Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History最新文献_第7页

Generalni providur Leonardo Foscolo i umjetnost u Dalmaciji

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.15

Radoslav Tomić

{"title":"Generalni providur Leonardo Foscolo i umjetnost u Dalmaciji","authors":"Radoslav Tomić","doi":"10.31664/ripu.2019.43.15","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.15","url":null,"abstract":"Leonardo Foscolo (Venecija, 1588.–1660.) bio je generalni providur za Mletačku Dalmaciju i Albaniju od 1645. do 1650. godine. Sjedište providura i državne administracije koja je upravljala pokrajinom bilo je u Providurovoj palači u Zadru.\u0000U prvom dijelu studije analiziraju se oni portreti providura Leonarda Foscola izvedeni uljem na platnu i u grafici koji su povezani s njegovom vladavinom i djelovanjem u Dalmaciji. Jedini portret izveden uljem na platnu čuva se u samostanu sv. Lovre u Šibeniku. Veća je skupina grafičkih portreta na kojima su uz Foscolov lik prikazani i pojedini gradovi, naselja i utvrde u Dalmaciji u kojima je poduzimao ratne oslobodilačke akcije.\u0000Drugi dio studije istražuje Foscolovu donatorsku i mecenatsku ulogu. U tome se izdvaja njegova uloga u oblikovanju oltara sv. Šimuna u istoimenoj crkvi u Zadru. Foscolo je ostavio trag i u Šibeniku. Prema nepotvrđenoj predaji na zvonik crkve sv. Ivana ugradio je satni mehanizam koji je kao ratni plijen prenio iz osvojenog Drniša o čemu svjedoči natpis upisan u njegovoj lođi na koju je obješen i Foscolov grb s providurskom kapom. Isti grb ugrađen je i na pročelje crkve sv. Nikole u Šibeniku.\u0000Foscolo je u Dalmaciji stekao ugled što je rezultiralo činjenicom da su mu brojne komune dale podići spomenike o čemu se raspravlja u trećem dijelu studije. Navode se djela u Šibeniku, Splitu, Hvaru, Korčuli, Pagu i Islamu Grčkom.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.15","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44258316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Panegyric Emblem Books, Jesuits and the Habsburg Emperors: Some Examples Related to 17th-Century Croatia 圣徽书、耶稣会士和哈布斯堡皇帝:一些与17世纪克罗地亚有关的例子

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.05

M. Pelc

{"title":"Panegyric Emblem Books, Jesuits and the Habsburg Emperors: Some Examples Related to 17th-Century Croatia","authors":"M. Pelc","doi":"10.31664/ripu.2019.43.05","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.05","url":null,"abstract":"This article presents several printed collections of panegyric emblems related to the Croatian cultural milieu as specific media intended to promote the Habsburg imperial house in the 17th century. Emblem books were not printed in Croatia, but many of them were used, especially by Jesuits, as is documented in an 18th-century book inventory of the Zagreb Jesuit College’s library (preserved in Budapest). Some of these emblem books are dedicated to the Habsburg emperors Ferdinand III and Leopold I. The only author of an emblem book from Croatia in the 17th century was Sebastian Glavinić (1632–1697), Bishop of Senj, who was educated at the Jesuit academies in Graz, Vienna, and Trnava. In Vienna, he published an epithalamic panegyric emblem book in honour of the wedding of Leopold I and Margaret of Spain in 1666, under the title Deplua charitum aurora augustissimi Phoebi Leopoldi augusto rore in Margaritam resoluta. By glorifying the imperial wedding in a medium that was accessible to the wider public, Glavinić could himself partake in the imperial glory, which also brought him certain benefits.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.05","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42045307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kuća Cattinelli 1772. godine: prilog poznavanju stambene arhitekture u Zadru u 18. stoljeću Cattinelli的房子1772年。18年级：获得扎德鲁住宅建筑知识。本世纪的

