FONTES ARTIS MUSICAE最新文献

{"title":"Lettres Autographes Françaises aux Archives du Département de la Musique de la Bibliothèque Nationale de la République Tchèque","authors":"Pavel Kordík, Annini Tsioutis","doi":"10.1353/fam.2022.0030","DOIUrl":"https://doi.org/10.1353/fam.2022.0030","url":null,"abstract":"French Abstract:Édition commentée des vingt-quatre lettres autographes françaises conservées au Département de la Musique de la Bibliothèque nationale de la République tchèque dont les expéditeurs sont : Hector Berlioz, Ludovic Breitner, Claude Debussy, Jan Ladislav Dussek [Dusík], Emma Fursch-Madier [Fursch-Madi], Charles Gounod, Vincent d'Indy, Jean-Louis Lassalle, Eugénie Mauduit, Daniel Muller, Ferdinand Roybet, Camille Saint-Saëns, Blanche Selva, Gaspare Spontini, Václav Štěpán et Henri Vieuxtemps.English Abstract:Edition with comments of the twenty-four French autograph letters kept at the Department of Music of the National Library of the Czech Republic, whose senders are: Hector Berlioz, Ludovic Breitner, Claude Debussy, Jan Ladislav Dussek [Dusík], Emma Fursch-Madier [Fursch-Madi], Charles Gounod, Vincent d'Indy, Jean-Louis Lassalle, Eugénie Mauduit, Daniel Muller, Ferdinand Roybet, Camille Saint-Saëns, Blanche Selva, Gaspare Spontini, Václav Štěpán and Henri Vieuxtemps.German Abstract:Ausgabe mit Kommentaren der vierundzwanzig französischen autographen Briefe, die in der Musikabteilung der Nationalbibliothek der Tschechischen Republik aufbewahrt werden, deren Absender sind: Hector Berlioz, Ludovic Breitner, Claude Debussy, Jan Ladislav Dussek [Dusík], Emma Fursch-Madier [Fursch-Madi], Charles Gounod, Vincent d'Indy, Jean-Louis Lassalle, Eugénie Mauduit, Daniel Muller, Ferdinand Roybet, Camille Saint-Saëns, Blanche Selva, Gaspare Spontini, Václav Štěpán und Henri Vieuxtemps.","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"269 - 296"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46492423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Musical Culture of Carmelites in the Former Polish-Lithuanian Commonwealth during the Seventeenth- and Eighteenth-Century. Music Sources and Other Documentation","authors":"M. Bebak","doi":"10.1353/fam.2022.0024","DOIUrl":"https://doi.org/10.1353/fam.2022.0024","url":null,"abstract":"English Abstract:In recent years, there has been a growing interest among musicologists in the musical life of the monasteries of former Poland. Due to the large dispersion of the sources and difficult access to them, no comprehensive research has been carried out on the musical life of the Carmelites and no monographic work dealing with different aspects of the musical culture of the order has been written. Finding materials containing information about the presence of music in this religious milieu and analysing them would facilitate comparative research in the future. Therefore, in 2021–2022, preliminary research on the musical culture of the Order of Carmelites in the Polish-Lithuanian Commonwealth during the seventeenth and eighteenth centuries was carried out. The main aim of this article is to indicate the types of sources for researching the musical culture of the Carmelites, and to describe them in a synthetic way. In the article, both music sources and non-musical documentation are identified. There are two groups of music sources: manuscripts containing compositions that most likely featured in the repertoire of the Carmelite ensembles, as well as some musical works created by Carmelite composers. Other documentation is discussed in the article, for example, books of provincial chapters and files of visits, books of admissions to the novitiate, religious professions, liber vitae and registers of the dead, monastery and fraternity accounts, and inventories. At the end of the article, research perspectives are suggested.French Abstract:Ces dernières années, les musicologues ont manifesté un intérêt croissant pour la vie musicale des monastères de l'ancienne Pologne. En raison de la grande dispersion des sources et de la difficulté d'accès à celles-ci, aucune recherche exhaustive n'a été menée sur la vie musicale des Carmes et aucun ouvrage monographique traitant des différents aspects de la culture musicale de l'ordre n'a été écrit. Trouver des matériaux contenant des informations sur la présence de musique dans ce milieu religieux et les analyser faciliterait la recherche comparative dans le futur. C'est pourquoi, en 