当代诺莱坞电影中的女性形象:伊肯和焦点中的男孩之王

IF 0.2 0 FILM, RADIO, TELEVISION
Emwinromwankhoe Osakpolor
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引用次数: 3

摘要

本研究以《Isoken》(2017)和《King of Boys》(2018)为案例研究对象,调查了当代诺莱坞电影中女性的形象。目的是强调电影中向观众描绘女性的各种方式,并确定当代诺莱坞电影是否改善了迄今为止在该行业普遍存在的性别刻板印象和性别歧视问题。本研究以培养理论为基础,采用定性内容分析法。研究结果表明,在被研究的电影中,女性以各种方式被消极地描绘出来,这些描绘充其量与之前诺莱坞电影中女性的刻板形象相似。考虑到这两部电影都是由女性执导的事实,研究人员建议,诺莱坞的女性导演应该超越经济利益的镜头,在改变叙事和积极塑造尼日利亚女性方面迈出一步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Portrayal of Women in Contemporary Nollywood Films: Isoken and King of Boys in Focus
This study investigates the portrayal of women in contemporary Nollywood films, using Isoken (2017) and King of Boys (2018) as case studies. The objective was to highlight the various ways in which women in the films are portrayed to viewers and ascertain whether contemporary Nollywood movies are an improvement on the issues of gender stereotypes and sexism which are hitherto prevalent in the industry. Anchored on the cultivation theory, the study adopted the qualitative content analysis method. Findings showed that women in the studied films are negatively portrayed in various ways and that these portrayals are, at best, parallel to the stereotypical ways in which women were portrayed in previous Nollywood movies. Taking cognizance of the fact that both films are directed by women, the researcher recommends that Nollywood female directors should look beyond the lenses of financial gains and set a pace with regards to changing the narrative and portraying Nigerian women in a positive light.
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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