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Rozmowa z Jerzym Hoffmanem 采访耶日-霍夫曼
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.15
Liubov Krupnyk
{"title":"Rozmowa z Jerzym Hoffmanem","authors":"Liubov Krupnyk","doi":"10.14746/i.2023.34.43.15","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.15","url":null,"abstract":"
 
 
 An interview with the Polish film director Jerzy Hoffman was recorded on 11–12 July 2022 at his estate in the village of Sikory Yuskie in the Warmian-Masurian Voivodeship. Jerzy Hoffman is perhaps the most popular Polish film director in Ukraine. His films gained recognition even before Ukraine gained independence. However, his most notable work is Ogniem i mieczem [With Fire and Sword, 1999], which starred the great Ukrainian actor Bohdan Stupka (1941–2012) as Hetman Bohdan Chmielnicki. The collaboration continued in the film The Old Tale. When the Sun Was a God (2003). In 2008 Jerzy Hoffman made a four-part documentary film Ukraine. The Birth of a Nation.
 The conversation touched on issues related to these films, completed and unrealized projects on Ukraine, reflections on the history of Polish-Ukrainian relations and the role of Jerzy Hoffmann’s work in establishing them. As a filmmaker who closely follows events in Ukraine, he shared his impressions and predictions about how the ongoing war will change and transform Ukraine and the world.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Methods for designing strategic narratives in the description of the 2022 Russian-Ukrainian war in documentaries 2022年俄乌战争纪录片中战略叙事的设计方法
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.5
Olena Rosinska, Marta Tymińska
{"title":"Methods for designing strategic narratives in the description of the 2022 Russian-Ukrainian war in documentaries","authors":"Olena Rosinska, Marta Tymińska","doi":"10.14746/i.2023.34.43.5","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.5","url":null,"abstract":"
 
 
 The article discusses methods of designing strategic narratives in teledocumentaries created by various production teams and distributed through the YouTube platform. The authors underline the important role of teledocumentaries in creating an emotional and intellectual response to geopolitical topics among television viewers and attempt to analyse six documentaries focusing on the current war in Ukraine. The aim of the research was to determine key narrative patterns that are presented by production teams from various countries in the context of the armed aggression of the Russian forces in Ukraine. From this research, we can outline three main narrative templates: identity issues (“Us” vs. “Them”), temporal cognition and feeling of “stopping the time”, the image of enemy inter-twined with death, unforgiveness and fear.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570283","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ukraiński ruch filmowy we Lwowie w latach 30. XX wieku 20 世纪 30 年代利沃夫的乌克兰电影运动
Images Pub Date : 2023-10-20 DOI: 10.14746/i.2023.34.43.10
Barbara Lena Gierszewska
{"title":"Ukraiński ruch filmowy we Lwowie w latach 30. XX wieku","authors":"Barbara Lena Gierszewska","doi":"10.14746/i.2023.34.43.10","DOIUrl":"https://doi.org/10.14746/i.2023.34.43.10","url":null,"abstract":"
 
