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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History最新文献

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The Čakovec Stone Bust Collection: New Identifications, Possible Dating and the Identity of its Commissioner 恰科维奇石像收藏：新的标识、可能的年代及其专员的身份
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.10
Bálint Ugry, Maja Žvorc
{"title":"The Čakovec Stone Bust Collection: New Identifications, Possible Dating and the Identity of its Commissioner","authors":"Bálint Ugry, Maja Žvorc","doi":"10.31664/ripu.2019.43.10","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.10","url":null,"abstract":"The Museum of Međimurje in Čakovec, situated within a former Zrinski residence, stores a stone bust collection containing portraits of 17th-century Croatian and Hungarian dignitaries. Most of the identified portraits have been modelled on Elias Widemann’s engravings from the series Icones Illustrium Heroum Hungariae. So far researchers have formed two opposing opinions concerning the collection’s interpretation: while some claim the collection was commissioned by the Zrinski family during the second half of the 17th century, others insist it was commissioned by the Festetics in the 1820s. This article proposes another engraved portrait series as a model for the collection, namely Franz Leopold Schmittner’s engravings published in Corpus Juris Hungarici (1751), which can be used to confirm or newly establish the identity of seven busts. The authors examine in what way this new find affects the interpretation of the collection’s commission and its contextualization within Croatian and Hungarian art.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.10","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45365275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Saint George Between Media and Functions 媒介与功能之间的圣乔治
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.03
I. Gerát
{"title":"Saint George Between Media and Functions","authors":"I. Gerát","doi":"10.31664/ripu.2019.43.03","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.03","url":null,"abstract":"The figure and story of Saint George, one of the most popular Christian saints of all time, has been represented in many places and in several historical periods. The cult of the saint has even transcended the confessional borders of Christianity, and his martyrdom was an exemplary manifestation of Christian belief, associated with the fight against older religions, perceived by Christians as pagan idolatry. His battle against the dragon, even if it was only later included in his legends, can be interpreted as an important archetypal image, embodying some of the basic tendencies of the human psyche. The current article focuses on this issue in the context of the visual art of a short period – the second decade of the sixteenth century – and of the geographical area of Central Europe. It is an attempt to compare several ways in which narratives about the saint were constructed and used for the purposes of political or religious propaganda. The construction of narratives was closely associated with the unwritten rules of a system of representation, valid in a particular medium.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.03","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41752804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Cult of Saint Euphemia, the Patron Saint of Rovinj, and the Venetian Politics of Co-creating Local Identities in Istrian Communities in the 15th Century 罗维尼的守护神圣尤菲米亚邪教与15世纪威尼斯在伊斯特派社区共同创造地方身份的政治
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.01
V. Bralić
{"title":"The Cult of Saint Euphemia, the Patron Saint of Rovinj, and the Venetian Politics of Co-creating Local Identities in Istrian Communities in the 15th Century","authors":"V. Bralić","doi":"10.31664/ripu.2019.43.01","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.01","url":null,"abstract":"This article discusses how Venice, in its political representation, valued the relation with the sacred as one of the main strategies for strengthening its political power in Istrian communities. Through associations with the cults of local saints, the Republic participated in the (co)creation of local memory and identity as evinced in the cases of St. Nazarius, the patron saint of Koper, and St. Euphemia, the patron saint of Rovinj. A new impetus was given to their cults in the 15th century after the restitution of their relics as attested by commissions of several liturgical objects made in the Venetian botteghe. The restitution of the relics of St. Euphemia in 1401, here confirmed by the archival research, is a rare documented case in Venetian political and religious practices. The growth of devotion to the saint was prompted by the return of the body, but also by the Venetian custom of developing cults in a coordinated manner, encompassing liturgical celebrations, legends and their visual expressions. This article sheds new light on the role of Venetian officials in the promotion of the cult of St. Euphemia and the authorship of the key illuminations in the Rovinj Illuminated Codex.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.01","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45517820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Slike starih majstora iz zbirke Ervina i Branke Weiss u Strossmayerovoj galeriji u Zagrebu