2021–2022, des recherches préliminaires sur la culture musicale de l'ordre du Carmel dans le Commonwealth polonais-lituanien au cours des XVIIe et XVIIIe siècles ont été menées.L'objectif principal de cet article est d'indiquer les types de sources permettant d'effectuer des recherches sur la culture musicale des Carmes, et de les décrire de manière synthétique. Dans l'article, les deux types de sources, à savoir les sources musicales et la documentation non musicale, sont identifiées. Il existe deux groupes de sources musicales : les manuscrits contenant des compositions qui figuraient très probablement au répertoire des ensembles de l'ordre du Carmel, mais aussi des œuvres musicales créées par des compositeurs de cette communauté. D'autres documents sont abordés dans l'article, par exemple, les livres des chapitres provin","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"313 - 326"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44919461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Shostakovich: A Coded Life in Music by Brian Morton (review)","authors":"Cameron Pyke","doi":"10.1353/fam.2022.0027","DOIUrl":"https://doi.org/10.1353/fam.2022.0027","url":null,"abstract":"","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"19 19","pages":"347 - 348"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41256771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Anne Dawson Her Book (1716) ed. by Jon Baxendale, and: Toccatas, Suites and Preludes for Harpsichord by William Babell ed. by Andrew Woolley (review)","authors":"G. Beeks","doi":"10.1353/fam.2022.0028","DOIUrl":"https://doi.org/10.1353/fam.2022.0028","url":null,"abstract":"","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"348 - 350"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45845132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"London, Royal College of Music Library, MS 2093 (1660s–1670s) ed. by Heather Windram and Terence Charlston, and: London, Lambeth Palace Library, MS 1040 (1650s–1660s) ed. by Andrew Woolley, Heather Windram and Terence Charlston (review)","authors":"A. Day","doi":"10.1353/fam.2022.0029","DOIUrl":"https://doi.org/10.1353/fam.2022.0029","url":null,"abstract":"","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"350 - 351"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46345311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Latvia: Riga City Theatre Materials in the Stock of the National Library of Latvia – Historical Evidence and Findings","authors":"Eridana Žiba","doi":"10.1353/fam.2022.0023","DOIUrl":"https://doi.org/10.1353/fam.2022.0023","url":null,"abstract":"English Abstract:The materials of the Riga City Theatre (1782–1919) travelled a long way for a long time until they ended up in the collection of the National Library of Latvia. Their processing and cataloguing were started in 2019. The cataloguing process has ended, and the collection is now open for research. This article describes the types of materials that can been found in the collection—books, sheet music and other documents, the contents of the collection, the represented theatre and music genres and authors, as well as the historical evidence found—autographs, notes left by directors, prompters, conductors, and other theatre artists. Rare editions and manuscripts found, as well as first editions, are also discussed. The collection, as a historical source, provides new opportunities for further research of the activities of the Riga City Theatre and its artists, especially as this theatre can be viewed not only narrowly as a German cultural phenomenon in pre-independence Latvia, but much more broadly as a cultural institution that has successfully entered the European theatre scene.French Abstract:Les matériaux du Théâtre Municipal de Riga (1782–1919) ont longuement voyagé avant de rejoindre les collections de la Bibliothèque nationale de Lettonie. Leur traitement et leur catalogage ont débuté en 2019. Le processus de catalogage est terminé, et la collection est désormais accessible pour la recherche. Cet article décrit les types de matériaux que l'on peut trouver dans cette collection – livres, partitions et autres documents –, les contenus de cette collection, les genres et auteurs de théâtre et de musique représentés, ainsi que les indications historiques rencontrées – autographes, notes laissées par les directeurs, souffleurs, chefs d'orchestre et autres