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.17

Bojan Goja

{"title":"Kuća Cattinelli 1772. godine: prilog poznavanju stambene arhitekture u Zadru u 18. stoljeću","authors":"Bojan Goja","doi":"10.31664/ripu.2019.43.17","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.17","url":null,"abstract":"U radu se analizira stambena kuća smještena u Ulici don Ive Prodana na broju 9 u Zadru, u neposrednoj blizini crkve sv. Šime. Kao vlasnici kuće tijekom 19. stoljeća izmjenjivale su se obitelji Crnica, Pinelli i Karaman. Na temelju provedenih arhivskih istraživanja utvrđeno je kako je riječ o kući koja je 1772. godine bila u vlasništvu zadarske obitelji Cattinelli. Preciznije – kao vlasnik izdvojenog prednjeg dijela kuće s pripadajućim uličnim pročeljem navodi se signor Antonio Cattinelli. Analizom akumuliranih arhivskih vijesti pretpostavlja se da je taj vlasnik mogao biti Giovanni Antonio Maria Cattinelli (Jelsa, 1730.), padovanski doktor filozofije i medicine, sin zadarskog ljekarnika Giovannija Battiste Francesca Cattinellija ili njegov rođak Antonio Giuseppe Maria Cattinelli (Zadar, 1724.) čiji je otac bio ljekarnik Bortolo Cattinelli. Kuća je znatno oštećena u bombardiranju tijekom Drugog svjetskog rata a nakon provedene obnove od prijeratne građevine ostalo je sačuvano samo ulično pročelje. Analizom procjene graditeljskog stanja prednjeg dijela kuće Cattinelli sastavljene 1772. godine rekonstruira se izvorna struktura pročelja te raspored stambenih i gospodarskih prostorija. Na temelju raspodjele unutarnjeg prostora i oblikovanja pročelja zaključuje se da kuća Cattinelli pokazuje srodnost s venecijanskom novovjekovnom stambenom arhitekturom dobrostojećeg građanstva koja u sebi spaja stambenu i poslovnu namjenu a razvila se iz mnogo raskošnije plemićke palače tipa fontego. Istovremeno su novim arhivskim podacima dopunjena ranija saznanja o zadarskoj porodici Cattinelli i nekim njezinim članovima.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.17","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46338490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Portraits of Habsburg Rulers in the Aristocratic Collections of Eastern Croatia 克罗地亚东部贵族收藏中的哈布斯堡统治者肖像

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.12

Jasminka Najcer Sabljak

引用次数: 0

Prva tri djela u fundusu Moderne galerije Društva umjetnosti 现代美术馆基金的前三部分

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.19

Irena Kraševac

引用次数: 0

Representing the Republic in Seventeenth-Century Venice 在十七世纪的威尼斯代表共和国

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.09

M. Frank

引用次数: 0

Historiography and Propaganda in the Royal Court of King Matthias: Hungarian Book Culture at the End of the Middle Ages and Beyond 马提亚国王宫廷的史学与宣传:中世纪末期及以后的匈牙利图书文化

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.02

A. Boreczky

{"title":"Historiography and Propaganda in the Royal Court of King Matthias: Hungarian Book Culture at the End of the Middle Ages and Beyond","authors":"A. Boreczky","doi":"10.31664/ripu.2019.43.02","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.02","url":null,"abstract":"On the basis of the Chronica Hungarorum of Johannes de Thurocz, the Epitome rerum Hungaricarum of Pietro Ransano, and the Rerum Ungaricarum decades of Antonio Bonfini that were compiled within ten years, between 1488 and 1498, my paper forms a multi-dimensional image of the late 15th-century political and cultural situation in the royal court of Matthias Corvinus, King of Hungary (1458–1490). The three chronicles have come down to us in a number of books: manuscripts, incunabula and early prints alike, and many of them contain lengthy cycles of images. My paper investigates the agency of these books with a special emphasis on their illustrations. Through a study of the traditions they followed and the messages their illustrations conveyed, the primary question my paper seeks to answer is whether the cultural and political polarity of the royal court inherent in the texts of the chronicles is also present in the format, style and iconography of the illustrated books that contain them. The comparison of the early copies of the three chronicles shows that the cultural and political diversity of the royal court had an impact on the books that were made and/or used within its walls. Taking into consideration their circulation and reception as well, my paper discusses the role they played in royal propaganda, and the impact they had on the European image of Hungary and the Hungarians.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.02","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48200275","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Broadsheets with Engravings in a Manuscript Chronicle from Ulm: Visual Representations of the Hungarian Kingdom on German Political Leaflets during the War of Reconquest (1683–1699) 乌尔姆编年史手稿中的版画大报:收复战争期间德国政治传单上匈牙利王国的视觉表现(1683-1699)