 
 Title of the article: The Ukrainian film movement in 1930s Lviv The Ukrainian film movement in the 1930s was not developed on a wider scale. Due to the cost of the equipment and the film, few people could make films. Those who did included the members of the Ukrainian Photographic Society, who had completed specialist film courses. Their achievements included short feature films and documentary films, some of which were of true artistic merit. From the circle of Ukrainian cinematographers, J. Dorosz, S. Kułykiwna, W. Humecki and J. Bochenski deserve mention special. Moreover, the last two film-makers wrote about the necessity of recording Ukrainian cultural heritage; they expressed the need for patriotic, socially useful films. At that time, Ukrainian film criticism also developed in Lviv, In particular, it found expression in two outstanding periodicals published in the Ukrainian language, “Cinema” (1930–1936) and “Light and Shadow” (1933–1939).
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135570289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between Imagination and Exegesis: The Masorah Figurata Illustrations of the Two Menorot in Vatican ebr. 14 在想象与解经之间:梵谛冈二门罗的玛索拉雕像插图。14
Images Pub Date : 2023-10-10 DOI: 10.1163/18718000-12340170
Hanna Liss
{"title":"Between Imagination and Exegesis: The Masorah Figurata Illustrations of the Two Menorot in Vatican ebr. 14","authors":"Hanna Liss","doi":"10.1163/18718000-12340170","DOIUrl":"https://doi.org/10.1163/18718000-12340170","url":null,"abstract":"Abstract This article will deal with two folios from Ms. Vatican ebr. 14, a Pentateuch (with haftarot and megillot) written by Elijah ben Berekhiah ha-Nakdan in 1239. Both folios display a seven-branched candelabrum (menorah). The one on folio 104r is depicted lying on its side, while the one on folio 155v is standing upright. Both lampstands consist of masoretic material in micrographic script. The article will address both the form and content of the masorah figurata illustrations and relate them to Elijah’s overall pedagogical concept of teaching the Bible with a special emphasis on Hebrew language, grammar, and masorah. In addition, it will address the relationship between biblical text and its visualization, and it will ask whether the concept of peshaṭ exegesis was a necessary tool for visualizing biblical objects.","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136357960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Jews’ Hat in Medieval Ashkenaz: Formal Attire for Everyday Men? 中世纪德系犹太人的帽子:日常男人的正装?
Images Pub Date : 2023-10-06 DOI: 10.1163/18718000-12340173
Andreas Lehnertz, Hannah Teddy Schachter
{"title":"The Jews’ Hat in Medieval Ashkenaz: Formal Attire for Everyday Men?","authors":"Andreas Lehnertz, Hannah Teddy Schachter","doi":"10.1163/18718000-12340173","DOIUrl":"https://doi.org/10.1163/18718000-12340173","url":null,"abstract":"Abstract This article nuances the dominant historiographical narrative of the Jews’ hat as an allegedly pejorative iconographic marker of Jewish men in medieval Ashkenaz. Considering the perceptions and functions of the Jews’ hat, this article will offer new conclusions regarding if, when, and by whom it was worn. Drawing from a variety of sources in Hebrew, Latin, and vernacular languages, and on visual sources, the overall argument presented here is that the Jews’ hat was not everyday attire and that it was not likely owned by all Jewish men. Rather, featuring among the variety of hats Jewish men wore based on their socioeconomic or religious status in their communities from the thirteenth to fifteenth centuries, the Jews’ hat was a costume worn by those of more common status and on formal occasions when distinguishing oneself according to any urban group was required, such as during urban processions, oath-taking, public forms of punishment, or matters of civic administration.","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134943969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Krajobraz pod lasem. O Rhizopolis Joanny Rajkowskiej 森林下的风景关于 Joanna Rajkowska 的 Rhizopolis
Images Pub Date : 2023-01-05 DOI: 10.14746/i.2022.41.19
Marek Hendrykowski
{"title":"Krajobraz pod lasem. O Rhizopolis Joanny Rajkowskiej","authors":"Marek Hendrykowski","doi":"10.14746/i.2022.41.19","DOIUrl":"https://doi.org/10.14746/i.2022.41.19","url":null,"abstract":"
 
 
 The article contains an analytical and interpretative study of the poetics of two recent art installations by Joanna Rajkowska.
 
