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Studies in Musical Theatre最新文献

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Colour and light: Colour theory and mechanization in Sunday in the Park with George’s Chromolume 色彩与光:《公园里的星期天》中的色彩理论与机械化
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00062_1
Jeffrey Rubel
{"title":"Colour and light: Colour theory and mechanization in Sunday in the Park with George’s Chromolume","authors":"Jeffrey Rubel","doi":"10.1386/smt_00062_1","DOIUrl":"https://doi.org/10.1386/smt_00062_1","url":null,"abstract":"This article explores how Stephen Sondheim and James Lapine’s Sunday in the Park with George conveys Seurat’s scientific influences, how the show’s Chromolume engages with Seurat and his modernist legacy, and how the 1984 and 2017 Chromolume designs reflect\u0000 Seurat’s work and legacy. Using original oral history interviews, this article compares the 1984 and 2017 Broadway Chromolume designs to explore how production decisions inform the show’s engagement with pointillism, Seurat and colour theory. By analysing Sunday, this article\u0000 sets out to provide a case study highlighting how science and technology inform and influence the book, music and theatrical design of a major American musical.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43051659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction 介绍
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00065_2
D. McHugh, Hannah Robbins
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引用次数: 0
Ideals of ‘Britishness’ reproduced in the musical adaptation of David Walliams’s The Boy in the Dress at the Royal Shakespeare Company 在皇家莎士比亚公司对大卫·威廉姆斯的《穿裙子的男孩》的音乐改编中再现了“英国特色”的理想
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00060_1
Grace Barnes
{"title":"Ideals of ‘Britishness’ reproduced in the musical adaptation of David Walliams’s The Boy in the Dress at the Royal Shakespeare Company","authors":"Grace Barnes","doi":"10.1386/smt_00060_1","DOIUrl":"https://doi.org/10.1386/smt_00060_1","url":null,"abstract":"This article examines the use and purpose of the nostalgic interventions in the latest Royal Shakespeare musical, The Boy in the Dress, and considers the implications of utilizing a mythologized, rose-tinted past on the creative production of national identity. It questions the\u0000 meanings which are produced when a government subsidized, national theatre company with an international reputation eliminates the female voice from the stage and represents the United Kingdom as English, predominantly white and middle class. In addition, this article deconstructs the performances\u0000 of gender fluidity depicted in the show and widens the acknowledged interpretation of cultural appropriation, when applied to race, to include gender.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43590020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reframing the Musical: Race, Culture and Identity, Sarah Whitfield (ed.) (2019) 重构音乐剧:种族、文化和身份，莎拉·惠特菲尔德(编)(2019)
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00069_5
Ariel Nereson
{"title":"Reframing the Musical: Race, Culture and Identity, Sarah Whitfield (ed.) (2019)","authors":"Ariel Nereson","doi":"10.1386/smt_00069_5","DOIUrl":"https://doi.org/10.1386/smt_00069_5","url":null,"abstract":"Review of: Reframing the Musical: Race, Culture and Identity, Sarah Whitfield (ed.) (2019)London: Red Globe Press, xxxii + 241 pp.,ISBN 978-1-35200-439-7, p/bk, $34.99","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46819997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Black Is King, Beyoncé Knowles-Carter, Kwasi Fordjour, Emmanuel Adjei, Blitz Bazawule, Ibra Ake, Jenn Nkiru, Jake Nava, Pierre Debusschere and Dkayl Rimmasch (dirs) (2020) Black Is King、BeyoncéKnowles Carter、Kwasi Fordjour、Emmanuel Adjei、Blitz Bazawule、Ibra Ake、Jenn Nkiru、Jake Nava、Pierre Debusschere和Dkayl Rimmasch（导演）（2020）
IF 0.1
Studies in Musical Theatre Pub Date : 2021-04-01 DOI: 10.1386/smt_00058_5
Jordan Ealey
{"title":"Black Is King, Beyoncé Knowles-Carter, Kwasi Fordjour, Emmanuel Adjei, Blitz Bazawule, Ibra Ake, Jenn Nkiru, Jake Nava, Pierre Debusschere and Dkayl Rimmasch (dirs) (2020)","authors":"Jordan Ealey","doi":"10.1386/smt_00058_5","DOIUrl":"https://doi.org/10.1386/smt_00058_5","url":null,"abstract":"Review of: Black Is King, Beyoncé Knowles-Carter, Kwasi Fordjour, Emmanuel Adjei, Blitz Bazawule, Ibra Ake, Jenn Nkiru, Jake Nava, Pierre Debusschere and Dkayl Rimmasch (dirs) (2020)USA: Disney+","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":"15 1","pages":"65-67"},"PeriodicalIF":0.1,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46961084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Missing: A Musical Dramedy: Engaging with the missing through the perpetually present 失踪：音乐剧：通过永恒的存在与失踪接触
IF 0.1
Studies in Musical Theatre Pub Date : 2021-04-01 DOI: 10.1386/smt_00052_1
Annika C. Speer, Chari Arespacochaga
{"title":"Missing: A Musical Dramedy: Engaging with the missing through the perpetually present","authors":"Annika C. Speer, Chari Arespacochaga","doi":"10.1386/smt_00052_1","DOIUrl":"https://doi.org/10.1386/smt_00052_1","url":null,"abstract":"Missing uses a historical reimagining of the murder of JonBenét Ramsey as a launchpad to examine what it is like for a woman of colour to be inundated in a sexist and racist media and cultural spin-cycle. The script tells the story of a young Black girl, Nancy, coming\u0000 of age and absorbing these cultural messages. In Act 1, Nancy, a child beauty pageant contestant, learns about the death of her friend, JonBenét. Nancy is simultaneously drawn in, obsessed and repulsed by the media storm that follows. In Act 2, indelibly shaped by this childhood event\u0000 and inspired by her role model Diane Sawyer (pageant winner turned news anchor), Nancy has grown up to be a reporter. She now finds herself peddling similarly problematic