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Sensoriality and Hair Jewellery in Neo-Victorian Fiction and Culture 新维多利亚时代小说与文化中的感性与发饰
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2020-01-01 DOI: 10.1344/lectora2020.26.6
Rosario Arias
{"title":"Sensoriality and Hair Jewellery in Neo-Victorian Fiction and Culture","authors":"Rosario Arias","doi":"10.1344/lectora2020.26.6","DOIUrl":"https://doi.org/10.1344/lectora2020.26.6","url":null,"abstract":"In this essay I will focus on the role played by hair jewellery, a widespread craft in the nineteenthcentury Anglo-American context, in neo-Victorian literature and culture. I will consider hair jewels as objects that are remnants of the Victorian past, but also as personal items that evoke affective responses through the senses. In this take on (neo-)Victorian literature and culture, I will consider the entanglement of subjects and objects, human remains (hair) and jewels, past and present, death and life in contemporary renditions of the Victorian craftwork of hair jewellery. Finally, I will argue that this fictionalisation of Victorian material traces allows us to mediate on the links and associations between the Victorian past and our (sensorial) responses to them, and that it opens up the ways to interrogate the affective relations between subjects and objects, the past and the present, then and now, as well as their impact upon our future.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66406298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Humor, Gender, and Sex(uality) in Text and Film: Incredible Shrinking Men from Mark Twain to Lorrie Moore 幽默、性别和性(性)在文本和电影:令人难以置信的萎缩男人从马克吐温到洛丽摩尔
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2020-01-01 DOI: 10.1344/lectora2020.26.9
C. Núñez-Puente
{"title":"Humor, Gender, and Sex(uality) in Text and Film: Incredible Shrinking Men from Mark Twain to Lorrie Moore","authors":"C. Núñez-Puente","doi":"10.1344/lectora2020.26.9","DOIUrl":"https://doi.org/10.1344/lectora2020.26.9","url":null,"abstract":"This article compares The Diaries of Adam and Eve (Twain, 1904-1906), The Incredible Shrinking Man (Arnold, 1957), and “You’re Ugly, Too” (Moore, 2008) from the perspectives of humor, feminism, and queer theory. It examines how humor interacts with the changing representations of gender and sex(uality) at the beginning, the middle, and the end of the twentieth century; furthermore, it argues that humor is a valuable means of questioning binary patterns, which in this way may contribute to a life of equality-in-difference (my term). I also discuss certain types of comicality, e.g. sarcasm, the results of which can be detrimental or simply conformist. The article concludes that humor can help us to pull down hierarchies, find affinities, and build ethical relations among genders, sex(ualiti)es, and beyond.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"26 1","pages":"133-150"},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66406350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"I''m a bad feminist": El feminismo liberal en el discurso de Madonna.
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/lectora2019.25.19
Laura Manzano Zambruno
{"title":"\"I''m a bad feminist\": El feminismo liberal en el discurso de Madonna.","authors":"Laura Manzano Zambruno","doi":"10.1344/lectora2019.25.19","DOIUrl":"https://doi.org/10.1344/lectora2019.25.19","url":null,"abstract":"espanolEl discurso que pronuncia Madonna al recibir el premio Billboard Women in Music 2016 ofrece una nueva oportunidad para interpretar su personaje desde un enfoque feminista. El empoderamiento, las normas de belleza y la sexualidad femenina, en relacion con la vision liberal del feminismo, conforman los pilares sobre los que se edifica esta reflexion, cuyo objetivo principal es vislumbrar las contradicciones del discurso —las cuales pueden verse replicadas y reproducidas socialmente— y definir el posicionamiento feminista de la cantante. EnglishThis article analyzes, from a feminist perspective, the speech delivered by Madonna in the Billboard Women in Music ceremony in 2016. In particular, it explores the issues of empowerment, beauty standards and female sexuality in relation to the liberal notion of feminism. The main aim of this article is to describe the contradictions in the speech —which can be replicated and reproduced in society— and to define Madonna’s feminist stance.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"15 4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72772498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Nos inventamos un mundo que no existía”. Una profesión de riesgo. “我们创造了一个不存在的世界。”一个危险的职业。
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/lectora2019.25.9
Javier Lluch-Prats