artistes de théâtre. Les éditions rares et les manuscrits trouvés, ainsi que les premières éditions, sont également examinés. La collection, en tant que source historique, offre de nouvelles opportunités pour des recherches plus approfondies sur les activités du Théâtre Municipal de Riga et de ses artistes, d'autant plus que ce théâtre peut être considéré non seulement comme un phénomène culturel allemand dans la Lettonie d'avant l'indépendance, mais de façon beaucoup plus large comme une institution culturelle qui a fait son entrée avec succès sur la scène théâtrale européenne.German Abstract:Die Materialien des Rigaer Stadttheaters (1782–1919) legten einen langen Weg zurück, bis sie in der Sammlung der Lettischen Nationalbibliothek landeten. Ihre Bearbeitung und Erschließung wurde 2019 begonnen. Der Erschließungsprozess ist abgeschlossen und die Sammlung steht damit der Forschung offen. Dieser Artikel beschreibt die verschiedenen Materialarten der Sammlung – Bücher, Noten und andere Dokumente, den Inhalt der Sammlung, die vertretenen Theater- und Musikgenres und Autoren, sowie die historischen Nachweise – Autographen, hinterlassene Notizen von Regisseuren, Souffleuren, Dirigenten un","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"331 - 346"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45209772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Briefs / Feuilletons","authors":"D. Campana, Richard Griscom, Judy Pinnolis, Sandi-Jo Malmon","doi":"10.1353/fam.2022.0026","DOIUrl":"https://doi.org/10.1353/fam.2022.0026","url":null,"abstract":"","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"327 - 330"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43974018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Music Collection of Antonín Borový (1755–1832), A Cantor from Zlatá Koruna","authors":"Markéta Králová","doi":"10.1353/fam.2022.0025","DOIUrl":"https://doi.org/10.1353/fam.2022.0025","url":null,"abstract":"English Abstract:The school at the South Bohemian Cistercian monastery of Zlatá Koruna was established by the last abbot of this convent in 1772. He also appointed Antonín Borový, a university educated teacher, who went on to dedicate fifty years of his life to teaching in the school. Given that a cantor's responsibilities at that time also included leading the church choir and securing the musical accompaniment for church services, Borový built up a significant music collection throughout his lifetime, of which 452 compositions have been preserved. The collection is now predominantly housed in the National Museum – the Czech Museum of Music in Prague and at the Český Krumlov branch of the State Regional Archive in Třeboň. The notes on the covers of the sheet music, which provide precise information about the performance dates for each composition, its origin and orchestration, constitute the Borový collection's greatest contribution. These notes also enable us to have some idea of the repertoire of the rural choir, the ways in which the repertoire was disseminated, and music performance practice at the turn of the eighteenth and nineteenth centuries. Borový's documentation is unique in this regard, as reports of musical performances of Czech choirs and specific repertoire choices have only been preserved sporadically. Borový also composed about twenty of his own works, which are, however, compositionally inferior. He also maintained a school chronicle written in Czech, to which he added information about school celebrations. All the sources document musical life in the Czech countryside, in which cantors, who trained entire generations of famous musicians, played an irreplaceable role for centuries.French Abstract:L'école du monastère de Zlatá Koruna en Bohême du sud a été créée par le dernier abbé de ce couvent en 1772. Il a également nommé Antonín Borový, professeur de formation universitaire, qui a dédié cinquante années de sa vie à enseigner dans cette école. Étant donné que les responsabilités d'un cantor à cette époque incluaient aussi la direction du chœur d'église et la prise en charge de l'accompagnement musical des services religieux, Borový a développé une importante collection musicale tout au long de sa vie, dont 452 compositions ont été conservées. La collection est maintenant principalement conservée au Musée national – le Musée de la musique tchèque de Prague et à la branche Český Krumlov des Archives régionales