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.07

Nóra G. Etényi

{"title":"Broadsheets with Engravings in a Manuscript Chronicle from Ulm: Visual Representations of the Hungarian Kingdom on German Political Leaflets during the War of Reconquest (1683–1699)","authors":"Nóra G. Etényi","doi":"10.31664/ripu.2019.43.07","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.07","url":null,"abstract":"The news about the war of expulsion against the Ottoman Empire was presented by a multi-central propaganda. A manuscript chronicle written in Ulm demonstrates the literacy of the broadsheets’ readership. The writer, Eberhard Gockel (1636–1703), a physician from Ulm, wrote a diary on the most important occurrences and affairs of the Turkish war from 1678 to 1703. He attached to his chronicle broadsheets and engravings on the recaptured Hungarian fortresses and the great victories against the Turks. Gockel had good sense for high quality engravings, and he chose the works of publishing houses with excellent reputations, for example Jakob Koppmayer from Augsburg, Johann Jonathan Felsecker and Johann Hoffmann from Nürnberg and Michael Wening from München. As a citizen of Ulm, he respected the interests of the House of Habsburg, but he mainly focused on the role of the imperial and troops from the region of Swabia. His manuscript illustrated with engravings gives a detailed description of the Hungarian Kingdom’s fight against the Turks. Gockel focuses on the news of the anti-Ottoman war of 1683–1688 and he recorded the victories against the Turks even after the French invasion of the Rhineland in 1688. Gockel was critical of the quantity of military news and tried to remain unbiased on political and religious questions. Gockels’ chronicle proves that the readers of the broadsheets had all the tools to use the media of that time critically, and that sensibility and curiosity for the news of the world was a significant part of the identity of a citizen in a city like Ulm.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.07","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44792405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dvorac Cernik – kontinuitet i mijene predturskog nasljeđa u barokno doba

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.16

Petar Puhmajer

{"title":"Dvorac Cernik – kontinuitet i mijene predturskog nasljeđa u barokno doba","authors":"Petar Puhmajer","doi":"10.31664/ripu.2019.43.16","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.16","url":null,"abstract":"U radu se analizira povijest građevnih mijena dvorca Cernik od prvotne izgradnje u 16. stoljeću, osmanske okupacije, pa sve do obnova 18. stoljeća kada je dvorac poprimio današnji izgled. Utvrđuje se kontinuitet čitavog tog razdoblja korištenjem najranijih građevnih struktura sa zadržavanjem osnovnog koncepta četverokrilnog tlocrta s četiri ugaone kule. Zbog konstantnih nemira na granici, izgradnje vojnih tvrđava u Slavoniji u 18. stoljeću, ali ujedno i memorije na »herojska« ratna vremena, zadržava se predturski koncept osnovnog perimetra, ali se dodaje barokna osovina sa dvoranom u središnjoj osi, svodovi u obliku čeških kapa te plošna žbukana raščlamba pilastrima i trakama kao izrazitim obilježjima baroknog stila. Dio obnoviteljskih radova poduzimaju general Maksimilijan Petraš i njegova supruga, a dio novodoseljena obitelj Marković od 1752. s kojom nastupa dugo i mirno razdoblje dvorca kao sjedišta vlastelinstva. Na primjeru Cernika jasno se uočava novi polet izgradnje u 18. stoljeću kada se starije obrambene strukture oplemenjuju konstruktivnim i stilskim preinakama svojstvenima baroknom razdoblju.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.16","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43601565","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Glory Crowned in Marble: Self-promotion of Individuals and Families in Seventeenth- and Eighteenth-Century Monuments in Istria and Dalmatia 大理石上的荣耀:17世纪和18世纪伊斯特拉和达尔马提亚古迹中个人和家庭的自我推销

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Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History Pub Date : 2019-12-31 DOI: 10.31664/ripu.2019.43.11

Damir Tulić

{"title":"Glory Crowned in Marble: Self-promotion of Individuals and Families in Seventeenth- and Eighteenth-Century Monuments in Istria and Dalmatia","authors":"Damir Tulić","doi":"10.31664/ripu.2019.43.11","DOIUrl":"https://doi.org/10.31664/ripu.2019.43.11","url":null,"abstract":"Senior representatives of the Venetian Republic inspired distinguished noblemen and rich citizens in Venice, as well as in Terraferma and Stato da Mar, to perpetuate their memory through lavish commemorative monuments that were erected in churches and convents. Their endeavour for self-promotion and their wish to monopolise glory could be detected in the choice of material for the busts that adorned almost every monument: marble. The most elaborate monument of this kind belongs to the Brutti family, erected in 1695 in Koper Cathedral. In 1688 the Town of Labin ordered a marble bust of local hero Antonio Bollani and placed it on the facade of the parish church. Fine examples of family glorification could be found in the capital of Venetian Dalmatia – Zadar. In the Church of Saint Chrysogonus, there is a monument to the provveditore Marino Zorzi, adorned with a marble portrait bust. Rather similar is the monument to condottiere Simeone Fanfogna in Zadar’s Benedictine Church of Saint Mary and the monument to the military engineer Francesco Rossini in Saint Simeon. All these monuments embellished with portrait busts have a common purpose: to ensure the everlasting memory of important individuals. This paper analyses comparative examples, models, artists, as well as the desires of clients or authorities that were able to invest money in self or family promotion, thus creating the identity of success.","PeriodicalId":41842,"journal":{"name":"Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.31664/ripu.2019.43.11","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43305378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0