J. Stockigt, M. Talbot, Andrew Frampton, F. Kiernan, D. Collins
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引用次数: 0
摘要
在过去的二十年里,随着扬·迪斯马斯·泽连卡(Jan Dismas Zelenka, 1679-1745)音乐的表演和录音的巨大增长,大量新的音乐来源的发现表明,迫切需要对他的全部作品进行批判,包括对《泽连卡- werke - verzeichnis》(ZWV)的彻底修订。对这次讨论会的贡献考虑了围绕编辑团队组成的原则,方法问题,跨境合作,出版卷的战略,在线和印刷元素的整合,以及可以从其他编辑项目中学到的教训。作者进一步反思了新的批评版本如何有效地满足表演背景的特定需求,以及音乐分析如何以基本的方式通知编辑企业- Zelenka研究中通常没有。
Colloquy: A Case for a Critical Edition of the Complete Works of Jan Dismas Zelenka (1679–1745)
Abstract The wealth of new source discoveries alongside an enormous growth in performing and recording of the music of Jan Dismas Zelenka (1679–1745) over the last twenty years signals a pressing need for a critical edition of his complete works, including a thorough revision of the Zelenka-Werke-Verzeichnis (ZWV). The contributions to this colloquy consider principles around the composition of an editorial team, questions of methodology, cross-border collaborations, strategies for publication of volumes, integration of online and print elements, and lessons that can be learned from other editorial projects. The authors further reflect on how a new critical edition can effectively meet specific needs of performance contexts, and how music analysis—generally absent from Zelenka studies—informs the editorial enterprise in essential ways.