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.18
Iva Pasini Tržec
{"title":"Slike starih majstora iz zbirke Ervina i Branke Weiss u Strossmayerovoj galeriji u Zagrebu","authors":"Iva Pasini Tržec","doi":"10.31664/ripu.2019.43.18","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.18","url":null,"abstract":"U fundusu Strossmayerove galerije starih majstora HAZU šesnaest je slika starih majstora iz zbirke Ervina i Branke Weiss. Obuhvatnim istraživanjem dokumenata koji se čuvaju u različitim arhivskim institucijama i fondovima ocrtava se sudbina zbirke Weiss neposredno prije, za vrijeme i nakon Drugoga svjetskog rata te se utvrđuju okolnosti transfera slika starih majstora u Strossmayerovu galeriju. Kroz prizmu istraživanja prodaje i kupovine slika starih majstora utvrđuje se aktivnost Ervina Weissa na bečkom tržištu umjetninama. Također se donose nova saznanja o provenijenciji pojedinih slika, prije njihova ulaska u zbirku Weiss, koja su u nekim slučajevima upotpunjena i rezultatima istraživanja fizičkih tragova na poleđinama slikā.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.18","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41811034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stara gradska vijećnica u Rijeci: povijest sjedišta gradske vlasti od najranijih zapisa do 19. stoljeća 河中的老城议会：从最早的记录到19世纪该市政府所在地的历史。几个世纪以来
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-02-13 DOI: 10.31664/ripu.2018.42.05
Petar Puhmajer, Krasanka Majer Jurišić
{"title":"Stara gradska vijećnica u Rijeci: povijest sjedišta gradske vlasti od najranijih zapisa do 19. stoljeća","authors":"Petar Puhmajer, Krasanka Majer Jurišić","doi":"10.31664/ripu.2018.42.05","DOIUrl":"https://doi.org/10.31664/ripu.2018.42.05","url":null,"abstract":"U članku se tumače arhivski izvori o povijesti zgrade na Koblerovu trgu u Rijeci koja je od 16. do 19. stoljeća služila kao gradska vijećnica. Od prvotne stambene kuće, prenamijenjene za vijećnicu 1532. godine, zgrada je doživjela brojne promjene. Najvažnija je bila ona iz 1740.–1745. prema projektu arhitekta Antonija de Vernede, kada je nadograđen drugi kat, pripojena susjedna kuća, pročelja u cijelosti preoblikovana u baroknom stilu, te je kao takva, uz manje preinake, zgrada ostala sačuvana do danas. Nakon toga oštećena je u potresu 1750. te je ponovno obnovljena u nekoliko navrata. U kasnom 18. stoljeću nalazimo da se njezine prostorije koriste za razna društvena i javna događanja. Kao vijećnica služila je sve do 1833. godine, a zatim se gradska uprava preselila u bivši augustinski samostan te je zgrada prenamijenjena u trgovačke i stambene svrhe. S položajem na križanju glavnih ulica i središnjega trga, stara vijećnica ima i urbanističko značenje. U članku se također donose rezultati konzervatorskih istraživanja kojima su razlučene faze njezina građevnog razvoja.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2018.42.05","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47982652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ivan Tomko Mrnavić and His Coat of Arms: Self-presentation of an Illyrian Noble 伊万·托姆科·姆纳维奇和他的盾形纹章:伊利里亚贵族的自我展示
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-01-01 DOI: 10.31664/ripu.2018.42.08
Daniel Premerl
{"title":"Ivan Tomko Mrnavić and His Coat of Arms: Self-presentation of an Illyrian Noble","authors":"Daniel Premerl","doi":"10.31664/ripu.2018.42.08","DOIUrl":"https://doi.org/10.31664/ripu.2018.42.08","url":null,"abstract":"The article discusses the coat of arms of Ivan Tomko Mrnavić as a visual sign of his self-presentation. Examples of Mrnavić’ s coat of arms are presented and the contexts of their use interpreted, such as frontispieces, title pages, or seals. Finally, the origin, shape, and meaning of Mrnavić’ s coat of arms is interpreted in relation to his self-fashioned identity as a nobleman, as well as his political views on a possible post-Ottoman state in the region.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48429482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sudbina kapucina i kapucinskoga hospicija u Herceg Novom u svjetlu novih arhivskih istraživanja 根据新的存档研究，卡普辛和赫尔切格诺沃卡普辛临终关怀院的命运
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-01-01 DOI: 10.31664/RIPU.2018.42.03
Josipa Alviž
