{"title":"音乐理论家:18世纪的音乐理论家19 .世纪.《评论》","authors":"Alexander Rehding","doi":"10.1353/fam.2022.0022","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":41623,"journal":{"name":"FONTES ARTIS MUSICAE","volume":"69 1","pages":"259 - 261"},"PeriodicalIF":0.2000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Geschichte der Musiktheorie: Die Musiktheorie im 18. und 19. Jahrhundert. Dritter Band: Frankreich, Belgien, Italien ed. by Stefan Keym (review)\",\"authors\":\"Alexander Rehding\",\"doi\":\"10.1353/fam.2022.0022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":41623,\"journal\":{\"name\":\"FONTES ARTIS MUSICAE\",\"volume\":\"69 1\",\"pages\":\"259 - 261\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FONTES ARTIS MUSICAE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/fam.2022.0022\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FONTES ARTIS MUSICAE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/fam.2022.0022","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}