发布求助
文献互助 智能选刊 最新文献

CINEJ Cinema Journal最新文献

筛选
英文 中文
Review of A Christian Approach to Cinema: Tarkovsky. Film as Prayer 《基督教电影观:塔可夫斯基》电影作为祈祷者
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.324
Ioan Buteanu
{"title":"Review of A Christian Approach to Cinema: Tarkovsky. Film as Prayer","authors":"Ioan Buteanu","doi":"10.5195/CINEJ.2021.324","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.324","url":null,"abstract":"Elena Dulgheru. Tarkovsky. Film as Prayer (A Poetic of the Sacred in the Cinema of Andrei Tarkovsky)/Romanian: Filmul ca rugăciune (O poetică a sacrului în cinematogaful lui Andrei Tarkovski)/, second edition, Arca Învierii Publishing House, 2020.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"8 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84595799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don’t Breathe 吸血鬼资本的冲动意象与视觉与残疾政治:《不要呼吸》中的邪恶与恐怖
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.382
Moritz Wischert-Zielke
{"title":"The Impulse-Image of Vampiric Capital and the Politics of Vision and Disability: Evil and Horror in Don’t Breathe","authors":"Moritz Wischert-Zielke","doi":"10.5195/CINEJ.2021.382","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.382","url":null,"abstract":"This article examines affective and semiotic aspects of Don’t Breathe’s construction of evil and horror. To work towards a post-genre approach to horror, evil and horror are re-examined and differentiated on a discursive level in a first theoretic step. The following film analysis takes Fede Álvarez’ 2016 horror film Don’t Breathe as its case. In a first part, it draws from the Marxian metaphor of vampiric capital and employs a Deleuzian approach to film in focusing on the impulse-image of Don’t Breathe. In a second part, the analysis of evil and monstrous horror then takes into account political notions of the film’s themes of blindness and (dis)ability, thereby moving from a (primarily) affective perspective to a rather semiotic discussion.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"17 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77160802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training 电影、电视和媒体部门的多样性和包容性:包容性电影产业和培训的政策选择
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/cinej.2021.414
Murat Akser
{"title":"Diversity and Inclusion in Film, Television and Media Sector: Policy Alternatives for an Inclusive Film Industry and Training","authors":"Murat Akser","doi":"10.5195/cinej.2021.414","DOIUrl":"https://doi.org/10.5195/cinej.2021.414","url":null,"abstract":"This issue of CINEJ Cinema Journal observed the slow recovery from the destructive effects of COVID-19 global pandemic on filmmaking, film distribution and exhibition, and teaching film at HE institutions. One development that is on the agenda is diversity and inclusion in film industry, film education and film studies/criticism as institution. The diversity of film sets has been voiced and is gaining momentum at creative top of the line levels of director, producer and screenwriters Still obstacles remain for those who want to move from entry to mid-level both in film industry as creatives and for academics who want to enter white dominated academia.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"199 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90281441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie 阈限与超现实:路易斯·布努埃尔《资产阶级的谨慎魅力》中地狱与梦的空间
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.342
Miniature Malekpour, Shooka Motamedi
{"title":"The Liminal and the Surreal: The Space of Limbo and Dreams in Luis Bunuel’s The Discreet Charm of the Bourgeoisie","authors":"Miniature Malekpour, Shooka Motamedi","doi":"10.5195/CINEJ.2021.342","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.342","url":null,"abstract":"This study explores the role of liminality and Surrealism in Luis Bunuel’s The Discreet Charm of the Bourgeoisie. By taking into consideration the relationship between Surrealism, Marxism and Freud, this paper identifies the role of the liminal and Bunuel’s treatment of these topics. The purpose of this study is to examine the use of liminal space and Surrealism to identify the role of the bourgeois and their fears through the lens of Bunuel.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"55 3","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72543935","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone) 西方的耻辱，东方的遗弃:电影中的男人羞耻和Issız亚当(孤独)
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.359
Selen Gökçem Akyıldız
{"title":"Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)","authors":"Selen Gökçem Akyıldız","doi":"10.5195/CINEJ.2021.359","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.359","url":null,"abstract":"Apart from being shot in almost the same decades, Shame (Steve McQueen, 2011) and Issız Adam (Çağan Irmak, 2008) have other analogies that require to study on. Even though both men live in different cultures and have different relationship models, they struggle in life concurrently. While Steve McQueen’s Shame focuses on uncompromising sex addiction that overthrows a man’s life, Çağan Irmak’s Issız Adam takes it on a romantic level and presents a lonely man who cannot attach women. Though it seems an ordinary attachment problem on the surface, both men have deep social, sexual, familial problems that force them to be left alone. In consideration of adult romantic attachment theory of Hazan and Shaver (1987), both male characters will be examined under the topics of adult loneliness and love, romantic incest and sex addiction to analyze the reasons and the results of the bond that both male characters cannot have built. ","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"18 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82438374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing “不利于清醒”:《唐璜》和《谢谢分享》中的性瘾和新自由主义男子气概
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.320