{"title":"Sudbina kapucina i kapucinskoga hospicija u Herceg Novom u svjetlu novih arhivskih istraživanja","authors":"Josipa Alviž","doi":"10.31664/RIPU.2018.42.03","DOIUrl":"https://doi.org/10.31664/RIPU.2018.42.03","url":null,"abstract":"","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69460917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Kuća Dragičević: prilog poznavanju stambenih kuća u Zadru u 18. stoljeću 德拉吉切维奇的房子：了解扎德鲁在18世纪的房子。本世纪的
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-01-01 DOI: 10.31664/RIPU.2018.42.04
Bojan Goja
{"title":"Kuća Dragičević: prilog poznavanju stambenih kuća u Zadru u 18. stoljeću","authors":"Bojan Goja","doi":"10.31664/RIPU.2018.42.04","DOIUrl":"https://doi.org/10.31664/RIPU.2018.42.04","url":null,"abstract":"Autor na temelju arhivskih i terenskih istraživanja govori o kući Dragičević, poznatoj i pod kasnijim imenom Dragičević-Pappafava, smještenoj u Ulici Mihe Klaića u Zadru. Kuću je tijekom sedmog desetljeća 18. stoljeća izgradio zadarski trgovac i poduzetnik konte Nikola Dragičević prethodno otkupivši od više vlasnika nekoliko starijih zgrada koje su stajale na tom mjestu. Analizom detaljne graditeljske procjene stanja kuće Dragičević sastavljene 1772. godine doznaju se podaci o vrsti stambenih i gospodarskih prostora, tlocrtnom rasporedu, unutarnjoj opremi i dekoraciji te materijalima korištenima u gradnji. Nikola Dragičević u svojoj je kući prikupio i zbirku slika raznovrsnog sadržaja pa su ti podaci vrijedan doprinos poznavanju starijega dalmatinskog kolekcionarstva.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46832868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Od "sinteze likovnih umjetnosti" do Zagrebačkoga salona: prilog poznavanju djelovanja ULUH-a 1960-ih 从“人物合成”到萨格勒布大厅：了解ULUH在20世纪60年代行动的机会
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-01-01 DOI: 10.31664/ripu.2018.42.12
Ana Šeparović
{"title":"Od \"sinteze likovnih umjetnosti\" do Zagrebačkoga salona: prilog poznavanju djelovanja ULUH-a 1960-ih","authors":"Ana Šeparović","doi":"10.31664/ripu.2018.42.12","DOIUrl":"https://doi.org/10.31664/ripu.2018.42.12","url":null,"abstract":"U radu se razmatraju dvije inicijative Udruženja likovnih umjetnika Hrvatske iz 1960-ih kojima je uporište u ideji o \"sintezi likovnih umjetnosti\": organizacija izložbi Zagrebačkoga salona i zalaganje za obavezni postotak koji bi se odvajao za likovnu opremu pri svakoj javnoj izgradnji. Budući da ULUH u razdoblju 1950-ih i 1960-ih privilegira onu varijantu umjerenoga modernizma koja se zasniva na ideji o autonomiji umjetnosti, vrijedno je istaknuti te dvije inicijative koje proizlaze iz ideje o sintezi, kao projekta druge, racionalističke varijante modernizma. Pritom se razmatra reformatorski potencijal ideje o sintezi, koja je iskorištena kao sredstvo u procesu modernizacije i demokratizacije Društva u tome razdoblju ‘tranzicije’ ULUH-a iz doktrinarnog i birokratskog u moderno strukovno udruženje. Cilj je ovoga rada na temelju arhivske dokumentacije, prikazom jednoga segmenta svijeta umjetnosti 1960-ih, dijelom rasvijetliti njegovo funkcioniranje i institucionalnu infrastrukturu.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2018.42.12","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43740010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Le lastre longobarde del "pulpito di Maviorano" di Gussago (Brescia): dall’ analisi al contesto. Problematicità e nuove prospettive Gussago (Brescia)的《马维奥拉诺讲坛》(Maviorano讲坛)的longobarde石板:从分析到上下文。问题和前景
IF 0.1
Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-01-01 DOI: 10.31664/RIPU.2018.42.01
Laura Chinellato
{"title":"Le lastre longobarde del \"pulpito di Maviorano\" di Gussago (Brescia): dall’ analisi al contesto. Problematicità e nuove prospettive","authors":"Laura Chinellato","doi":"10.31664/RIPU.2018.42.01","DOIUrl":"https://doi.org/10.31664/RIPU.2018.42.01","url":null,"abstract":"Il \"pulpito di Maviorano\", custodito nella chiesa di S. Maria Assunta di Gussago, in provincia di Brescia, e un eccezionale monumento composto da pilastrini e da due lastre di epoca longobarda, e rappresenta una rarita nel panorama della scultura del secolo VIII per le complesse figurazioni e la presenza di un’ epigrafe sul prospetto maggiore. Dal 1911 a oggi, molteplici sono state le posizioni della critica riguardo datazione, collocazione e contesto di riferimento dell’ opera; tuttavia, permangono ancora divergenti le opinioni sul significato di alcuni simboli e dell’ iscrizione. Grazie ad un’ analisi delle fonti storiografiche, della superficie dell’ opera e dell’ iscrizione, il presente scritto mira a ridefinirne estetica, vicenda conservativa, significato e contesto chiesastico di riferimento.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":"32 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69459987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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