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Thérèse Radic’s A Whip Round for Percy Grainger (1982) and the Archive on Stage Thérèse Radic 的《A Whip Round for Percy Grainger》(1982 年)和舞台档案馆
Musicology Australia Pub Date : 2024-03-13 DOI: 10.1080/08145857.2024.2318681
Sarah Kirby
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引用次数: 0
‘Take Me to Spain’: Australian Imaginings of Spain through Music and Dance 带我去西班牙澳大利亚人通过音乐和舞蹈对西班牙的想象
Musicology Australia Pub Date : 2024-02-26 DOI: 10.1080/08145857.2023.2298516
Ken Murray
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引用次数: 0
Memories of musical lives: music and dance in personal music collections from Australia and New Zealand 音乐生活的记忆:澳大利亚和新西兰个人音乐收藏中的音乐和舞蹈
Musicology Australia Pub Date : 2024-01-24 DOI: 10.1080/08145857.2023.2287304
Duncan Stuart Warren Reid
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引用次数: 0
‘Take Her Out and Air Her’: Irish Dances as Arranged by Stanford and Grainger “带她出去,放她出去”:由斯坦福和格兰杰编曲的爱尔兰舞蹈
Musicology Australia Pub Date : 2023-11-30 DOI: 10.1080/08145857.2023.2232964
Adèle Commins
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引用次数: 0
Australia’s Jindyworobak Composers 澳大利亚的Jindyworobak作曲家
Musicology Australia Pub Date : 2023-11-30 DOI: 10.1080/08145857.2023.2281008
Rhoderick McNeill
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引用次数: 0
Destiny: The Extraordinary Career of Pianist Eileen Joyce 《命运:钢琴家艾琳·乔伊斯非凡的职业生涯》
Musicology Australia Pub Date : 2023-11-23 DOI: 10.1080/08145857.2023.2270236
Jeanell Carrigan
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引用次数: 0
Quartet: how four women changed the musical world 四重奏:四个女人如何改变音乐世界
Musicology Australia Pub Date : 2023-11-22 DOI: 10.1080/08145857.2023.2268423
Sophie Fuller
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引用次数: 0
‘Keep the Music Going’: How the Isolation Tour 2020 Maintained Community and Cultural Connectedness during the 2020 COVID-19 Lockdown in Western Australia “让音乐继续”:2020年隔离之旅如何在2020年西澳大利亚州COVID-19封锁期间保持社区和文化联系
Musicology Australia Pub Date : 2023-11-20 DOI: 10.1080/08145857.2023.2270270
Brigitta Scarfe, Amy Budrikis, Clint Bracknell
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引用次数: 0
Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson , by Carolyn Philpott, Melbourne, Lyrebird Press, 2018, xx + 228 pp., ISBN-978-0-73403-788-6 (paperback), ISBN-978-0-73403-789-3 (e-book: pdf), ISSN 1325 5266 《作曲澳大利亚:马尔科姆·威廉姆森音乐中的怀旧与民族认同》,Carolyn Philpott著,墨尔本,Lyrebird出版社,2018年,xx + 228页,ISBN-978-0-73403-788-6(平装),ISBN-978-0-73403-789-3(电子书:pdf), ISSN 1325 5266
Musicology Australia Pub Date : 2023-11-13 DOI: 10.1080/08145857.2023.2271696
Rhoderick McNeill
{"title":"Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson <b>Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson</b> , by Carolyn Philpott, Melbourne, Lyrebird Press, 2018, xx + 228 pp., ISBN-978-0-73403-788-6 (paperback), ISBN-978-0-73403-789-3 (e-book: pdf), ISSN 1325 5266","authors":"Rhoderick McNeill","doi":"10.1080/08145857.2023.2271696","DOIUrl":"https://doi.org/10.1080/08145857.2023.2271696","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 As related in Meredith and Harris (Citation2007, 187–200, 256–57, 458).2 Williamson’s pre-1981 scores were largely represented by mainstream music publisher Josef Weinberger. The composer’s partner Simon Campion (now deceased) handled later works through his own Campion Music business. When researching Williamson’s later symphonies, I struggled to get any response from Campion Music and there was no active website. Proper publisher representation and public archive access may, in future, assist prospective Williamson researchers.3 The composer’s subsequent intention to edit the score to enable one large orchestra to perform it was never realized, but such a digitally engraved performing edition is feasible and should be prioritized. I have consulted the complete autograph score that belonged to conductor Paul McDermott (1916–1985), which is located in Rare Music, Special Collections, University of Melbourne, Australia (UniM Bail Music RB, MS WILL 4).4 Although not orchestral, Philpott could have referenced David Lumsdaine’s piano work Kelly Ground (1967), which clearly illustrates aspects of the Kelly story, or George Dreyfus’s Ned Kelly Ballads (1964).5 Williamson’s contributions to the 1988 Bicentenary celebrations bring to mind the large corpus of major works that were commissioned and performed throughout Australia for that event, but then largely set aside. It is time for a volume which examines this important body of music and how it represented that important 1988 landmark.Additional informationNotes on contributorsRhoderick McNeillRhoderick McNeill is an honorary professor in the School of Creative Arts, University of Southern Queensland, Australia. He has written four books, including The Australian Symphony from Federation to 1960 (Ashgate, 2014), The Music of Carl Vine (Wildbird, 2017), and The Symphony in Australia 1960–2020 (Routledge, 2023).","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136348431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music in the West Country: Social and Cultural History Across an English Region Music in the West Country: Social and Cultural History Across an English Region , by Stephen Banfield, Woodbridge, The Boydell Press, 2018, 456 pp., ISBN-978-1-78327-273-0 (hardback), ISBN-978-1-78744-195-8 (ebook) 音乐在西部国家:整个英国地区的社会和文化史音乐在西部国家:整个英国地区的社会和文化史,斯蒂芬·班菲尔德,伍德布里奇,博伊德尔出版社,2018年,456页,ISBN-978-1-78327-273-0(精装本),ISBN-978-1-78744-195-8(电子书)
Musicology Australia Pub Date : 2023-10-26 DOI: 10.1080/08145857.2023.2268757
Paul Watt
{"title":"Music in the West Country: Social and Cultural History Across an English Region <b>Music in the West Country: Social and Cultural History Across an English Region</b> , by Stephen Banfield, Woodbridge, The Boydell Press, 2018, 456 pp., ISBN-978-1-78327-273-0 (hardback), ISBN-978-1-78744-195-8 (ebook)","authors":"Paul Watt","doi":"10.1080/08145857.2023.2268757","DOIUrl":"https://doi.org/10.1080/08145857.2023.2268757","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsPaul WattPaul Watt is an Adjunct Professor of Musicology at The University of Adelaide, Australia and Director of Research at The Busking Project, Berlin, Germany. He works on nineteenth-century music, street music, and musical biography, as well as literary, medical, religious, and intellectual history. Watt is the author of a range of publications including three monographs: Ernest Newman: A Critical Biography (The Boydell Press, 2017), The Regulation and Reform of Music Criticism in Nineteenth-Century England (Taylor & Francis, 2018), and Music, Morality and Social Reform in Nineteenth-Century Britain (The Boydell Press, 2023). He is currently writing a history of Gregorian chant in Australia. E-mail: paul.watt@adelaide.edu.au","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136381925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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