀(Susan Fenimore Cooper)的《乡村时光》(Rural Hours, 1850)对自然生态概念的预见。它认为,库珀利用印刷文化,特别是跨大西洋的科学著作和英国圣公会自然历史著作,创造了一种奇妙的美学,这种美学协调了自我与世界、个体物种与生活区、季节和地质时代之间的生态关系。然而,奇迹并不是一种有先见之明的宗教影响,使她的书进入了自然科学更世俗的未来,正如一些评论家所暗示的那样。在《乡村时光》中,宗教与世俗相互交流,库珀描绘了一个奇妙的世界。这篇文章详细描述了她对亚历山大·冯·洪堡(Alexander von Humboldt)新兴生态科学的介入,并阐明了她的圣公会基督教是如何通过她的教派对共融和平衡文本权威的强调来丰富《乡村时光》的,这与19世纪新教以个人主义和唯圣经解释学而闻名的做法形成了鲜明对比。本文还提出,理解库珀的宗教-科学的奇迹美学有助于厘清《乡村时光》的性别和定居者殖民主义语境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
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