CINEJ Cinema Journal最新文献

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Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture 弗兰克·拉贾·阿拉斯电影选集中的女性形象:加纳电影文化中男权主义倾向的证据
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.287
O. Omoera, C. Okwuowulu
{"title":"Female Representation in Select Films of Frank Rajah Arase: Evidence of Male Chauvinist Tendencies in the Ghanaian Film Culture","authors":"O. Omoera, C. Okwuowulu","doi":"10.5195/CINEJ.2021.287","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.287","url":null,"abstract":"There has been constant resonance of feminine image misrepresentation in most narratives since the (re)invention of video-films in Nigeria, Ghana, and indeed across the African continent. In spite of the binary struggle between the (presumed) chauvinist filmmakers and their feminist counterparts, masculinity always (re)emerges in new forms or topoi to dominate femininity. Consequently, there seems to be a paradigm shift on the (mis)representation of women that reinforces Laura Mulvey’s sexual voyeuristic objectification of the feminine gender as reflected in near-nude costumes as well as sexually larded scenes that are common sights in African films, particularly those from Ghana. Employing the historical-analytic and observation methods, this article examines three selected films:  The Maid I Hired (2010), Why Did I Get Married? (2007) and To Love a Prince (2014) by Frank Rajah Arase (FRA), an African filmmaker of Benin (Edo) extraction who largely operates in the Diaspora, to foreground and highlight the voyeuristic imprints in Ghanaian films (Ghallywood), which tend to demean the feminine gender in the context of African culture that hegemonizes the male folk.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"49 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86391478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus 当代诺莱坞电影中的女性形象:伊肯和焦点中的男孩之王
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.299
Emwinromwankhoe Osakpolor
{"title":"Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus","authors":"Emwinromwankhoe Osakpolor","doi":"10.5195/CINEJ.2021.299","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.299","url":null,"abstract":"This study investigates the portrayal of women in contemporary Nollywood films, using Isoken (2017) and King of Boys (2018) as case studies. The objective was to highlight the various ways in which women in the films are portrayed to viewers and ascertain whether contemporary Nollywood movies are an improvement on the issues of gender stereotypes and sexism which are hitherto prevalent in the industry. Anchored on the cultivation theory, the study adopted the qualitative content analysis method. Findings showed that women in the studied films are negatively portrayed in various ways and that these portrayals are, at best, parallel to the stereotypical ways in which women were portrayed in previous Nollywood movies. Taking cognizance of the fact that both films are directed by women, the researcher recommends that Nollywood female directors should look beyond the lenses of financial gains and set a pace with regards to changing the narrative and portraying Nigerian women in a positive light.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83378930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films 新兴的话语,变化的视角:奥斯卡纪录片中的伊拉克
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.247
Abida Ashraf
{"title":"Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films","authors":"Abida Ashraf","doi":"10.5195/cinej.2020.247","DOIUrl":"https://doi.org/10.5195/cinej.2020.247","url":null,"abstract":"Documentary film has become an important tool to seek information. This study shows how documentaries are projecting skepticism and sarcasm of Iraqi people due to volatile, uncertain complex, and ambiguous (VUCA) conditions. The fims discussed in this study consists of Oscar-winning and Oscar-nominated documentary films from 2003 to 2011 with a total of 45 films. The year 2003 is selected for its demarcation of U.S.-led invasion of Iraq which started in March 2003 and toppled over the government of Saddam Hussein. The year 2011 denotes the end with the departure of US troops in 2011. Through the criterion sampling, four films are selected that depict Iraq and all the four got the nomination for Oscar that includes: Iraq in Fragments (2006-Nomination); My Country My Country (2006-N); No End in Sight (2007-N); Operation Homecoming: Writing the Wartime Experience (2007-N). To explore Iraqi people’s perspectives, further sampling is applied and two documentaries are selected depicting entanglement of religion and politics in Iraq from Iraqi people’s perspective.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"44 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88851552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crushing Life in the Anthropocene? Destroying Simulated "Nature" in The Cabin in the Woods 人类世正在毁灭生命?在《林中小屋》中破坏模拟的“自然”
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.225
Michael Fuchs
{"title":"Crushing Life in the Anthropocene? Destroying Simulated \"Nature\" in The Cabin in the Woods","authors":"Michael Fuchs","doi":"10.5195/cinej.2020.225","DOIUrl":"https://doi.org/10.5195/cinej.2020.225","url":null,"abstract":"The Cabin in the Woods (2011) is a highly self-reflexive movie that is aware of its generic roots. In particular, the film struggles with the meaning of “the woods” in the horror genre. Cabin ’s central twist in this respect is that the titular “woods” are not untamed nature, but rather a place of artifice. Cabin ’s woods are not uncanny because they are far removed from “civilization,” but rather exactly because they are part of it. The film’s emphasis on the artificiality of nature suggests that the concept of “nature” is exactly that—a concept, a cultural construct, loaded with meaning. The film’s ending envisions the end of that discursive construct—but for that to happen, humankind must vanish.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"12 1","pages":"62-93"},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78657642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review of The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema 《银幕上的木乃伊:恐怖电影中的东方主义与怪物》综述
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.308
S. F. Maydana
