{"title":"伊万·托姆科·姆纳维奇和他的盾形纹章:伊利里亚贵族的自我展示","authors":"Daniel Premerl","doi":"10.31664/ripu.2018.42.08","DOIUrl":null,"url":null,"abstract":"The article discusses the coat of arms of Ivan Tomko Mrnavić as a visual sign of his self-presentation. Examples of Mrnavić’ s coat of arms are presented and the contexts of their use interpreted, such as frontispieces, title pages, or seals. Finally, the origin, shape, and meaning of Mrnavić’ s coat of arms is interpreted in relation to his self-fashioned identity as a nobleman, as well as his political views on a possible post-Ottoman state in the region.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ivan Tomko Mrnavić and His Coat of Arms: Self-presentation of an Illyrian Noble\",\"authors\":\"Daniel Premerl\",\"doi\":\"10.31664/ripu.2018.42.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article discusses the coat of arms of Ivan Tomko Mrnavić as a visual sign of his self-presentation. Examples of Mrnavić’ s coat of arms are presented and the contexts of their use interpreted, such as frontispieces, title pages, or seals. Finally, the origin, shape, and meaning of Mrnavić’ s coat of arms is interpreted in relation to his self-fashioned identity as a nobleman, as well as his political views on a possible post-Ottoman state in the region.\",\"PeriodicalId\":41842,\"journal\":{\"name\":\"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31664/ripu.2018.42.08\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31664/ripu.2018.42.08","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Ivan Tomko Mrnavić and His Coat of Arms: Self-presentation of an Illyrian Noble
The article discusses the coat of arms of Ivan Tomko Mrnavić as a visual sign of his self-presentation. Examples of Mrnavić’ s coat of arms are presented and the contexts of their use interpreted, such as frontispieces, title pages, or seals. Finally, the origin, shape, and meaning of Mrnavić’ s coat of arms is interpreted in relation to his self-fashioned identity as a nobleman, as well as his political views on a possible post-Ottoman state in the region.