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Rocky Balboa: The Innocent and the Invincible Hero of Low Income Class 洛奇·巴尔博亚:低收入阶层的无辜和无敌英雄
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-12-14 DOI: 10.5195/cinej.2021.311
Y. Uysal
{"title":"Rocky Balboa: The Innocent and the Invincible Hero of Low Income Class","authors":"Y. Uysal","doi":"10.5195/cinej.2021.311","DOIUrl":"https://doi.org/10.5195/cinej.2021.311","url":null,"abstract":"This study is aiming to scrutinize that how American low income class is represented in Rocky Balboa film series in regards of Rocky Balboa character. It will try to understand the mission which is given to Rocky along the film series by examining the concepts such as the values which Rocky represents, class standing, moving up in social ladder, etc. in the scripts of Rocky movies. The life line of Balboa which we have begun to witness while he was living in a poor neighborhood leads us to the different faces of his life along the six films of series: firstly, the world championship that he got by defeating Apollo Creed, then keeping his belt for a long time and defeating Ivan Drago, then losing all his wealth and has to return to the neighborhood where he was living previously and the last fight that he did during his retirement. The hypothesis of the study is that the films of Balboa series are reflecting the life of American low income class ‘realistic’ with Rocky Balboa’s character, and the hypothesis is going to want to verify it along the study.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"176 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75520326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Some Problems with Gendered Subjectivity and Representation: Baise Moi and Hard-Core Pornography 性别主体性与再现的若干问题:百色情色与硬核色情
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-12-14 DOI: 10.5195/cinej.2021.321
Temmuz Süreyya Gürbüz
{"title":"Some Problems with Gendered Subjectivity and Representation: Baise Moi and Hard-Core Pornography","authors":"Temmuz Süreyya Gürbüz","doi":"10.5195/cinej.2021.321","DOIUrl":"https://doi.org/10.5195/cinej.2021.321","url":null,"abstract":"Based on a framework developed by the works of critical theorists Michel Foucault and Judith Butler, this article focuses on a reconceptualization of the relationship between representation on screen and the production of sexualities in order to examine the discourse around the film Baise Moi (Despentes and Trinh Thi, 2000). There have been criticisms about the film’s pornographic and violent elements as well as its “bad ending”, arguing that the film results in a reaffirmation of the patriarchal power practices. This article counterargues that such readings remain within the limited territory of seeking an ideal representation of femininity based on the gender/sex binary which Butler’s work has critiqued. The final section of the article aims to demonstrate how Baise Moi conveys a layered audio-visual organization that focuses on the attainability of different sexualities that are not conforming to the idea of universal sexuality through adopting a pornographic aesthetic that provides the means through which the film can overturn gender norms as well as hard-core porn’s idealism.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84106878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life 醒着(做梦):对理查德·林克莱特醒着生活的吠檀多反思
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.330
Jayakrishna Upadhyay
{"title":"Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life","authors":"Jayakrishna Upadhyay","doi":"10.5195/CINEJ.2021.330","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.330","url":null,"abstract":"This is a reading of the film Waking Life (2001) in the framework of the Indic philosophy of ‘Vedanta,’ more specifically the ‘Advaita’ or the non-dual school of Vedanta. The film’s narrative is constructed out of the protagonist’s dreamscapes. The itinerant protagonist moves through conversations within his dreams, trying to make sense of his ‘wake walking’ situation. These conversations take the form of a more significant philosophical reflection upon the conscious life of humans. In this paper, I analyze some of these conversations and discussions from the Advaita point of view to affirm the film’s orientation towards a spiritual and metaphysical reflection on human life.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"62 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91014088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert “关于奇迹”:在洪尚秀的《海滩上的女人》和Éric侯麦的《雷阳峰》中看到“真实的东西”
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.326
Jacob Hovind
{"title":"“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert","authors":"Jacob Hovind","doi":"10.5195/CINEJ.2021.326","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.326","url":null,"abstract":"Hong Sang-soo’s cinema is one in which his characters consistently avoid reality, whether by constructing explanatory narratives and patterns or by turning other people into emotionally projected images. Woman on the Beach (2007), I argue, openly diagnoses this tendency and finds instead what one of its characters calls “the real thing.” Placing this film in the context of Hong’s oeuvre as a whole, I explore Hong’s overarching interest in trying to see “the real thing” instead of imaginatively constructing it. And thus, in a career frequently compared to Rohmer’s, Woman on the Beach, with its search for this almost mystical encounter with reality, emerges as Hong’s variation on Rohmer’s own search for what’s real in Le Rayon vert (1986).","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"307 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74199596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Social Implications of Metaphor in Bong Joon-ho’s Parasite 奉俊昊《寄生虫》中隐喻的社会含义
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.291
A. Farahbakhsh, Ramtin Ebrahimi
