“不利于清醒”:《唐璜》和《谢谢分享》中的性瘾和新自由主义男子气概

IF 0.2 0 FILM, RADIO, TELEVISION
J. R. Gwynne
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引用次数: 1

摘要

《感谢分享》(2012)和《唐·乔恩》(2013)在描绘接近中年的未婚男性的生活方面有着相似之处,他们都在努力与女性建立有意义的、一夫一妻制的、长期的依恋关系。在《感谢分享》中,亚当(马克·鲁法洛饰)沉迷于在缺乏情感亲密的环境中与无数伴侣短暂相遇,而他的性瘾互助小组成员尼尔(乔什·盖德饰)则在公共场所与触摸陌生人的冲动作斗争。相反,Don Jon描绘了主人公对网络色情的贪得无厌的消费,因为Jon相信虚拟领域提供的性体验比他在现实生活中遇到的女人要优越得多。本文探讨了性瘾与男子气概之间的关系,以及在不同社会背景下,新自由主义是如何渗透到人物的男子气概中去的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“not conducive for sobriety”: Sex Addiction and Neoliberal Masculinity in Don Jon and Thanks for Sharing
Thanks for Sharing (2012) and Don Jon (2013), share similarities in their representation of the lives of unmarried men who are all approaching midlife, and who are all struggling to build meaningful, monogamous, long term attachments with women. In Thanks for Sharing, Adam (Mark Ruffalo) is addicted to brief encounters with numerous partners in contexts devoid of emotional intimacy, while a fellow member of his sex addicts support group, Neil (Josh Gad), struggles with a compulsion to touching strangers in public locations. In counterpoint, Don Jon charts the protagonist’s insatiable consumption of online pornography, since Jon believes that the virtual domain provides a far superior sexual experience than anything, he could find in real life encounters with women. This article is concerned with the relationship between sex addiction and masculinity, and how neoliberalism is imbued in the characters’ embodiment of masculinity regardless of their divergent social backgrounds.
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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