Musicology Australia最新文献_第3页

French art song: history of a new music, 1870–1914,French Art Song: History of a New Music, 1870–1914, by Emily Kilpatrick, Rochester, University of Rochester Press, 2022, xxi, 445 pp., ISBN-13: 9781648250545 《法国艺术之歌:新乐史》，1870 - 1914，《法国艺术之歌:新乐史》，1870 - 1914，艾米丽·基尔帕特里克，罗切斯特大学出版社，2022,xxi, 445页，ISBN-13: 9781648250545

Musicology Australia Pub Date : 2023-10-16 DOI: 10.1080/08145857.2023.2255409

Stephen Rumph

引用次数: 0

Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle Tonality. Oxford Studies in Music Theory 色彩和谐中的欲望：Fin de Siècle音调的心理动力探索。牛津音乐理论研究

Musicology Australia Pub Date : 2023-08-16 DOI: 10.1080/08145857.2023.2223352

Federico Favali

引用次数: 0

Defining the Discographic Self: Desert Island Discs in Context (Proceedings of the British Academy 211) 定义迪斯科自我：背景下的荒岛唱片（英国科学院院刊211）

Musicology Australia Pub Date : 2023-07-18 DOI: 10.1080/08145857.2023.2223830

Gillian Dooley

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French Musical Life: Local Dynamics in the Century to World War II 法国音乐生活：二战前世纪的地方动态

Musicology Australia Pub Date : 2023-07-12 DOI: 10.1080/08145857.2023.2226956

M. Roycroft

引用次数: 2

Musicology Australia Pub Date : 2023-07-12 DOI: 10.1080/08145857.2023.2223351

E. Helyard

引用次数: 0

La Musique religieuse en France au XIXe siècle. Le sentiment religieux entre profane et sacré (1830–1914) 19世纪法国的宗教音乐。世俗与神圣之间的宗教情感（1830-1914）

Musicology Australia Pub Date : 2023-07-12 DOI: 10.1080/08145857.2023.2216481

R. Stove

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Musicians of Bath and Beyond: Edward Loder (1809–1865) and His Family (Music in Britain, 1600–2000) 巴斯及以后的音乐家：爱德华·罗德（1809-1865）和他的家人（英国音乐，1600-2000）

Musicology Australia Pub Date : 2023-07-11 DOI: 10.1080/08145857.2023.2225150

Paul Watt

引用次数: 1

Hainbach and the Sound of Destruction 海因巴赫和毁灭之声

Musicology Australia Pub Date : 2023-06-15 DOI: 10.1080/08145857.2023.2216480

Bill Badger

{"title":"Hainbach and the Sound of Destruction","authors":"Bill Badger","doi":"10.1080/08145857.2023.2216480","DOIUrl":"https://doi.org/10.1080/08145857.2023.2216480","url":null,"abstract":"Abstract Hainbach is the stage name of the Berlin-based composer, lyricist, and live musician, Stefan Paul Goetsch, who is perhaps best known from his YouTube channel of the same name. Descriptions and classifications of Hainbach’s music invariably include references to the musician’s innovative and ‘experimental’ approach to music production and highlight his use of magnetic tape and obsolete tone generators, such as those used by the early proponents of electronic-based music. This article examines three of Hainbach’s recent electronic works: Tagwerk (2022), Landfill Totems (2019), and Destruction Loops (2019–2021), framing them as palimpsests of archived destruction that recall such wide-ranging works as the magnetic tape experiments of Alvin Lucier, the auto-destructive impulse and social engagement of German-born artist and activist Gustav Metzger, or even the ‘erasures’ of Robert Rauschenberg. In this article, I reveal the complex, seemingly contradictory, palimpsestuous structure of Hainbach’s works, where creation meets destruction, collage and décollage are co-planar, and the gestures of ‘play’—that creative act with destruction at its horizon—are ever present. Through play, Hainbach explores the creative potential of both sound and instrument, surveys their affordances, and courts creativity at the unpredictable intersection of serendipity and failure.","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46193824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Musical Catharsis and Identity in Holocaust Cinema: Der letzte Zug (2006) 大屠杀电影中的音乐幻听与身份认同：祖格（2006）

Musicology Australia Pub Date : 2022-07-03 DOI: 10.1080/08145857.2023.2179764

M. Lawson

{"title":"Musical Catharsis and Identity in Holocaust Cinema: Der letzte Zug (2006)","authors":"M. Lawson","doi":"10.1080/08145857.2023.2179764","DOIUrl":"https://doi.org/10.1080/08145857.2023.2179764","url":null,"abstract":"Abstract Holocaust representation in film has received much academic attention, with a focus on how cinematography and the narrative may assist our memorialization process. One aspect of film which has received little academic attention, however, is the issue surrounding the musical accompaniments of such films. The three countries of East, West and reunified Germany each attempted to engage with the Holocaust, including through the medium of film. They have done so in contrasting ways and to varying degrees of effectiveness. The opposing political, social and cultural environments of East and West Germany outweighed their geographical proximity. Likewise, reunified Germany developed a third, divergent approach to Holocaust engagement. This article examines a film co-produced by reunified Germany and the Czech Republic, and places the musicological study of its film score in an interdisciplinary context with film music theory, Holocaust representation in film, and German politics, history and culture. Through a textual analysis of the original and pre-existing score in Der letzte Zug (2006), this article examines how musical flashbacks in film offer the audience a sense of catharsis and respite from a challenging narrative, and engages with the significance of identity and religion in the music used during the flashbacks.","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49492760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Adaptation of Violin Playing by Indigenous People in Early Twentieth-Century Western Australia and New South Wales 20世纪初澳大利亚西部和新南威尔士州原住民对小提琴演奏的改编

Musicology Australia Pub Date : 2022-07-03 DOI: 10.1080/08145857.2023.2170079

Laura Case

{"title":"The Adaptation of Violin Playing by Indigenous People in Early Twentieth-Century Western Australia and New South Wales","authors":"Laura Case","doi":"10.1080/08145857.2023.2170079","DOIUrl":"https://doi.org/10.1080/08145857.2023.2170079","url":null,"abstract":"Abstract This article will use the European violin as a lens through which to reinterpret interactions between Aboriginal people and Europeans in twentieth-century Australia. The violin is a particularly well-respected instrument within the western art music tradition. Accordingly, the Europeans took the Indigenous embrace of the violin as evidence of successful assimilation policies and the acquisition of civility. However, the diverse and adaptable sound of the violin, combined with its construction from natural materials, aligned with Aboriginal people’s traditional and collaborative experience of music. This allowed the violin to act as a powerful means of cultural continuation and expression that was encouraged, not forbidden. The ability to adapt in the face of cultural genocide has ensured the survival of Aboriginal people and their traditions over the years since the colonists arrived and it is important to understand how Aboriginal people reacted. The article aims to contribute not only to a new understanding of the way Aboriginal people have responded to the violin, but also to how it has been understood within histories of Australia and colonization.","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42465004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0