 
","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135368050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Material Imagination: Israeli Art from the Museum’s Collection, curated by Dalit Matatyahu 物质想象:博物馆藏品中的以色列艺术，由达利特·马塔亚胡策划
IF 0.4
Images Pub Date : 2022-07-07 DOI: 10.1163/18718000-12340156
David Sperber
{"title":"Material Imagination: Israeli Art from the Museum’s Collection, curated by Dalit Matatyahu","authors":"David Sperber","doi":"10.1163/18718000-12340156","DOIUrl":"https://doi.org/10.1163/18718000-12340156","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2022-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64782620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jewish Crucifixions, Christian Tragedy: The White Crucifixion as a Site for Tragic Theology after the Holocaust 犹太人的十字架，基督教的悲剧:大屠杀后白色的十字架作为悲剧神学的场所
IF 0.4
Images Pub Date : 2021-10-11 DOI: 10.1163/18718000-12340149
Ranana Dine
{"title":"Jewish Crucifixions, Christian Tragedy: The White Crucifixion as a Site for Tragic Theology after the Holocaust","authors":"Ranana Dine","doi":"10.1163/18718000-12340149","DOIUrl":"https://doi.org/10.1163/18718000-12340149","url":null,"abstract":"<p><em>In 2013, Pope Francis, to the surprise of many, singled out Marc Chagall’s 1938 painting the</em> White Crucifixion <em>as one of his favorites. However, despite being a depiction of a Jewish Jesus surrounded by antisemitic violence, the</em> White Crucifixion <em>has inspired a fair amount of serious Christian theological engagement, even before the Pope’s announcement. The painting allows viewers to imagine a crucifixion without a concomitant resurrection, without redemption and hope, which has proven inspiring for post-Holocaust Christian thinkers. Reading the</em> White Crucifixion <em>alongside Donald MacKinnon’s tragic theology of Christ’s human contingency allows us to visualize the violent consequences of the crucifixion and ask questions about Jesus’s responsibility for the Jewish people and antisemitism. The</em> White Crucifixion <em>is thus an important and meaningful site for Christian and Jewish visual engagement with tragic theology.</em></p>","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138496662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Inserting Hersh Fenster’s Undzere Farpainikte Kinstler into Art History 将赫什·芬斯特的《昆斯勒的未来》纳入艺术史
IF 0.4
Images Pub Date : 2021-09-17 DOI: 10.1163/18718000-12340145
Rachel E. Perry
{"title":"Inserting Hersh Fenster’s Undzere Farpainikte Kinstler into Art History","authors":"Rachel E. Perry","doi":"10.1163/18718000-12340145","DOIUrl":"https://doi.org/10.1163/18718000-12340145","url":null,"abstract":"<p>\u0000<em>In 1951, Hersh Fenster published Undzere farpainikte kinstler (Our Martyred Artists), a 300-page yizkor book in Yiddish that commemorated 84 Jewish artists who had worked in France in the interwar period and perished in the Holocaust. Unlike most memorial books, which are collaborative group endeavors sponsored by landsmannschaften groups or communal organizations, this volume was researched, written, and published entirely by one individual. This article situates Fenster’s initiative within the genre of the yizkor book and commemorative practices in the immediate postwar period more broadly. I argue that Fenster’s volume is not only a memorial tombstone (matseyve) for the murdered artists, it also offers a “window” (fenster) into an entire generation of Jewish artists lost to art history, illuminating their lives through not only portraits, critical reviews, and reproductions of works of art, but also through anecdotal information based on the recollections of friends and family who survived. Whereas Holocaust scholars have generally resisted using yizkor books as historical documents, this article suggests important ways in which Our Martyred Artists opens up new frames for art historical inquiry.</em>\u0000</p>","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2021-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138496661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Surprise! Learning to Communicate and “let go” through Collaborative Artmaking 惊喜!通过协作艺术创作学习沟通和“放手”
IF 0.4
Images Pub Date : 2020-12-28 DOI: 10.24981/2414-3332-10.2020-4
Kristin Vanderlip Taylor
{"title":"Surprise! Learning to Communicate and “let go” through Collaborative Artmaking","authors":"Kristin Vanderlip Taylor","doi":"10.24981/2414-3332-10.2020-4","DOIUrl":"https://doi.org/10.24981/2414-3332-10.2020-4","url":null,"abstract":"","PeriodicalId":41613,"journal":{"name":"Images","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69306359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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