{"title":"Review of The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema","authors":"S. F. Maydana","doi":"10.5195/cinej.2020.308","DOIUrl":"https://doi.org/10.5195/cinej.2020.308","url":null,"abstract":"Basil Glynn, The Mummy on Screen: Orientalism and Monstrosity in Horror Cinema. International Library of the Moving Image. Bloomsbury, 2019. 216 pp. ISBN 9781788314084 (hardcover). $115.00.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"27 1","pages":"474-480"},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83637064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review of Audio-Vision: Sound on Screen 视听回顾:屏幕上的声音
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.289
Nick Poulakis
{"title":"Review of Audio-Vision: Sound on Screen","authors":"Nick Poulakis","doi":"10.5195/cinej.2020.289","DOIUrl":"https://doi.org/10.5195/cinej.2020.289","url":null,"abstract":"Michel Chion, Audio-Vision: Sound on Screen. New York: Columbia University Press, 2019. xxvi + 270 pp. ISBN 9780231185899, $30.00 (pbk)","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"34 1","pages":"457-462"},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89389052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Books Received 2020 已收图书2020
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.350
Murat Akser
{"title":"Books Received 2020","authors":"Murat Akser","doi":"10.5195/cinej.2020.350","DOIUrl":"https://doi.org/10.5195/cinej.2020.350","url":null,"abstract":"In 2020 we have received a variety of books on cinema and media from these publishers: Amsterdam University Press., Bloomsbury Academic, Columbia University Press, Edinburgh University Press, Intellect, Nordicom, Peter Lang, Routledge, University of Illinois Press, and Wayne State University Press.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"99 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85487473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Study of Rubaiyat attributed to Khayyam in Movies 电影中Khayyam的Rubaiyat研究
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.271
Milad Minakar, A. Chitsazian
{"title":"The Study of Rubaiyat attributed to Khayyam in Movies","authors":"Milad Minakar, A. Chitsazian","doi":"10.5195/cinej.2020.271","DOIUrl":"https://doi.org/10.5195/cinej.2020.271","url":null,"abstract":"Among the literati and men of culture of Iran, it is not exaggerated to call Khayyam one of the vaguest figures. One might recognize him certainly and resolutely through his philosophical and scientific works; however, it was his Rubaiyat attributed to him which created many arguments. This paper studies Hakim Omar Khayyam’s Rubaiyat in English and Persian language feature and non-biographical movies; hence, biographical movies depicting factual or imaginary life of Khayyam or any serials, TV productions, documentaries, nonEnglish, nonPersian movies are not included. The aim is to expound any relationships between the film and Rubaiyat; therefore, according to the type of the applied quatrain, movie genre, plot, some categories are propounded to classify the movies in which Khayyam’s quatrains are quoted such as Transiency-Death, Transiency-Carpe Diem, Heaven and Hell, and Determinism. Indeed, these categories can be applied to the theme of the movies or a single scene in which the stanza is quoted.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"13 1","pages":"324-352"},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83589908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Evaluation of Neurocinema as An Introduction to an Interdisciplinary Science 神经电影作为一门跨学科科学导论的评价
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.267
A. Naser Moghadasi
{"title":"Evaluation of Neurocinema as An Introduction to an Interdisciplinary Science","authors":"A. Naser Moghadasi","doi":"10.5195/cinej.2020.267","DOIUrl":"https://doi.org/10.5195/cinej.2020.267","url":null,"abstract":"Neurocinema is considered as one of the emerging interdisciplinary sciences and relies on neuroscience discoveries to explore various aspects of the movie effect on the viewer’s brain. The mentioned science not only investigates this effect but also seeks to answer how a good movie takes control of the neural pathways. Another part of neurocinema investigates movies that their content includes patients’ neurological and also psychiatric problems. As cinema is heavily influenced by technology, the quality of cinema and whatever it deals with, will vary to respond in advancements of technology. Considering that neurocinema will face a new world in line with these changes, the various aspects effect of this new world on the human brain should be thoroughly considered.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"88 1","pages":"307-323"},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79166747","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Effects of Film Illumination Hues – An Exploration Study 电影照明色彩效果的探索性研究
IF 0.1
CINEJ Cinema Journal Pub Date : 2020-12-03 DOI: 10.5195/cinej.2020.278
Mustafa Yousry Matbouly
{"title":"The Effects of Film Illumination Hues – An Exploration Study","authors":"Mustafa Yousry Matbouly","doi":"10.5195/cinej.2020.278","DOIUrl":"https://doi.org/10.5195/cinej.2020.278","url":null,"abstract":"This study is an attempt to investigate the ability of different colors used in cinematic lighting designs to affect audience’s impressions towards the appearance and mood of film characters. The study critically appraised existing cinematic lighting techniques and identified the two basic color groups (i.e., warm and cold colors) that should be examined in order to answer the research questions and formulate its conclusions. To provide the needed empirical evidence for this research work, some experiments with a representative sample of viewers were conducted. These experiments confirmed the existence of direct relationships between various colors of lighting and the perceived appearance and mood of film characters. Moreover, specific color hues of lighting appeared to be more effective than others in altering the perceived appearance and mood of film characters. The study concluded that audience’s perception of appearances and moods within cinematic images is linked, even in part, to different colors of lighting.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"17 1","pages":"353-376"},"PeriodicalIF":0.1,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86166354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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