J. R. Gwynne
{"title":"“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing","authors":"J. R. Gwynne","doi":"10.5195/CINEJ.2021.320","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.320","url":null,"abstract":"Thanks for Sharing (2012) and Don Jon (2013), share similarities in their representation of the lives of unmarried men who are all approaching midlife, and who are all struggling to build meaningful, monogamous, long term attachments with women. In Thanks for Sharing, Adam (Mark Ruffalo) is addicted to brief encounters with numerous partners in contexts devoid of emotional intimacy, while a fellow member of his sex addicts support group, Neil (Josh Gad), struggles with a compulsion to touching strangers in public locations. In counterpoint, Don Jon charts the protagonist’s insatiable consumption of online pornography, since Jon believes that the virtual domain provides a far superior sexual experience than anything, he could find in real life encounters with women. This article is concerned with the relationship between sex addiction and masculinity, and how neoliberalism is imbued in the characters’ embodiment of masculinity regardless of their divergent social backgrounds.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"32 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84682900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Books Received 2021 接收书籍2021
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.415
Murat Akser
{"title":"Books Received 2021","authors":"Murat Akser","doi":"10.5195/CINEJ.2021.415","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.415","url":null,"abstract":"In 2021 we have received a variety of books on cinema and media from these publishers: American University of Cairo Press, Amsterdam University Press, Auteur, Bloomsbury Academic, Columbia University Press, Edinburgh University Press, IGI Global, Intellect, Liverpool University Press, transcript Verlag, University Press of Mississippi and Wayne State University Press.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"66 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74133769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon 喀麦隆电影及家庭录影带在学生宿舍的接收情况:以班比利-喀麦隆为例
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.357
Paul Animbom Ngong
{"title":"The reception of Cameroon Films and home videos in student residential areas: the case of Bambili – Cameroon","authors":"Paul Animbom Ngong","doi":"10.5195/CINEJ.2021.357","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.357","url":null,"abstract":"Film as a medium of communication uses visual and auditory signs between senders and receivers. It is considered as one of the most influential areas of media. The art form in Cameroon is valorised more through the home video system caused principally by the closure of theatre halls and the advent of cable TV channels dedicated to the broadcasting of movies for home consumption and the emergence of new media. This study looks at the reception of these home videos particularly in the student residential area of Bambili – Cameroon. A total number of 500 students served as sample for the study whose results show that a majority of viewers choose films according to different criteria but mostly influenced by their horizons of expectations.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"118 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88112913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The world of Assamese celluloid: ‘yesterday and today’ 阿萨姆赛璐珞的世界:“昨天和今天”
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/cinej.2021.358
Violet Barman Deka
{"title":"The world of Assamese celluloid: ‘yesterday and today’","authors":"Violet Barman Deka","doi":"10.5195/cinej.2021.358","DOIUrl":"https://doi.org/10.5195/cinej.2021.358","url":null,"abstract":"The study explores the entire journey of the Assamese cinema, which means a journey that will narrate many stories from its past and present, furthermore also will try to analyze its future potential. This paper deals with the trends emerging in genres, technical advancement, and visual representation along with a cult that emphasized the commercial success of cinema by toeing the style of Bollywood and world cinema. It explores the new journey of Assamese cinema, which deals with small budgets, realistic approaches, and portraying stories from the native lanes. It also touches upon the phase of ‘freeze’ that the Assamese cinema industry was undergoing due to global pandemic Covid-19.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"12 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85310872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies 我会回来的?20世纪80年代和90年代硬体电影的解构
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.369
Moshe Machlev
{"title":"I’ll be back? The Deconstruction of the 1980s and the 1990s Hard Body Movies","authors":"Moshe Machlev","doi":"10.5195/CINEJ.2021.369","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.369","url":null,"abstract":"The following essay discusses the cultural factors that inspired the “hard body” movies of the 1980’s and 1990’s, but it also describes the changes that occurred, later on, that contributed to the deconstruction of those movies. The hard body movies were characterized by having a reoccurring set of actors (Schwarzenegger, Stallone, and Van Damme) and themes (facing adversaries in a forceful manner), and some of the factors that influenced this portrayal were the Reagan Revolution and a revaluation of the Vietnam war. However, a change in political ideology, and a reassessment of America’s place in the world, inspired the deconstruction of those movies, and newer movies brought with them a new message, of what could be considered a soft body.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"8 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89067214","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信