stories for ratings and clickbait. Nancy struggles increasingly with both the erasure of identities like her own and the\u0000 salacious eagerness through which the media (now her job) capitalizes on violence against women in general. The title Missing stems from ‘missing white woman syndrome’ a phrase coined by PBS journalist Gwen Ifill and subsequently adopted by social scientists to refer to\u0000 the immensely uneven media coverage favouring victims who are upper/middle-class white girls/women in contrast to the coverage and framing of victims of colour. A key goal of the play is to underscore and then question the dominant media representations of women whose stories garner mainstream\u0000 attention. Whose stories get told? How are they framed? Who, in turn, are marginalized and ignored? How can artists engage representational inequity without inadvertently piling more attention on the already visible? Musicals can and should tackle questions of systemic inequity and inclusion;\u0000 doing so requires more than positioning protagonists of colour in a theatrical world that fails to acknowledge the systemic realities of our actual one. Missing, a collaborative project in process, tackles these questions.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":"15 1","pages":"5-23"},"PeriodicalIF":0.1,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43867529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Children, Childhood, and Musical Theater, Donelle Ruwe and James Leve (eds) (2020) 儿童、童年和音乐剧，Donelle Ruwe和James Leve（编辑）（2020）
IF 0.1
Studies in Musical Theatre Pub Date : 2021-04-01 DOI: 10.1386/smt_00055_5
Julia Lindberg
{"title":"Children, Childhood, and Musical Theater, Donelle Ruwe and James Leve (eds) (2020)","authors":"Julia Lindberg","doi":"10.1386/smt_00055_5","DOIUrl":"https://doi.org/10.1386/smt_00055_5","url":null,"abstract":"Review of: Children, Childhood, and Musical Theater, Donelle Ruwe and James Leve (eds) (2020)New York: Routledge, 264 pp.,ISBN 978-1-47247-533-6, h/bk, $128.00","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":"15 1","pages":"57-59"},"PeriodicalIF":0.1,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44078806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The utopic vision of OSF’s Oklahoma!: Recuperative casting practices and queering early American history1 OSF俄克拉荷马州的乌托邦愿景！：反悔的选角实践和颠覆美国早期历史1
IF 0.1
Studies in Musical Theatre Pub Date : 2021-04-01 DOI: 10.1386/smt_00054_1
L. Mantoan
{"title":"The utopic vision of OSF’s Oklahoma!: Recuperative casting practices and queering early American history1","authors":"L. Mantoan","doi":"10.1386/smt_00054_1","DOIUrl":"https://doi.org/10.1386/smt_00054_1","url":null,"abstract":"In the spring of 2018, the Oregon Shakespeare Festival (OSF) realized artistic director Bill Rauch’s decades-long dream: to produce a queer, interracial Oklahoma!. The production participates in a new practice of recasting history through musical theatre, and does so through\u0000 an innovative approach to representation and character. OSF’s production reimagined Curly as a queer Black woman; the matriarch of the town, Aunt Eller, as a trans woman; and the secondary romantic couple, Will Parker and Ado Annie (here Ado Andy), as an interracial, gay male partnership.\u0000 This alteration of the characters’ identities takes a bold new step in the trajectory of theatrical casting practices, challenging the entrenched white supremacy and patriarchy of the theatre industry. In this article, I situate OSF’s method of casting Oklahoma!, which I\u0000 call ‘recuperative casting’, in the landscape of broader discourse related to casting and musicals that represent US history; I argue that this casting strategy seeks to remedy the whitewashing typical of productions of canonical musicals.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":"15 1","pages":"41-56"},"PeriodicalIF":0.1,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42826961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The future of musical theatre: An animation of a video call between collaborators, 30 September 2020 音乐剧的未来:合作者之间视频通话的动画，2020年9月30日
IF 0.1
Studies in Musical Theatre Pub Date : 2021-04-01 DOI: 10.1386/smt_00053_1
J. Fairfield, Krista Knight, Barry Brinegar
{"title":"The future of musical theatre: An animation of a video call between collaborators, 30 September 2020","authors":"J. Fairfield, Krista Knight, Barry Brinegar","doi":"10.1386/smt_00053_1","DOIUrl":"https://doi.org/10.1386/smt_00053_1","url":null,"abstract":"In the first autumn of the COVID-19 pandemic, long-time theatre collaborators in two different cities in the US South discuss the future of an art form that has currently gone dark. Influenced by punk culture, twenty-first-century internet aesthetics, social justice movements and their\u0000 pets, this decade-strong creative team reflects in a multimedia format on their past work and enumerates their priorities for the future of musical theatre: cheap, remote, inexperienced, local, radical and full of women and sexual/gender minorities.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":"15 1","pages":"25-40"},"PeriodicalIF":0.1,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49065561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Howard, Don Hahn (dir.) (2018), USA: Stone Circle Pictures 唐·哈恩霍华德（导演）（2018），美国：石圈影业
IF 0.1
Studies in Musical Theatre Pub Date : 2021-04-01 DOI: 10.1386/smt_00056_5
N. Blustein
{"title":"Howard, Don Hahn (dir.) (2018), USA: Stone Circle Pictures","authors":"N. Blustein","doi":"10.1386/smt_00056_5","DOIUrl":"https://doi.org/10.1386/smt_00056_5","url":null,"abstract":"","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":"15 1","pages":"60-62"},"PeriodicalIF":0.1,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46072523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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