Emerging Discourses, Changing Perspectives: Iraq in Oscar Documentary Films

IF 0.2 0 FILM, RADIO, TELEVISION
Abida Ashraf
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引用次数: 0

Abstract

Documentary film has become an important tool to seek information. This study shows how documentaries are projecting skepticism and sarcasm of Iraqi people due to volatile, uncertain complex, and ambiguous (VUCA) conditions. The fims discussed in this study consists of Oscar-winning and Oscar-nominated documentary films from 2003 to 2011 with a total of 45 films. The year 2003 is selected for its demarcation of U.S.-led invasion of Iraq which started in March 2003 and toppled over the government of Saddam Hussein. The year 2011 denotes the end with the departure of US troops in 2011. Through the criterion sampling, four films are selected that depict Iraq and all the four got the nomination for Oscar that includes: Iraq in Fragments (2006-Nomination); My Country My Country (2006-N); No End in Sight (2007-N); Operation Homecoming: Writing the Wartime Experience (2007-N). To explore Iraqi people’s perspectives, further sampling is applied and two documentaries are selected depicting entanglement of religion and politics in Iraq from Iraqi people’s perspective.
新兴的话语,变化的视角:奥斯卡纪录片中的伊拉克
纪录片已经成为人们获取信息的重要工具。该研究显示了纪录片如何由于不稳定、不确定的复杂和模糊(VUCA)的条件而投射伊拉克人民的怀疑和讽刺。本研究讨论的影片包括2003年至2011年奥斯卡获奖和奥斯卡提名的纪录片,共45部影片。2003年是美国从2003年3月开始对伊拉克发动的推翻萨达姆政权的战争的年份。2011年意味着美国军队在2011年撤离的结束。通过标准抽样,选出了四部描绘伊拉克的电影,这四部电影都获得了奥斯卡提名,包括:伊拉克碎片(2006年提名);我的国家我的国家(2006-N);看不到尽头(2007-N);返乡行动:书写战时经验(2007-N)。为了探究伊拉克人的视角,我们采用了进一步的抽样方法,选取了两部纪录片,从伊拉克人的视角来描述伊拉克的宗教与政治纠缠。
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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