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Studies in Musical Theatre最新文献

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The Movie Musical!, Jeanine Basinger (2019) 音乐剧电影!《珍妮·贝辛格》(2019)
IF 0.1
Studies in Musical Theatre Pub Date : 2020-07-01 DOI: 10.1386/smt_00037_5
G. Block
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引用次数: 0
‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in Six “我的袖子可能是绿色的，但我的口红是红色的”：解构《六人行》中的“女权主义”
IF 0.1
Studies in Musical Theatre Pub Date : 2020-07-01 DOI: 10.1386/smt_00028_1
G. Barnes
{"title":"‘My sleeves may be green but my lipstick’s red’: Deconstructing the ‘feminism’ in Six","authors":"G. Barnes","doi":"10.1386/smt_00028_1","DOIUrl":"https://doi.org/10.1386/smt_00028_1","url":null,"abstract":"This article questions the critical appraisal of Six as a feminist musical and as a step forward for gender equality within the British theatre industry. When the show is viewed through a feminist lens, it is clear that, far from challenging the meanings of gender in popular culture, Six reproduces them with demeaning stereotypes that conform to the ideals of the male gaze. I conclude that the positive critical reaction to Six owes more to a need within the theatre community to have a successful British musical than to the merits of the show itself, and a wariness on the part of critics in a post-Weinstein era to be seen to question the artistic quality of a female-centric show that women clearly experience as empowering.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49371483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
A crisis of the singers’ market? Shifting discourses on opera from vocal health to changes in the organization of work 歌手市场的危机?将关于歌剧的论述从声乐健康转向工作组织的变化
IF 0.1
Studies in Musical Theatre Pub Date : 2020-07-01 DOI: 10.1386/smt_00033_1
Sebastian Stauss
{"title":"A crisis of the singers’ market? Shifting discourses on opera from vocal health to changes in the organization of work","authors":"Sebastian Stauss","doi":"10.1386/smt_00033_1","DOIUrl":"https://doi.org/10.1386/smt_00033_1","url":null,"abstract":"In the history of opera, singing has repeatedly been associated with states of crisis – a term and concept traced back by historian Reinhart Koselleck from its origins to expanded meanings in the modern age. By adopting his findings on the medical and economic use of crisis, a delayed discourse surfaces regarding singers and singing. Concepts of crisis as choosing between alternatives, such as trust in vocal technique or medical treatment, flexibility or specialization in repertoire, have been established and maintained. However, the most recent developments make it necessary to consider the uncertainties instead of alternatives, as well as the shifting organizational and networking aspects of the opera industry, with artist managers and agents in special, triadic relations of varying order with the opera companies and the singers. Especially with the economic pressures on the opera companies increasing, the singers’ agencies are in a key position of securing engagements and career developments.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46392423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘To really trust [...] we had to be open with ourselves and each other’: Community building through Spring Awakening “要真正信任……我们必须对自己和彼此敞开心扉”:通过《春之觉醒》构建社区
IF 0.1
Studies in Musical Theatre Pub Date : 2020-04-01 DOI: 10.1386/smt_00021_1
Julie K. Hagen, Jennifer E. Thomas
{"title":"‘To really trust [...] we had to be open with ourselves and each other’: Community building through Spring Awakening","authors":"Julie K. Hagen, Jennifer E. Thomas","doi":"10.1386/smt_00021_1","DOIUrl":"https://doi.org/10.1386/smt_00021_1","url":null,"abstract":"The purpose of this ethnographic study was to better understand how participation in St. Lawrence University’s (New York, the United States) production of Spring Awakening served as a means of intimate and broader community building. This narrative ethnography investigated\u0000 the director and a focus group of actors involved in the production of Spring Awakening. Analyses of the data revealed four themes: content, interconnectedness, emotion and vulnerability and magic. St. Lawrence University students welcomed and embraced the language, the music and the\u0000 subject matter presented to them in the content of Spring Awakening. The willingness with which the students opened up to conversation and community continued to resonate with them in an interconnectedness that seemingly had more depth and more meaning than other productions they have\u0000 worked on, including other musical theatre productions.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46386410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ethnographic encounters and local musical theatre in the United States 人种学的邂逅和美国当地的音乐剧
IF 0.1
Studies in Musical Theatre Pub Date : 2020-04-01 DOI: 10.1386/smt_00015_1
S. Wolf
{"title":"Ethnographic encounters and local musical theatre in the United States","authors":"S. Wolf","doi":"10.1386/smt_00015_1","DOIUrl":"https://doi.org/10.1386/smt_00015_1","url":null,"abstract":"In this article, I reflect on some of the research and writing choices I made while engaged in ethnographic research for Beyond Broadway: The Pleasure and Promise of Musical Theatre Across America. I consider several challenges, including how to navigate my role and point of\u0000 view as an empathetic insider or advocating outsider of local musical theatre; how to conceptualize the project’s scope and scale; how to articulate the strengths and weaknesses of a multi-site, limited-view project; how to manage relationships with corporations that challenged my politics;\u0000 and how to deal with revisions, which I invited, requested by people I interviewed and observed. I also discuss how I understood non-professional theatre-makers’ disavowal of the label ‘amateur’ and came to appreciate the untenable distinction between ‘amateur’\u0000 and ‘professional’.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43627775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ethnography and the empathic imperative: Negotiating histories in the Sydney Brundibár Project 民族志和移情的必要性:谈判历史在悉尼Brundibár项目
