J. Stockigt, M. Talbot, Andrew Frampton, F. Kiernan, D. Collins
{"title":"Colloquy: A Case for a Critical Edition of the Complete Works of Jan Dismas Zelenka (1679–1745)","authors":"J. Stockigt, M. Talbot, Andrew Frampton, F. Kiernan, D. Collins","doi":"10.1080/08145857.2022.2187988","DOIUrl":null,"url":null,"abstract":"Abstract The wealth of new source discoveries alongside an enormous growth in performing and recording of the music of Jan Dismas Zelenka (1679–1745) over the last twenty years signals a pressing need for a critical edition of his complete works, including a thorough revision of the Zelenka-Werke-Verzeichnis (ZWV). The contributions to this colloquy consider principles around the composition of an editorial team, questions of methodology, cross-border collaborations, strategies for publication of volumes, integration of online and print elements, and lessons that can be learned from other editorial projects. The authors further reflect on how a new critical edition can effectively meet specific needs of performance contexts, and how music analysis—generally absent from Zelenka studies—informs the editorial enterprise in essential ways.","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicology Australia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08145857.2022.2187988","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract The wealth of new source discoveries alongside an enormous growth in performing and recording of the music of Jan Dismas Zelenka (1679–1745) over the last twenty years signals a pressing need for a critical edition of his complete works, including a thorough revision of the Zelenka-Werke-Verzeichnis (ZWV). The contributions to this colloquy consider principles around the composition of an editorial team, questions of methodology, cross-border collaborations, strategies for publication of volumes, integration of online and print elements, and lessons that can be learned from other editorial projects. The authors further reflect on how a new critical edition can effectively meet specific needs of performance contexts, and how music analysis—generally absent from Zelenka studies—informs the editorial enterprise in essential ways.