{"title":"The Social Implications of Metaphor in Bong Joon-ho’s Parasite","authors":"A. Farahbakhsh, Ramtin Ebrahimi","doi":"10.5195/CINEJ.2021.291","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.291","url":null,"abstract":"The purpose of the present article is to study the social implications of repetitive metaphors in the film and of the word Parasite (2019) and to observe what makes the life of a lower-class family parasitic within a typical capitalistic society. In the mainstream discussion, the metaphorical functions of such words as ‘smell,’ ‘insects,’ ‘the rock,’ and ‘the party’ are assessed within the context of the film. The central questions of the article, therefore, are: What are the recurrent and metaphorical motifs in the plotline and how can their implications be related to the overall theme of the film? How does Parasite exhibit the clash of classes in a capitalist society? To answer the questions, the present study offers a comprehensive analysis of its recurring metaphors as well as its treatment of the characters who visibly belong to two completely different classes. Through a complex story of two families whose fate gets intermingled, Bong Joon-ho masterfully presents a metaphoric picture of a society where inequality is rampant and the poor can only experience temporary happiness in the shadow of the rich (represented by the Park family).","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"64 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76006650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight 波德里亚，《奥赛罗》和《八恶人》中的超现实与邪恶
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.354
Pouria Torkamaneh, Farhad Poordakan, Pedram Lalbakhsh
{"title":"Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight","authors":"Pouria Torkamaneh, Farhad Poordakan, Pedram Lalbakhsh","doi":"10.5195/CINEJ.2021.354","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.354","url":null,"abstract":"Shakespeare’s tragedies and Quentin Tarantino’s aesthetically violent films bear striking similarities in the problematization of both villainy and reality. Such concerns reverberate the most in Othello (1604) and The Hateful Eight (2015). Although critical scholarship about both works abounds, this essay offers an alternative approach by consulting the thoughts of Jean Baudrillard on the issues of hyperreality, criminality, and terrorism. The dialogue between the three can be important in two ways. First, it establishes a link between Early Modern and contemporary culture by engaging three canonical figures. Second, it provides a novel commentary about each artistic piece by drawing on the profound ways (hyper)reality and villainy can function. The essay also discusses the (non-voluntaristic) crises of reality that follow, when opposing parties battle for the ultimate power.    ","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"165 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74139113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Cinema: Not Frames But Veils 电影:不是框架，而是面纱
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.312
Maria del Carmen Molina Barea
{"title":"Cinema: Not Frames But Veils","authors":"Maria del Carmen Molina Barea","doi":"10.5195/CINEJ.2021.312","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.312","url":null,"abstract":"The aim of this paper is to rethink the metaphors of the cinema as window and frame. The first one addresses the cinema as a transparent, open window that faithfully reproduces the world, taking the spectator’s view beyond the screen guided by realism and indexicality. The second one takes the screen as a rectangular surface that focuses the audience’s eye on the images that are produced inside its borders. In these pages I will revisit both notions, adding a third one inspired by the passe-partout of Derrida: the cinema as veil, also theorized as backdrop and decor. Ultimately, this approach explores the idea of simulacrum by analizing two examples: Blue (Apichatpong Weerasethakul, 2018) and Decor (Ahmad Abdalla, 2014).","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87450640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review of Towards A Political Aesthetics of Cinema: The Outside of Film 《走向电影的政治美学:电影的外在》述评
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.371
M. Poloni
{"title":"Review of Towards A Political Aesthetics of Cinema: The Outside of Film","authors":"M. Poloni","doi":"10.5195/CINEJ.2021.371","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.371","url":null,"abstract":"Lie, S. (2020). Towards a Political Aesthetics of Cinema: The Outside of Film. Amsterdam University Press.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"41 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80815100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review of Theorizing Film Through Contemporary Art: Expanding Cinema 通过当代艺术将电影理论化:拓展电影
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.404
M. Wilmink
{"title":"Review of Theorizing Film Through Contemporary Art: Expanding Cinema","authors":"M. Wilmink","doi":"10.5195/CINEJ.2021.404","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.404","url":null,"abstract":"J. Murphy and L. Rascaroli (Eds.). Theorizing Film Through Contemporary Art Expanding Cinema. 302 pp. ISBN: 9789462989467","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87308584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948 模棱两可的英雄原型的形成:三个犹太裔美国电影演员和美国电影制度，1929-1948
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.322
J. McGuire
{"title":"Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948","authors":"J. McGuire","doi":"10.5195/CINEJ.2021.322","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.322","url":null,"abstract":"As Carl Jung and Joseph Campbell note, archetypes, or general ideas of human types, strongly influence societies, particularly the heroic archetype. Since the 1890s mainstream cinema has facilitated the heroic archetype for worldwide audiences. This article argues that Paul Muni (1895-1967), Edward G. Robinson (1893-1973), and John Garfield (1913-1952) became the first important Jewish-American film actors to help develop the ambiguous heroic archetype in the United States’ studio system from 1929 through 1948 in two ways: Muni’s and Robinson’s critical performances in the 1930s and 1940s, particularly in gangster and film noir films, and Garfield’s films from 1946 through 1948.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"97 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74696023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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