d'État de Třeboň. Les notes sur les couvertures des partitions qui fournissent des informations précises sur les dates de représentation de chaque œuvre, son origine et son orchestration, constituent la plus grande contribution à la collection Borový. Ces notes nous permettent d'avoir une idée de ce répertoire de chœur rural, la façon dont ce répertoire s'est diffusé et de la pratique des spectacles musicaux au tournant des XVIIIe et XIXe siècles. La documentation de Borový est unique dans ce domaine, dans la mesure où le","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"297 - 312"},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46938473","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym (review)","authors":"Alexander Rehding","doi":"10.1353/fam.2022.0022","DOIUrl":"https://doi.org/10.1353/fam.2022.0022","url":null,"abstract":"","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"259 - 261"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43998127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Die Notenautographe (1825–1884) im Album von Ferdinand Hiller: Überblick, Einordnung, Quellenwert","authors":"H. Rost","doi":"10.1353/fam.2022.0018","DOIUrl":"https://doi.org/10.1353/fam.2022.0018","url":null,"abstract":"Abstract:Musikbezogene Stammbücher des 19. Jahrhunderts, aus dem Umfeld der künstlerischen Eliten, kennzeichnen sich durch ihre signierten Einträge, die in der Regel mit Datum und Ortsangabe versehen wurden. In Hinblick auf den musikphilologischen Quellenwert dieser Alben Rücken die enthaltenen Notenhandschriften und die Suche nach unbekannten Kompositionen und Fassungen in den Fokus. Mit dem Stammbuch bzw. Autographenalbum des Pianisten, Komponisten und Kölner Musikdirektors Ferdinand Hiller (1811–1885) liegt ein Konvolut mit über 350 Beiträgen vor. Neben Versen, Denksprüchen, Briefen und Zeichnungen umfasst es insgesamt 146 Notenautographe aus dem Zeitraum zwischen 1825 und 1884. Diese gehen zurück auf Komponisten wie Johannes Brahms, Frédéric Chopin, Franz Liszt, Gioachino Rossini, Robert Schumann und viele andere. Es handelt sich zum einen um Zitate aus Klavier- und Instrumentalwerken, aus Opern und Sinfonien, weiterhin um Kanons, zum anderen um vollständige Stücke, vor allem Klavierpiecen und Lieder. Der Beitrag zielt darauf, diese ,musikalischen' Stammbuchblätter, die den Albumeigner zumeist persönlich adressieren, erstmals übersichtlich zu erschließen und einzuordnen.Abstract:Music-related friendship albums of the nineteenth century, from the environment of the artistic elites, are characterised by their signed entries, which were usually provided with the date and place. As far as their value as a source for questions of musical philology is concerned, these musical manuscripts are of interest to those searching for unknown compositions and versions. The album of the pianist, composer, and Cologne music director Ferdinand Hiller (1811–1885) is a bundle with over 350 entries. In addition to verses, mottos, letters, and drawings, it includes a total of 146 autographs of music from the period between 1825 and 1884, dating back to composers such as Johannes Brahms, Frédéric Chopin, Franz Liszt, Gioachino Rossini, Robert Schumann, and many others. On the one hand, they are quotations from piano and instrumental works, from operas and symphonies, furthermore canons, on the other hand complete compositions, especially piano pieces, and songs. The aim of this article is to provide the first clear overview of these ‚musical' album leaves, most of which address the album owner personally, and to classify them.Abstract:Les feuilles d'album du XIXe siècle liés à la musique, issus de l'environnement des élites artistiques, se caractérisent par leurs entrées signées, généralement accompagnées de la date et du lieu. En ce qui concerne leur valeur en tant que source pour les questions de philologie musicale, ces manuscrits musicaux sont intéressants pour ceux qui sont à la recherche de compositions et de versions inconnues. Avec l'album du pianiste, compositeur et directeur musical de Cologne Ferdinand Hiller (1811–1885), nous disposons d'une liasse de plus de 350 contributions. Outre des vers, des sentences, des lettres et des dessins, il comprend au to","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"206 - 227"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44868648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}