Emily Dickinson Journal最新文献_第2页

“Oh Sumptuous moment / Slower go”: Emily Dickinson’s Sapphic Wor(l)d-Making “哦，奢华的时刻/缓慢的前进”:艾米莉·狄金森的《萨菲诗》(l)d-Making

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2023-03-14 DOI: 10.1353/edj.2022.0008

Emily Coccia

引用次数: 0

The "Mind dissolved" and "half-wild with loss": Negative Wisdom in Dickinson and Ammons “心灵的消解”与“迷失的半野性”：狄金森与阿蒙斯的消极智慧

2区文学

Emily Dickinson Journal Pub Date : 2023-01-01 DOI: 10.1353/edj.2023.a924673

Yanbin Kang

引用次数: 0

The Poetry of Emily Dickinson: Philosophical Perspectives ed. by Elisabeth Camp (review) 伊丽莎白·坎普主编的《艾米丽·迪金森的诗歌：哲学视角》（综述）

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-07-15 DOI: 10.1353/edj.2022.0005

G. L. Stonum

引用次数: 0

Contingent Figure: Chronic Pain and Queer Embodiment by Michael D. Snediker (review) 《偶然性图:慢性疼痛与酷儿体现》作者:Michael D. Snediker

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-07-15 DOI: 10.1353/edj.2022.0004

Clare Mullaney

引用次数: 0

"You'll be the only Dickinson they talk about in two hundred years": Queer Celebrity, Thomas Wentworth Higginson, A Quiet Passion, Wild Nights with Emily, and Apple TV+'s Dickinson “你将是两百年来人们谈论的唯一的狄金森”:《酷儿名人》、《托马斯·温特沃斯·希金森》、《平静的激情》、《与艾米丽的狂野之夜》和Apple TV+的狄金森

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-07-15 DOI: 10.1353/edj.2022.0000

Páraic Finnerty

{"title":"\"You'll be the only Dickinson they talk about in two hundred years\": Queer Celebrity, Thomas Wentworth Higginson, A Quiet Passion, Wild Nights with Emily, and Apple TV+'s Dickinson","authors":"Páraic Finnerty","doi":"10.1353/edj.2022.0000","DOIUrl":"https://doi.org/10.1353/edj.2022.0000","url":null,"abstract":"Abstract:Drawing on recent scholarship that identifies continuities between past and present celebrity cultures, this essay provides a new way of interconnecting Dickinson's complex response to nineteenth-century celebrity and her twenty-firstcentury celebrity status. It argues that examining Dickinson's appropriation of her era's celebrity discourse to create her defiant authorial identity helps illuminate aspects of her representation in recent biopics that foreground her queer iconicity. Dickinson and Thomas Wentworth Higginson's correspondence reveals her fascination with celebrity and exemplifies the ways in which in her lifetime she constructed her notability among a coterie of admirers by defying expectations determining public success and failure and conventions separating public and private figures. Originally outside the public view, Dickinson's defiance as a poet and person has subsequently become a signature aspect of her posthumous reputation, with recent films such as A Quiet Passion (2016) and Wild Nights with Emily (2018) and the Apple TV+ series Dickinson (2019-2021) developing the insights of biographical and critical studies that emphasize her gender and sexual non-conformity. These visual works highlight a rebellious Dickinson's availability to endorse queer lives and experiences and her growing status as an LGBTQ+ icon. Viewed in the context of Dickinson's negotiations with nineteenth-century celebrity culture, these works can also be said to grapple with her queer celebrity: her position as an anomalous figure whose twenty-first-century popularity stems from her shunning of nineteenth-century mass-media attention and her disordering, or queering, in her writings of its distinctions between publicity and privacy to curate her circumscribed renown.","PeriodicalId":41721,"journal":{"name":"Emily Dickinson Journal","volume":"31 1","pages":"1 - 30"},"PeriodicalIF":0.2,"publicationDate":"2022-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45857196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Polish Translations of Emily Dickinson's Poetry (1965–2020) 艾米莉·狄金森诗歌的波兰语翻译(1965-2020)

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-07-15 DOI: 10.1353/edj.2022.0001

Małgorzata Krzysztofik, A. Wzorek

引用次数: 1

The Poet's Mistake by Erica McAlpine (review) 埃里卡·麦卡尔平的《诗人的错误》（评论）

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-07-15 DOI: 10.1353/edj.2022.0003

