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Studies in Musical Theatre最新文献

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Introduction to the Special Section 专题介绍
IF 0.1
Studies in Musical Theatre Pub Date : 2021-12-01 DOI: 10.1386/smt_00078_2
B. Herrera
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引用次数: 0
Bernstein and Robbins: The Early Ballets, Sophie Redfern (2021) 伯恩斯坦和罗宾斯：早期芭蕾舞团，索菲·雷德芬（2021）
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00067_5
K. Gardner
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引用次数: 0
Voices from the past: Reviving a rarely heard musical on a college campus 来自过去的声音:在大学校园里复兴一部很少听到的音乐剧
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00061_1
Amanda J. Nelson, Richard Masters
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引用次数: 0
Victorians on Broadway: Literature, Adaptation, and the Modern American Musical, Sharon Aronofsky Weltman (2020) 百老汇的维多利亚时代:文学、改编和现代美国音乐剧，莎伦·阿罗诺夫斯基·韦尔特曼(2020)
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00068_5
Peter C. Kunze
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引用次数: 0
Editorial 社论
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00059_2
Elizabeth Wollman, J. Sternfeld
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引用次数: 0
#YouWillBeFound: Participatory fandom, social media marketing and Dear Evan Hansen #YouWillBeFound:参与式粉丝圈、社交媒体营销和亲爱的埃文·汉森
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00063_1
Adam Rush
{"title":"#YouWillBeFound: Participatory fandom, social media marketing and Dear Evan Hansen","authors":"Adam Rush","doi":"10.1386/smt_00063_1","DOIUrl":"https://doi.org/10.1386/smt_00063_1","url":null,"abstract":"Drawing on studies of fan participation, labour and parasociality, this article explores the continuing diversification of musical theatre fandom via social media and the interactive ways in which productions harness fan engagement. The analysis focuses on Dear Evan Hansen (2016)\u0000 as a musical that depicts emotionally vulnerable teenagers and exploitative online communication, notions that are also often reflected in how fans interact with the show. Fan-generated content is regularly recycled as marketing material, and even as merchandise, that is used to sell the production.\u0000 Similarly, the musical’s producers and marketing team frequently invite interaction around the musical’s core mantra, ‘You Will Be Found’. These interactions can benefit fans by potentially eliciting feelings of social inclusion that may be experienced as empowering.\u0000 However, this practice can also be interpreted as equally as ethically dubious as some of the musical’s narrative content, given that fans are ultimately providing free advertising for a commercial musical.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47247088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Doomed as cartoons forever’: Subjection and liberation in Sidney Lumet’s The Wiz “永远注定像动画片一样”:西德尼·吕美特的《绿野仙踪》中的征服与解放
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00064_1
Destiny Salter
{"title":"‘Doomed as cartoons forever’: Subjection and liberation in Sidney Lumet’s The Wiz","authors":"Destiny Salter","doi":"10.1386/smt_00064_1","DOIUrl":"https://doi.org/10.1386/smt_00064_1","url":null,"abstract":"This article reconsiders the importance of Sidney Lumet’s film adaption of The Wiz, which was panned on release and deemed a commercial failure. Despite this, the film has always been cherished by the African American community. I examine why this is, by analysing the film's\u0000 relationship to blaxploitation, its production and reception history, and some of the film’s scenes. Finally, I consider its legacy and its meaning for later generations.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47869809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ratatouille: The TikTok Musical, TikTok Creators, directed by Lucy Moss (2020) 《料理鼠王:抖音音乐剧》，抖音创作者，露西·莫斯导演(2020)
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00066_5
Trevor Boffone
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引用次数: 0
Colour and light: Colour theory and mechanization in Sunday in the Park with George’s Chromolume 色彩与光:《公园里的星期天》中的色彩理论与机械化
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00062_1
Jeffrey Rubel
{"title":"Colour and light: Colour theory and mechanization in Sunday in the Park with George’s Chromolume","authors":"Jeffrey Rubel","doi":"10.1386/smt_00062_1","DOIUrl":"https://doi.org/10.1386/smt_00062_1","url":null,"abstract":"This article explores how Stephen Sondheim and James Lapine’s Sunday in the Park with George conveys Seurat’s scientific influences, how the show’s Chromolume engages with Seurat and his modernist legacy, and how the 1984 and 2017 Chromolume designs reflect\u0000 Seurat’s work and legacy. Using original oral history interviews, this article compares the 1984 and 2017 Broadway Chromolume designs to explore how production decisions inform the show’s engagement with pointillism, Seurat and colour theory. By analysing Sunday, this article\u0000 sets out to provide a case study highlighting how science and technology inform and influence the book, music and theatrical design of a major American musical.","PeriodicalId":41759,"journal":{"name":"Studies in Musical Theatre","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43051659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction 介绍
IF 0.1
Studies in Musical Theatre Pub Date : 2021-07-01 DOI: 10.1386/smt_00065_2
D. McHugh, Hannah Robbins
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引用次数: 0
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