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Waking (Dreaming): A Vedantic Reflection on Richard Linklater’s Waking Life 醒着(做梦):对理查德·林克莱特醒着生活的吠檀多反思
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.330
Jayakrishna Upadhyay
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引用次数: 1
“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert “关于奇迹”:在洪尚秀的《海滩上的女人》和Éric侯麦的《雷阳峰》中看到“真实的东西”
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.326
Jacob Hovind
{"title":"“About Miracles”: Seeing the “real thing” in Hong Sang-soo’s Woman on the Beach and Éric Rohmer’s Le Rayon vert","authors":"Jacob Hovind","doi":"10.5195/CINEJ.2021.326","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.326","url":null,"abstract":"Hong Sang-soo’s cinema is one in which his characters consistently avoid reality, whether by constructing explanatory narratives and patterns or by turning other people into emotionally projected images. Woman on the Beach (2007), I argue, openly diagnoses this tendency and finds instead what one of its characters calls “the real thing.” Placing this film in the context of Hong’s oeuvre as a whole, I explore Hong’s overarching interest in trying to see “the real thing” instead of imaginatively constructing it. And thus, in a career frequently compared to Rohmer’s, Woman on the Beach, with its search for this almost mystical encounter with reality, emerges as Hong’s variation on Rohmer’s own search for what’s real in Le Rayon vert (1986).","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"307 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74199596","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Social Implications of Metaphor in Bong Joon-ho’s Parasite 奉俊昊《寄生虫》中隐喻的社会含义
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.291
A. Farahbakhsh, Ramtin Ebrahimi
{"title":"The Social Implications of Metaphor in Bong Joon-ho’s Parasite","authors":"A. Farahbakhsh, Ramtin Ebrahimi","doi":"10.5195/CINEJ.2021.291","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.291","url":null,"abstract":"The purpose of the present article is to study the social implications of repetitive metaphors in the film and of the word Parasite (2019) and to observe what makes the life of a lower-class family parasitic within a typical capitalistic society. In the mainstream discussion, the metaphorical functions of such words as ‘smell,’ ‘insects,’ ‘the rock,’ and ‘the party’ are assessed within the context of the film. The central questions of the article, therefore, are: What are the recurrent and metaphorical motifs in the plotline and how can their implications be related to the overall theme of the film? How does Parasite exhibit the clash of classes in a capitalist society? To answer the questions, the present study offers a comprehensive analysis of its recurring metaphors as well as its treatment of the characters who visibly belong to two completely different classes. Through a complex story of two families whose fate gets intermingled, Bong Joon-ho masterfully presents a metaphoric picture of a society where inequality is rampant and the poor can only experience temporary happiness in the shadow of the rich (represented by the Park family).","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"64 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76006650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight 波德里亚，《奥赛罗》和《八恶人》中的超现实与邪恶
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.354
Pouria Torkamaneh, Farhad Poordakan, Pedram Lalbakhsh
{"title":"Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight","authors":"Pouria Torkamaneh, Farhad Poordakan, Pedram Lalbakhsh","doi":"10.5195/CINEJ.2021.354","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.354","url":null,"abstract":"Shakespeare’s tragedies and Quentin Tarantino’s aesthetically violent films bear striking similarities in the problematization of both villainy and reality. Such concerns reverberate the most in Othello (1604) and The Hateful Eight (2015). Although critical scholarship about both works abounds, this essay offers an alternative approach by consulting the thoughts of Jean Baudrillard on the issues of hyperreality, criminality, and terrorism. The dialogue between the three can be important in two ways. First, it establishes a link between Early Modern and contemporary culture by engaging three canonical figures. Second, it provides a novel commentary about each artistic piece by drawing on the profound ways (hyper)reality and villainy can function. The essay also discusses the (non-voluntaristic) crises of reality that follow, when opposing parties battle for the ultimate power.    ","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"165 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74139113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Cinema: Not Frames But Veils 电影:不是框架，而是面纱
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.312
Maria del Carmen Molina Barea