IF 0.1
Studies in Musical Theatre Pub Date : 2020-04-01 DOI: 10.1386/smt_00016_1
Joseph Toltz
{"title":"Ethnography and the empathic imperative: Negotiating histories in the Sydney Brundibár Project","authors":"Joseph Toltz","doi":"10.1386/smt_00016_1","DOIUrl":"https://doi.org/10.1386/smt_00016_1","url":null,"abstract":"The children’s opera Brundibár received fame through performances by Jewish children in the Theresienstadt ghetto from 1943 to 1944. Since its revival in the 1970s, the work has been performed around the world in multiple languages and has been transformed into a\u0000 best-selling book by Tony Kushner and Maurice Sendak. Used as a tool for Holocaust education, many modern productions emphasize a narrative of cultural resistance as a way of reading the work, transforming Brundibár’s Brechtian agitprop plot of collective action profoundly.\u0000 In the Sydney production of 2014, a decision was made to stay faithful to the original motives of the composer and librettist, and the production was shaped by ethnographic testimony of those who had witnessed the original performances. This article examines how the historical narrative interacts\u0000 with the ethnographic and personal encounters in the interpretation and realization of this work. Burdened by a responsibility to historical context, how does ethnography assist in bringing nuance and multi-vocality? In what way does an empathic imperative inform these processes?","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43303425","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Direction for the Stage: A View from the Podium, Joseph Church (2015) 舞台音乐指导：从讲台上看，Joseph Church（2015）
IF 0.1
Studies in Musical Theatre Pub Date : 2020-04-01 DOI: 10.1386/smt_00026_5
Tony Castro
{"title":"Music Direction for the Stage: A View from the Podium, Joseph Church (2015)","authors":"Tony Castro","doi":"10.1386/smt_00026_5","DOIUrl":"https://doi.org/10.1386/smt_00026_5","url":null,"abstract":"Review of: Music Direction for the Stage: A View from the Podium, Joseph Church (2015)New York: Oxford University Press, 392 pp.,ISBN 978-0-19999-340-6, h/bk, £79.00","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43115850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Boho Days: The Wider Works of Jonathan Larson, J. Collis (2018) 《波西米亚时代：乔纳森·拉森的更广泛作品》，J.Collis（2018）
IF 0.1
Studies in Musical Theatre Pub Date : 2020-04-01 DOI: 10.1386/smt_00025_5
H. Robbins
{"title":"Boho Days: The Wider Works of Jonathan Larson, J. Collis (2018)","authors":"H. Robbins","doi":"10.1386/smt_00025_5","DOIUrl":"https://doi.org/10.1386/smt_00025_5","url":null,"abstract":"Review of: Boho Days: The Wider Works of Jonathan Larson, J. Collis (2018)Sheffield: Jonathon Collis, 404 pp.,ISBN 978-3-00059-113-6, h/bk, $46.00","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45598215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Experimental recreation practices: Restaging Constança Capdeville’s musical theatre work Don’t, Juan 实验娱乐实践:重现康斯坦帕拉·卡普德维尔的音乐剧作品《别，胡安》
IF 0.1
Studies in Musical Theatre Pub Date : 2020-04-01 DOI: 10.1386/smt_00020_1
Helena Marinho, Mónica Chambel, Alfonso Benetti, Luís Bittencourt
{"title":"Experimental recreation practices: Restaging Constança Capdeville’s musical theatre work Don’t, Juan","authors":"Helena Marinho, Mónica Chambel, Alfonso Benetti, Luís Bittencourt","doi":"10.1386/smt_00020_1","DOIUrl":"https://doi.org/10.1386/smt_00020_1","url":null,"abstract":"The recreation or re-enactment of twentieth-century avant-garde musical theatre works involves a set of epistemological and methodological issues that can be addressed through practice-based procedures informed by archaeological, ethnographic and experimental perspectives. This article\u0000 presents a discussion about the relevance of integrating these perspectives, departing from their application in a specific case study, the recreation of Don’t, Juan (1985), an experimental musical theatre work by the Portuguese composer, pianist and percussionist Constança\u0000 Capdeville (1937‐92). This research proposes the blending of archaeology with the living experience of performance as an approach to a reconstruction project, with methods such as performative ethnography, experimental practice and embodied knowledge through performance operating as\u0000 effective tools.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46880710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Thievery or giving back? The challenges and potentials of using theatre to disseminate ethnomusicological research 偷窃还是还钱？利用戏剧传播民族音乐学研究的挑战和潜力
IF 0.1
Studies in Musical Theatre Pub Date : 2020-04-01 DOI: 10.1386/smt_00018_1
Monique Giroux
{"title":"Thievery or giving back? The challenges and potentials of using theatre to disseminate ethnomusicological research","authors":"Monique Giroux","doi":"10.1386/smt_00018_1","DOIUrl":"https://doi.org/10.1386/smt_00018_1","url":null,"abstract":"In 2004, ethnomusicologist Anne Lederman premiered Spirit of the Narrows, an ethnodrama based on her research in Ojibwe and Métis communities in Manitoba, Canada. Told from the point of view of the researcher, the play ‐ mixing narrative with live fiddling ‐\u0000 provides a compelling glimpse into the music tradition of these communities. It is also a fascinating example of ethnomusicological research translated for a non-academic audience. Using Spirit of the Narrows as a case study, this essay considers the challenges and potentials of bringing\u0000 ethnodrama to ethnomusicology, or alternatively, ethnomusicology to ethnodrama. I argue that, if done with an eye to ethical relationships, ethnodrama can provide a dynamic means of disseminating music research. More importantly, it can engage communities in research and dissemination, in\u0000 a sense, giving back that which was taken through research.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46539841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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