{"title":"“Nos inventamos un mundo que no existía”. Una profesión de riesgo.","authors":"Javier Lluch-Prats","doi":"10.1344/lectora2019.25.9","DOIUrl":"https://doi.org/10.1344/lectora2019.25.9","url":null,"abstract":"Since the end of Franco's dictatorship, editorial censorship has been an object of interdisciplinary study that has been incorporating, to the initial analysis of the constitution and nature of censorship, the study of a variety of case studies that are resizing the phenomenon. On the one hand, in the context of memory studies, it is necessary to analyze what effects censorship had on the configuration of cultural memory. On the other hand, censorship has a considerable effect on publishing strategies, both in itself and because it fosters self-censorship and countercensorship. In particular, this article explores the work of women publishers who, in the Barcelona of the 1960s and 1970s, opposed Franco's regime and confronted censorship, as they fought for the revolution of customs, freedom of expression, and the dissemination of culture.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"8 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77683292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Editoriales y editoras en Brasil hoy. Dos casos contemporáneos: Chão da Feira y Relicário. 今天巴西的出版商和出版商。当代案例:fair floor y relicario。
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/lectora2019.25.14
A. E. Ribeiro
{"title":"Editoriales y editoras en Brasil hoy. Dos casos contemporáneos: Chão da Feira y Relicário.","authors":"A. E. Ribeiro","doi":"10.1344/lectora2019.25.14","DOIUrl":"https://doi.org/10.1344/lectora2019.25.14","url":null,"abstract":"A partir de la constatacion de que son escasas o inexistentes las narrativas historicas de mujeres editoras en Brasil, nuestro objetivo es hacer un registro, tan completo como sea posible, de la historia editorial y de la actuacion de las editoras en el pais, especialmente en los siglos XX y XXI, a partir de dos estudios de caso. En este articulo, mostramos un primer elenco de personajes relevantes tanto para la edicion brasilena actual como para la historia de la ocupacion del espacio publico por parte de la mujer contemporanea. Mas concretamente, se presentan dos ejemplos de las editoriales dirigidas por mujeres que trabajan en la escena literaria contemporanea: las representantes de las editoriales Chao da Feira (Belo Horizonte/Lisboa/Sao Paulo) y Relicario (Belo Horizonte, Minas Gerais).","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"135 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73364970","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Carmen Martín Gaite como mediadora editorial: El compromiso artístico. 卡门martin盖特作为编辑调解人:艺术承诺。
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/lectora2019.25.11
J. Teruel
{"title":"Carmen Martín Gaite como mediadora editorial: El compromiso artístico.","authors":"J. Teruel","doi":"10.1344/lectora2019.25.11","DOIUrl":"https://doi.org/10.1344/lectora2019.25.11","url":null,"abstract":"Este articulo desarrolla el papel de mediacion editorial ejercido por Carmen Martin Gaite a traves de cinco hitos: su intercesion ante Jose Verges para la publicacion de la primera novela de Juan Benet (1967), su madrinazgo de la editorial Nostromo (especialmente en los primeros anos, 1973-1974), su breve empleo en Salvat Editores (octubre de 1973-junio de 1974), su vinculacion con el comite de lectura para autores extranjeros de Alfaguara (1978), y su papel de consul de Anagrama en Madrid (1992-2000). De este itinerario de mediacion —escasamente atendido en su biografia intelectual— se desprenden su mecenazgo de los narradores noveles y su compromiso con los valores literarios sobre los empresariales; aunque esta defensa de los jovenes y este compromiso con lo artistico fueron tambien un modo de potenciar su auctoritas.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89699790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Secrets of Pinar's Game. Court Ladies and Courtly Verse in Fifteenth-Century Spain, Roger Boase. 皮纳尔游戏的秘密。《十五世纪西班牙的宫廷女子与宫廷诗》，罗杰·博厄斯著。
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/lectora2019.25.29
R. Jiménez
{"title":"Secrets of Pinar's Game. Court Ladies and Courtly Verse in Fifteenth-Century Spain, Roger Boase.","authors":"R. Jiménez","doi":"10.1344/lectora2019.25.29","DOIUrl":"https://doi.org/10.1344/lectora2019.25.29","url":null,"abstract":"Obra ressenyada: Roger BOASE, Secrets of Pinar's Game. Court Ladies and Courtly Verse in Fifteenth-Century Spain. Leiden y Boston: Brill, 2017.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46547049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Eulàlia Ferrer, viuda de Brusi (1780-1841): La capacidad de obrar de las mujeres. Eulália Ferrer，Brusi的遗孀（1780-1841）：女性的工作能力。
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/lectora2019.25.2
Marta Ortega Balanza