Margaret H. Freeman

引用次数: 0

Emily Dickinson at the Edge of Analogy: Levinasian Enigma 艾米丽·狄金森在类比的边缘:列文谜

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-07-15 DOI: 10.1353/edj.2022.0002

Shira Wolosky

{"title":"Emily Dickinson at the Edge of Analogy: Levinasian Enigma","authors":"Shira Wolosky","doi":"10.1353/edj.2022.0002","DOIUrl":"https://doi.org/10.1353/edj.2022.0002","url":null,"abstract":"Abstract:Like a number of nineteenth-century thinkers including Nietzsche, Emerson, and Whitman, Emily Dickinson challenges the metaphysical map that had charted thought in religion and philosophy along analogical paths since Plato. With far more anxiety than her contemporaries, she challenges the rule of analogy as what grounds, aligns, and configures experience, with radical implications for poetics, for metaphysics, and for the risks of post-metaphysical meaning. Dickinson's work balances on the edge of analogy, at a break in its idealization and its reign of/as intelligibility. Her resistance to analogy threatens incoherence but also points to new senses in which the rupture of likeness within unity is affirmative. In the twentieth century, Emmanuel Levinas explores the possibility of such a positive post-metaphysics, theorizing a mode for valuing multiplicity rather than unity in both the world and art. His challenge to totality points not to a destructive collapse of coherence but to another kind of making-sense of experience, both in conduct and interpretation. Does Dickinson also? Do her moments of disorientation also open to reorientation? Sometimes. Dickinson's verses are terse and lapidary, and closer analysis shows them to be self-interruptive, full of cracks and breaks that rupture what at first seem declarations or definitions or iconic representations of states or observations. Yet these interruptions can be positive ventures, where the limitations of analogy are exposed, and its ruptures experienced not only negatively but also positively, in ways that are clarified in Levinasian terms.","PeriodicalId":41721,"journal":{"name":"Emily Dickinson Journal","volume":"31 1","pages":"44 - 63"},"PeriodicalIF":0.2,"publicationDate":"2022-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47201690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dickinson’s Prosodic Music and the Songs on Death in Hamlet 狄金森的韵律音乐与《哈姆雷特》中的死亡之歌

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-01-15 DOI: 10.1353/edj.2021.0009

J. Simons

{"title":"Dickinson’s Prosodic Music and the Songs on Death in Hamlet","authors":"J. Simons","doi":"10.1353/edj.2021.0009","DOIUrl":"https://doi.org/10.1353/edj.2021.0009","url":null,"abstract":"Abstract:This essay argues that the language of Hamlet emboldened Dickinson to develop her prosodic music. The essay’s argument unfolds in three steps. The first step instances Dickinson’s prosodic music by reading the poem draft “When what they sung for is undone” (Fr1545A, M 630). This step finds Dickinson’s prosodic music arise in distinctive word arrangements that show three features: interlaced phonic echoes, the rhythms of short-lined verse where rhyme marks stanzas, and the motions of intonation. The essay’s second step interprets the evidence of Shakespeare’s influence in the one poem where Dickinson named not only Shakespeare, but also Hamlet, Romeo, and Juliet, “Drama’s Vitallest Expression is the Common Day” (Fr776, M 381). A new reading of this poem shows that Shakespeare inspired Dickinson to develop her lyric art. The essay’s third step pursues the copious evidence of Shakespeare’s influence elsewhere in Dickinson’s writing. This step explicates categories of reference to Shakespeare and to Hamlet, focuses on the songs on death in the play, and interleaves in its discussion of these songs the reading of two Dickinson poems on death, “All overgrown by cunning moss” (Fr146, M 86) and “Praise it - ’tis dead - ” (Fr1406, M 595). Prosodic and thematic ties relate the songs in Hamlet to these poems and show that Dickinson’s lyric art is more inventively resonant in her own distinctive arrangements of words.","PeriodicalId":41721,"journal":{"name":"Emily Dickinson Journal","volume":"30 1","pages":"134 - 160"},"PeriodicalIF":0.2,"publicationDate":"2022-01-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45611719","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Writing in Time: Emily Dickinson’s Master Hours by Marta Werner (review) 《及时写作:艾米莉·狄金森的大师时光》玛尔塔·沃纳著(书评)

IF 0.2 2区文学

Emily Dickinson Journal Pub Date : 2022-01-15 DOI: 10.1353/edj.2021.0011

Alexandra Socarides

引用次数: 4