{"title":"Cinema: Not Frames But Veils","authors":"Maria del Carmen Molina Barea","doi":"10.5195/CINEJ.2021.312","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.312","url":null,"abstract":"The aim of this paper is to rethink the metaphors of the cinema as window and frame. The first one addresses the cinema as a transparent, open window that faithfully reproduces the world, taking the spectator’s view beyond the screen guided by realism and indexicality. The second one takes the screen as a rectangular surface that focuses the audience’s eye on the images that are produced inside its borders. In these pages I will revisit both notions, adding a third one inspired by the passe-partout of Derrida: the cinema as veil, also theorized as backdrop and decor. Ultimately, this approach explores the idea of simulacrum by analizing two examples: Blue (Apichatpong Weerasethakul, 2018) and Decor (Ahmad Abdalla, 2014).","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87450640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review of Towards A Political Aesthetics of Cinema: The Outside of Film 《走向电影的政治美学:电影的外在》述评
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.371
M. Poloni
{"title":"Review of Towards A Political Aesthetics of Cinema: The Outside of Film","authors":"M. Poloni","doi":"10.5195/CINEJ.2021.371","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.371","url":null,"abstract":"Lie, S. (2020). Towards a Political Aesthetics of Cinema: The Outside of Film. Amsterdam University Press.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"41 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80815100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review of Theorizing Film Through Contemporary Art: Expanding Cinema 通过当代艺术将电影理论化:拓展电影
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.404
M. Wilmink
{"title":"Review of Theorizing Film Through Contemporary Art: Expanding Cinema","authors":"M. Wilmink","doi":"10.5195/CINEJ.2021.404","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.404","url":null,"abstract":"J. Murphy and L. Rascaroli (Eds.). Theorizing Film Through Contemporary Art Expanding Cinema. 302 pp. ISBN: 9789462989467","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"30 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87308584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948 模棱两可的英雄原型的形成:三个犹太裔美国电影演员和美国电影制度，1929-1948
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.322
J. McGuire
{"title":"Formation Of The Ambiguous Heroic Archetype: Three Jewish-American Film Actors And The United States’ Film System, 1929-1948","authors":"J. McGuire","doi":"10.5195/CINEJ.2021.322","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.322","url":null,"abstract":"As Carl Jung and Joseph Campbell note, archetypes, or general ideas of human types, strongly influence societies, particularly the heroic archetype. Since the 1890s mainstream cinema has facilitated the heroic archetype for worldwide audiences. This article argues that Paul Muni (1895-1967), Edward G. Robinson (1893-1973), and John Garfield (1913-1952) became the first important Jewish-American film actors to help develop the ambiguous heroic archetype in the United States’ studio system from 1929 through 1948 in two ways: Muni’s and Robinson’s critical performances in the 1930s and 1940s, particularly in gangster and film noir films, and Garfield’s films from 1946 through 1948.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"97 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74696023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Review of Shoe Reels: The History and Philosophy of Footwear in Film 鞋卷回顾:电影中鞋的历史和哲学
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.388
Nilay Ulusoy
{"title":"Review of Shoe Reels: The History and Philosophy of Footwear in Film","authors":"Nilay Ulusoy","doi":"10.5195/CINEJ.2021.388","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.388","url":null,"abstract":"Ezra, E. (2020). Shoe Reels: The History and Philosophy of Footwear in Film. Edinburgh: Edinburgh University Press. xi + 293 pp. ISBN: 978-1-4744-5140-6","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"17 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84040350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonymes
IF 0.1
CINEJ Cinema Journal Pub Date : 2021-07-14 DOI: 10.5195/CINEJ.2021.288
Jora Vaso
{"title":"The Millennial Antinostalgic: Yoav in Nadav Lapid’s Synonymes","authors":"Jora Vaso","doi":"10.5195/CINEJ.2021.288","DOIUrl":"https://doi.org/10.5195/CINEJ.2021.288","url":null,"abstract":"In contemporary, transnational exilic cinema exile an artist is made in an exilic journey. The 21st century journey departs from entirely opposite premises than those of the ancient journey, namely with the desire to escape one’s birthplace. The aim of the exile has also transformed: from a necessary step to secure one’s livelihood or even life, it has become one of exploration. Rather than the desire to settle elsewhere or to eventually return home, the exile sets on an open-ended, exploratory journey the premise of which is finding oneself. In this, the physical journey has come to resemble the metaphysical one of the artist. The exile departs from a physical place and journeys into a metaphysical space, geography becoming secondary while still being necessary. This journey is best recounted in the film Synonymes (2019) by Israeli director Nadav Lapid, an autobiographical tale that chronicles the director’s own exile from Israel to Paris and captures his journey toward becoming an artist. The paper references two prominently antinostalgic authors: 20th century Polish writer Witold Gombrowicz and Polsih-Jewish writer Henryk Grynberg.","PeriodicalId":41802,"journal":{"name":"CINEJ Cinema Journal","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75620273","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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