{"title":"Eulàlia Ferrer, viuda de Brusi (1780-1841): La capacidad de obrar de las mujeres.","authors":"Marta Ortega Balanza","doi":"10.1344/lectora2019.25.2","DOIUrl":"https://doi.org/10.1344/lectora2019.25.2","url":null,"abstract":"In past times, women (most of them uneducated or untrained, except in tasks \"belonging to their nature\") working in jobs related to books were de iure simple transitional characters among male business owners. Their professional role was defined and established in different regulatory frameworks determining the construction of their identity: familial, educational, societal and legal frameworks. There were, however, some exceptions, and some women were active in their business or in the shop’s specialized tasks. The case of the publisher and bookseller Eulalia Ferrer Montserrat (1780-1841; married to Antoni Brusi and also known as Eulalia Brusi, her married name) exemplifies the professional practice and authority of these women in Barcelona in the first half of the 19th century; Eulalia Ferrer’s work will be analyzed on the basis of her legal capacity to act; that is, of the juridical recognition and validity of her work.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45525617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Esther Tusquets: La práctica editorial como praxis feminista. Esther Tusquets:作为女权主义实践的编辑实践。
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/LECTORA2019.25.12
Marta Simo-Comas
{"title":"Esther Tusquets: La práctica editorial como praxis feminista.","authors":"Marta Simo-Comas","doi":"10.1344/LECTORA2019.25.12","DOIUrl":"https://doi.org/10.1344/LECTORA2019.25.12","url":null,"abstract":"Para Esther Tusquets el feminismo no era tanto una doctrina como una actitud vital. Por ello, del mismo modo que en su obra narrativa y en sus articulos de opinion subyace una reflexion constante sobre la igualdad y la identidad de genero, tambien su labor como editora refleja una aguda conciencia de la discriminacion aparejada a la condicion femenina. La hipotesis fundamental de este articulo es, por lo tanto, que la practica editorial puede ser tambien una forma de praxis feminista, no solo por todo lo que conlleva para una mujer tener un puesto de responsabilidad en un mundo economica y culturalmente dominado por los hombres, sino tambien por la manera en que determinados proyectos sirven para difundir y consolidar una conciencia de genero. En particular, se analizara la relevancia que areas como la literatura infantil o comics con un marcado sesgo reivindicativo, asi como la ficcion escrita por mujeres, tuvieron en los catalogos de editorial Lumen y RqueR, los dos sellos que Esther Tusquets fundo y dirigio en distintos momentos de su vida.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"13 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81783543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Julia Codorniu (1854-1906) o cuando la literata se hace editora 朱莉娅·科多纽(1854-1906)或当文学成为编辑
IF 0.1
Lectora-Revista de Dones i Textualitat Pub Date : 2019-10-28 DOI: 10.1344/LECTORA2019.25.7
Sylvie Turc-Zinopoulos
{"title":"Julia Codorniu (1854-1906) o cuando la literata se hace editora","authors":"Sylvie Turc-Zinopoulos","doi":"10.1344/LECTORA2019.25.7","DOIUrl":"https://doi.org/10.1344/LECTORA2019.25.7","url":null,"abstract":"espanolEl articulo evoca la figura de Julia Codorniu (1854-1906), escritora hoy olvidada, pero quien, gracias a su implicacion en la edicion de sus obras por cuenta propia, dejo testimonios de si misma como agente cultural en la Republica de las Letras espanolas, bajo la Restauracion, principalmente entre 1882 y 1885. A traves de las estrategias que desarrolla, se sigue el proceso de elaboracion del objeto-libro desde la composicion del texto a la adquisicion por parte del lector-consumidor. Con el presente articulo se pretende renovar la imagen de la mujer de pluma, ya no solo creadora sino tambien artifice involucrada en la impresion, la publicacion, la difusion y hasta en la venta de sus libros, necesaria para adquirir la anhelada emancipacion y el estatus de profesional reconocida en la sociedad de su epoca. EnglishThe article touches on the figure of Julia Codorniu (1854-1906), writer nowadays forgotten but who, thanks to her investment in self-publishing, left evidence of her involvement in the Spanish Republic of Letters, following the Restauration, mainly between 1882 and 1885. Through the strategies she devised, we can follow the process of creation of the book-object from the text composition to its acquisition by the reader-consumer. With this contribution, we intend to renew the image of the woman-writer, not only as creator, but also as craftswoman involved in the printing, publishing, distribution and even the selling of her books, necessary for her to acquire the sought-after emancipation and the status of recognized professional in the society of her time.","PeriodicalId":41770,"journal":{"name":"Lectora-Revista de Dones i Textualitat","volume":"1 1","pages":"119-135"},"PeriodicalIF":0.1,"publicationDate":"2019-10-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76099752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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